But Now, God Knows, Anything Gose

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For our 116th Session, our host will be Derrick Peterman, who writes Ramblings of a Beer Runner. For his topic, he’s chosen Anything Gose, asking everyone to write about the German sour beer style Gose.

Rittergute Gose Labels

Here’s his full description of the topic:

I choose the Gose style in particular since it can be approached in so many different ways. Want to talk about the history of the Gose? How about how American breweries are taking this style and running wild with it with different spice and fruit additions? How else has the Gose manifested itself outside its German homeland? Is the Gose here to stay or will it go the way of the Black IPA, once the hot style but slowly becoming a largely irrelevant curiosity? (OK, that might not be your opinion of the Black IPA, but you get the idea.) Of course, we’re all on the look-out for a good Gose, so if there are any you particularly like, we’d love to hear about them.

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We know “Times have changed, and “Good authors too who once knew better words, Now only use four-letter words Writing prose. Anything goes.” Or rather, Anything Gose. So on or before Friday, October 7, let’s wax lyrically about gose. Music optional. Post your contribution at the original announcement or e-mail your link to Derrick at photon.dpeterman[at]gmail(dot)com. And remember. “If driving fast cars you like, If low bars you like, If old hymns you like, If bare limbs you like, If Mae West you like, Or me undressed you like, Why, nobody will oppose. When ev’ry night the set that’s smart is in-Truding in nudist parties in Studios. Anything goes.”

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Apropos of nothing, I love the title because it’s play on the Cole Porter musical “Anything Goes,” a personal favorite, and the only show I’ve done twice in my theatre geek days.

Here’s a great performance of the song “Anything Goes,” although only really just part of it, from the 2011 Tony Awards.

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