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Beer In Ads #3383: Gueuze Boon

June 16, 2020 By Jay Brooks

Tuesday’s ad is for Gueuze Boon, from the present, although it’s in the style of the mid-20th century. From the late 1800s until the 1980s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. I’ve been posting vintage European posters all last year and will continue to do so in 2020. This poster was created for the Brouwerij Boon, founded by Frank Boon in Lembeek, which is part of the city and municipality of Halle, Belgium. It was founded in 1978. I’m not sure who created this metal sign.

Here’s a slightly smaller, though a little clearer, image of the sign.

Filed Under: Art & Beer, Beers Tagged With: Advertising, Belgium, Flanders, History

Beer In Ads #3381: Gueuze Flandrine

June 14, 2020 By Jay Brooks

Sunday’s ad is for Gueuze Flandrine, from 1957. From the late 1800s until the 1980s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. I’ve been posting vintage European posters all last year and will continue to do so in 2020. This poster was created for the Brewery Louwaege Gebr. N.V., founded by Placide Louwaege in Kortemark, which is a municipality in West Flanders, Belgium. Also known as “Brasserie de Arend,” it was founded in 1877, but was acquired by Alken-Maes in 2002. One website claims this is the “only this advertising sign was ever made for Gueuze Flandrine. I’m not sure who created this poster, but it was published by Rob Otten in Brussels.

Filed Under: Art & Beer, Beers Tagged With: Advertising, Belgium, Flanders, History

Having One More For The Road

December 10, 2018 By Jay Brooks

session-the 1-the-road
For our 142nd and final Session, our host is Stan Hieronymus, who founded the Session, and writes the Appellation Beer Blog. I could think of no better person than the man who started it all with the first Session back in March of 2007. For Stan’s topic this month, he’s chosen One More For the Road, which he sums up as going out with a bang, um … I mean beer; going out with a beer. So what beer would you choose? If you only have one to pick — and you do — what would it be? How would (will) you decide? You only have one more beer to drink, make it count.

beer-choice

Here are Stan’s simple instructions, in full:

When Jay Brooks and I exchanged emails about the topic this month I flippantly suggested “Funeral Beers” [which] seemed appropriate. You can call it “Last Beers” if you’d rather not think about how your friends might toast you when you no longer are participating. Or “One more for the road”* because that has a soundtrack.

Pick a beer for the end of a life, an end of a meal, an end of a day, an end of a relationship. So happy or sad, or something between. Write about the beer. Write about the aroma, the flavor, and write about what you feel when it is gone.

one-for-road-142

For me, it’s the end of The Session itself, a bittersweet event because I’ve been helping to shepherd the project almost since its beginning and feel a deep sense of loss over its conclusion. That’s despite the fact that I also helped pull the plug, but because the writing was (or in this case no longer was) on the wall and it seemed to have run its course. But that didn’t make it any easier to decide. I think it was the right thing to do, but I’m still sad about it. So what beer did I decide to mark the last Session? I opened one of our garage refrigerators and looked for something appropriate, finally settling on something sour to match my mood. It’s one of my favorite beers, one of the early sour beers I really fell in love with, and over the years I’ve been surprised to learn that not many people love it as much as I do — finding it okay, or good, but not great. I think they’re wrong, but hey, tastes are somewhat individual. Plus, I think it just occupies a special place in my heart because it was one of the first sour beers I loved. I’m talking about Duchesse de Bourgogne, a West-Flemish red brown ale brewed by Brouwerij Verhaeghe, in Vichte, West-Vlaanderen, Belgium.

abbey-duchese

I don’t actually remember when or where I first tried Duchesse de Bourgogne, but I know I was immediately smitten. I remember how vinegary it was, especially in the aroma, but also the sweetness and malt character, with loads of fruit, how heavy on the tongue, the weight of it on my mouth. And ultimately, how satisfying it felt to drink it.

This is the brewery’s description of their beer:

“Duchesse de Bourgogne” is an ale of mixed fermentation. It is a sweet-fruity ale with a pleasant fresh aftertaste. This ale is brewed with roasted malts and with hops with a low bitterness. After the main fermentation and the lagering, the “Duchesse de Bourgogne” matures further for many months in oak casks. The tannins in the oak give the “Duchesse de Bourgogne” its fruity character. “Duchesse de Bourgogne” has a full, sweet and fresh taste: it is a ruby red jewel of 6.2 % alc. vol., that best is served in a chalice-shaped glass between 8 and 12°C. A perfect beer.

And this is how it’s described on Wikipedia:

Duchesse de Bourgogne is a Flanders red ale-style beer produced by Brouwerij Verhaeghe in Vichte, Belgium. After a primary and secondary fermentation, this ale is matured in oak barrels for 18 months. The final product is a blend of a younger 8-month-old beer with an 18-month-old beer. The name of the beer is meant to honour Duchess Mary of Burgundy, the only daughter of Charles the Bold. She was born in Brussels in 1457, and died in a horse riding accident. Like all Flemish red ales, Duchesse de Bourgogne has a characteristically sour, fruity flavour similar to that of lambic beers.

The beer, of course, was named for Mary of Burgundy. Several years ago, I wrote this about Mary:

Beer aside, the history of the Duchesse is fascinating. Her anglicized name was Mary of Burgundy, though she was born in Brussels on February 13, 1457, the only child of Charles the Bold, Duke of Burgundy, and his wife Isabella of Bourbon. Needless to say she was quite a catch, especially after her father died in battle (at the siege of Nancy, not a particularly awful sounding name) in 1477, when she was nineteen. Louis XI of France tried to take Burgundy and the Low Countries for himself but was frustrated when Mary signed the “Great Privilege,” by which she gave Flanders, Brabant, Hainaut, and all of Holland autonomous rule (leaving for herself the remainder of the Low Countries, Artois, Luxembourg, and Franche-Comté). She then married Archduke Maximilian of Austria, who was later the Holy Roman Emperor Maximilian I, and part of the Hapsburg Austrian dynasty. This sparked a long-standing dispute over the Low Countries between France and the Hapsburg family.

One of Mary’s favorite hobbies was falconing, which was popular among royals in the day. Falconry is basically training and hunting using a falcon. While engaged in this pursuit, in 1482, Mary’s horse tripped, tossing her onto the ground where the horse then landed on top of her, breaking her back. A few days later she died. Mary was only 25. The beer label’s portrait pays homage to her love of falconry and her ultimate death because of it.

Her young son Philip became heir after her death, though Maximilian was in charge until he reached adulthood. King Louis forced Maximilian to sign the Treaty of Arras the same year, and it gave Franche Comté and Artois to France. But Philip was a virtual prisoner until 1485, and then it took Max another eight years to take back control of their lands in the Low Countries. The Treaty of Senlis, in 1493, finally established peace in the area, but Burgundy and Picardy remained French.

So during her short life, Mary had such great impact on European politics that they can be felt even now in the present. So it’s quite appropriate that she have so wonderful a beer that bears her name and her portrait. It’s a fitting legacy.

Unfortunately, I don’t drink it all the time, just once in a while. Maybe I don’t want to ruin the experience by drinking it every day, or even once a week. As a once in a while beer, it stays special, every time. I usually try to keep a bottle in the ‘frig at all times, so when I want one, it’s already there, waiting for me. But it has been almost a year, maybe longer, since I’d cracked open a bottle of Duchesse de Bourgogne. I was looking forward to it, but also I always wonder how it will taste this time, will it taste the same? As good as I remember it? But it’s always an adventure.

DdBme

So how did this bottle of Duchesse de Bourgogne fare? After a long week, driving half a high school basketball team back and forth to another town, an hour away, four days in a row, then scoring each game, plus trying to do all of my other work took its toll. Finally, Sunday came, a day of rest … eventually. The Packers actually won for a change, which certainly improved my mood. By nightfall, it was quiet enough to open a bottle and spend some time with it. So I opened the cage, popped the cork, and poured a glass of Duchesse de Bourgogne. I let Sarah nose it, and she predictably hated it. She loves most beer, but has never warmed to sour beers in any way, although she loves Kombucha. I hate sour foods, but love it in beer. People certainly don’t make sense. I’m living proof of that.

But I loved the nose. A little less vinegar than I remembered from before, but still there, and still loads of fruit; plums, cherries, maybe burgundy. But it’s the flavors I really respond to, it’s just thick and chewy; lays on my tongue like a weight, until swallowed. I like to let it sit there, roll it around, keep the flavors assaulting my taste buds until they start to dissipate, like chewing gum you’ve been chewing for too long. Then flush it down my throat, feel the sourness burn all the way down, as it evaporates on my tongue, preparing the way for another sip. I love this beer. I remember why as that second sip repeats the first, as complex flavors abound, with vinous notes, wood, dark fruit, figs, tart cherries, a smidge of vanilla, port wine, both sweet and sour dancing together. This is a beer that ideally you should take as long as possible to finish, it should not be hurried. It changes as it warms, which adds yet another element to the experience, so it’s not quite the same beer it was in the first few sips as it is when you drain the last remnants of the bottle. And when it’s empty, I’m a little sad, which is how I feel about the Session ending, too. So for this Session, it’s perfect. A perfect beer, a perfect end.

So that’s it. It’s been great fun, a great run. 142 Sessions over 11+ years. Thanks to everybody who hosted and everybody who participated, and especially Stan. Thanks, Stan.

142-album-btl

Filed Under: Beers, Just For Fun, Related Pleasures, The Session Tagged With: Belgium, Flanders, Sour Beer

Beer In Art #155: David Teniers’ Self-Portrait At An Inn

January 1, 2012 By Jay Brooks

art-beer
Today’s work of art is yet another painted by David Teniers the Younger, a Flemish artist born in Antwerp. The painting is a Self-Portrait at an Inn, finished in 1646.

Teniers-self-portrait-at-inn-1646

Here’s how one source describes the painting:

David Teniers the Younger is one of the greatest Flemish painters of the 17th century; he specializes in genre scenes, especially indoor ones, in taverns. This is what his self-portrait shows here, like a manifesto; he has depicted himself, with a pitcher in one hand and a glass of beer in the other. One can note the minute description of the place, the restrained range of colour, the attention given to details which become as many still lifes, and the brushstrokes, precise and delicate, yet not effaced.

To learn more about David Teniers, Wikipedia has a good overview and there’s also a more detailed biography at the National Gallery and the Web Gallery of Art. You can see more of his work at the Web Museum, Olga’s Gallery and the National Gallery. There are also additional links at ArtCyclopedia

Filed Under: Art & Beer, Beers Tagged With: Belgium, Flanders, Pubs

Beer In Art #154: David Teniers’ Peasants Dancing Outside An Inn

December 25, 2011 By Jay Brooks

art-beer
Today’s work of art is another painted by David Teniers the Younger, a Flemish artist born in Antwerp. The painting is known as Peasants Dancing Outside an Inn. The painting is in the Royal Collection at Windsor, which I believe means the Queen of England owns it. It was completed around 1645, although the Royal Collection lists the date as 1641.

Teniers-peasants-dancing-1645

The Web Gallery of Art describes the painting:

The painting, which would appear to date from the mid- or late 1640s, is essentially a genre scene of a type that had been pioneered by painters like Jan Brueghel the Elder, Frans Francken II and David Vinckboons. The broad characterisation of peasant types by Teniers is to some extent derived from Adriaen Brouwer, but the squat proportions of the figures, with their large heads and big feet, are typical of the artist’s style. Not all the figures, however, are peasants. The couple in the left foreground, accompanied by a child and a dog, are bourgeois types. So too is the woman nearby being helped to her feet. Dress and coiffure suggest social distinctions that may give the painting extra meaning.

The inn in the left half of the composition occurs again in a painting in Dresden, but the general layout of the composition with buildings on the left, a tree with or without a fence marking the centre, and a distant view on the right is a well-established format in Teniers’s work. Otherwise it is the range of observation and contrasting actions that holds the attention. The bagpiper leaning against the tree, the man vomiting, the man near the centre leaning on his stick, the dancers, the woman looking out of the window of the inn are all memorable figures in a painting of varied emotions and changing rhythms. The figure helping the woman to her feet anticipates Watteau, who was a keen admirer of Teniers. Genre, landscape and still life are all combined in this composition, which provides abundant proof of the artist’s skills.

The second painting of the same Inn they’re referring to appears to have been done around 1660 and is also titled Peasants Dancing Outside an Inn, though it’s often referred to as Peasants Dancing Outside An Inn II

Teniers_the_Younger_David-Peasants_Dancing_outside_an_Inn-1660s-II

To learn more about David Teniers, Wikipedia has a good overview and there’s also a more detailed biography at the National Gallery and the Web Gallery of Art. You can see more of his work at the Web Museum, Olga’s Gallery and the National Gallery. There are also additional links at ArtCyclopedia

Filed Under: Art & Beer Tagged With: Belgium, Flanders, Pubs

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