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Jay R. Brooks on Beer

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CAMRA’s Christmas Pairing Suggestions

December 13, 2006 By Jay Brooks

The Campaign for Real Ale, Britain’s advocacy group for cask-conditioned real ales, has made several suggestions for food and beer pairings to use with Christmas dinner. Here are their more general suggestions, too, for pairing beer and food.

Filed Under: Food & Beer, News Tagged With: Europe, Great Britain

Ancient Beer Bottles Found

December 12, 2006 By Jay Brooks

From today’s Publican, a number of old beer bottles were found in the vaults of Worthington’s White Shield brewery in Burton-upon-Trent in Staffordshire, now owned by Molson Coors. Some of the bottles are over 130 years old. The oldest bottle is 137-years old, bottled in 1869. That beer is Harry Ratcliff’s Ale and was brewed to commemorate a son being born into the Ratcliff family, which was later part of the Bass, Ratcliff & Gretton breweries in the late 1800s.

Above, Worthington White Shield’s head brewer, Steve Wellington. “It was always rumoured that there were some vintage beers on site but uncovering such an interesting collection is fantastic. I believe this is one of the most exciting and unique discoveries ever made in British brewing.”
 

 

From the Publican:

Dr George Philliskirk, beer expert and Chief Executive of the Beer Academy comments: “This discovery is remarkable, especially as the oldest beer of all dates back to 1869 and tastes so fresh, and with such attractive ripe plum and honeyed flavours. This demonstrates the potential for vintage beers to be taken seriously – maybe even being worthy of a special section in wine lists at Britain’s top restaurants.”

As a result of this find, Worthington’s in conjuction with CAMRA, is sponsoring a contest to find the oldest unopened bottle of beer in the U.K. The winner “will be invited to the White Shield Brewery in Burton upon Trent to brew their very own vintage.”

Below are some more photos of the bottles found in Worthington’s cellars:

 

 

Filed Under: Just For Fun, News Tagged With: Europe, Great Britain, History

McFarland Nabs Second Writing Award

December 8, 2006 By Jay Brooks

British writer Ben McFarland won the coveted “Beer Writer of the Year” award from the British Guild of Beer Writers for 2006. This is the second time he’s won this award, having also been given the honor in 2004. McFarland writes for various trade and national press in the UK, including the Publican, the Guardian and the Independent. Congratulations to Ben.

Here’s a fun piece he did for the Publican that includes a quiz to determine what kind of beer snob you are.
 

Filed Under: Just For Fun, News Tagged With: Awards, Europe, Great Britain

U.K. Shows Perspective in Rejecting Increasing Beer Tax

October 30, 2006 By Jay Brooks

Patricia Hewitt, the Health Secretary for the U.K.’s Department of Health, during an interview Friday in youth newspaper First News told them that she would ask the British government to increase the tax on alcohol, and especially alcopops, as a way of combating underage binge drinking. And not just increase them, but “really increase taxes on alcohol.”

The Treasury Department quickly rejected her call for the increase, suggesting that it was her job to combat binge drinking and raising taxes on all alcohol would “punish responsible drinkers in an attempt to change the behaviour of a small minority.” Amen.

And according to the Daily Express, another “Treasury source said the idea was misguided because the main consumers of alcopops were no longer youngsters, while the move also risked driving whisky producers out of business.”

Now if only our government could find its spine to stand up to the neo-prohibitionist agenda in similar fashion. Ah, dare to dream …

Filed Under: Editorial, News Tagged With: Europe, Great Britain, Health & Beer, Law

Giving the Bishop the Finger

October 26, 2006 By Jay Brooks

Did you know sex sells? Yeah, me neither. The late comedian and social critic Bill Hicks used to say that the advertisement that big business wants to run is simply a photograph of an attractive woman fully naked and the text “Drink Coke” (or any other company’s slogan). Unlike me, he made it sound funny, of course, but the point is that it’s not really a secret that sex is used to sell almost every imaginable kind of product or service. I had a whole semester on this subject in college, where we were even shown the word s-e-x spelled out in an older version of KFC’s Colonel Sanders logo, along with much else.

Among beer advertisements, especially those of the big breweries, sex is a frequent sales tool from the Coors Twins to St. Pauli Girl. A review of older beer ads will quickly reveal that this is not a new phenomenon, either. Many early breweries used attractive women in their advertising. I’m not necessarily opposed to seeing an attractive woman per se, but when it’s used merely to pander to base instincts and outmoded stereotypes then it’s bad for the beer industry, at least in my opinion. Most of the worst examples of this — Miller’s mud wrestling “cat fight” ad was a particularly bad one — essentially take the position that their target audience is all but exclusively male or certainly male enough that they can safely alienate half the total population. And not just any male, but a certain kind of unenlightened male, the ones for whom Jackass, Beavis and Butthead, Dumb and Dumber, and Beerfest are all high art. Does that make me elitist? Maybe, but I’d rather that than see beer’s image continue to be so unceasingly tarnished.

Not surprisingly, that is outmoded thinking, because the demographics of beer are changing and beer drinking among women is on the rise. Some recent studies show that of the total beer consumed in America, women drank 25% of it. And while it may be no surprise that the age group with the most women beer drinkers is 21-30, the number of women drinking beer who are over age 50 is growing significantly.

But I wouldn’t argue that sexual imagery should never be used in advertising (or art or anywhere else). I don’t think that’s the right solution and frankly I don’t think it possible. Despite fundamentalist attempts globally to suppress sexual awareness and expression, it is a potent part of human nature. Without the sexual urge, we might never procreate and continue as a species so it certainly fills a very vital role in the life cycle.

I would suggest, however, that common sense and a sense of perspective and context might be employed in how sexual images are used, not least of which because we’ll never evolve if advertising continues to keep us wallowing (and literally wrestling) in the mud of our basest primal instincts. The people whose products are being advertised in these ways should have a bit more respect for themselves and their product. Why the big beer companies want to associate themselves with mud wrestling, talking frogs, man law, flatulent horses, etc. is beyond me because it does nothing to elevate the image of their product. Interestingly, when Miller tried to change that carefully created image by using the tagline “Beer: Grown Up,” hardly anyone was buying it. USA Today polls showed a majority of people didn’t like the ads and didn’t think they were effective. Despite Terry Haley, the brand manager for Miller Genuine Draft, saying “[w]e believe in what we’re doing, [w]e’re tapping into a true social trend, and we’re going to stay the course,” Miller quickly dropped the ads, and switched ad agencies, who presumably will return to the puerile.

But the other side of this debate is one of easy offense and our willingness to censor should even only a sole complaint be lodged. Advertisers, advertising and the media generally beat a very hasty retreat when faced with criticism, which is a powerful wedge for organizations and individuals with agendas and an axe to grind. (The media, of course, is paid for by advertising — you may think that you are TV, the magazine and the newspaper’s customer but you are not. Their customer is the advertiser.) For years, organizations with a small, minority membership have caused havoc for the rest of us when they cried offense at one imagined slight after the other. The media landscape for a time was (and probably still is) rife with stories of letter writing campaigns from citizen’s groups in which television shows (and other media) were deemed by these yahoos to be too provocative, too sexy, used too much bad language, showed different morals then their own, and on and on. Basically, much like neo-prohibitionist groups, some people cannot rest until the world is remade in their own image, indeed they cannot tolerate any difference of opinion or alternative (to their own) lifestyle being on display, especially if their children might furtively glance longingly at such imagined hedonism. Worse still, entire entertainment programs have been altered, changed or canceled, books have been banned, and songs have been censored all on the basis of a few complaints or even a single complaint. That 299,999,999 people in the U.S. do not complain seems to carry no weight, or at least far less weight than the single whiner who does. This is literally the very opposite of a democracy, in which the desires of the many are circumvented and denied by a tiny handful of individuals, or in some cases a single person.

This is, of course, true of advertising as well. The hue and cry against much advertising is loud and shrill and seems never to cease. And while I may not disagree with all of it — I’m no fan of a lot of advertising — I find truly reprehensible the impulse to inflict one’s beliefs on the rest of society, as if any person could be certain of the one, true moral compass and way to live one’s life. That anyone pays attention to these nutjobs is a sad commentary indeed on the way our world is heading, but that’s a debate for another day and another forum.

What prompted all of what preceded, is an item reported yesterday by the BBC News in an article titled ‘Provocative’ beer ad criticized. According to the report, a complaint was filed with the UK’s Advertising Standards Authority, an organization that is paid for by the advertising industry and which acts essentially as an ombudsman. That means that people offended by advertising may file complaints and have their cases adjudicated by the ASA. In this instance, a print ad for Bishop’s Finger, a popular beer brewed by the Shepherd Neame Brewery of Kent, England had a complaint filed against it. The ad that prompted the complaint has been removed from Bishop’s Finger’s website, but here is a similar one:

In the offending one, which apparently ran in the magazine Time Out, the woman was seated on a bale of hay and the text read, “I love a good session on the Bishops Finger.” And here are all seven print ads, after the offending one was quickly removed. The name “Bishop’s Finger” has it’s origin in the “ancient finger-shaped signposts that showed the Pilgrims the way to Canterbury Cathedral” that are unique to the Kent area of southeastern England.

It is overtly sexual? Sure. Is it offensive? Not to me, I find it mildly amusing. It does play on the origin of the beer’s name and hearkens back to Chaucer’s time. It uses a pretty obvious double entendre, of course, but it is in context. According to the BBC article, Bishop’s Finger is known for running humorous ads. At least it’s not a scantily clad bikini gal holding a beer for no discernible reason other than to titillate.

The ASA examined the ad for four breaches of the UK’s advertising guidelines and only found that they had violated one, and ruled as follows:

We considered that the text “I love a good session on the Bishops Finger” played on the connotations of drinking and sexual activity. We considered that the woman’s pose was suggestive and concluded that, in combination with the headline text, it was likely to be seen as linking alcohol with seduction and sexual activity.

On this point, the ad breached CAP Code clause 56.9 (Alcoholic drinks).

Here’s 56.9 in its entirety:

Marketing communications must neither link alcohol with seduction, sexual activity or sexual success nor imply that alcohol can enhance attractiveness, masculinity or femininity.

Based on their ruling, the the “Advertising Standards Agency told the beer maker in future to adopt an approach that did not link alcohol with sexual activity.” Okay, I’m sure they’ll get right on that. And given that alcohol and sexual activity are, in fact, linked insofar as sexual activity can be linked with practically anything, I’m not even sure how you could possibly enforce such a perniciously vague standard. Right or wrong, alcohol has been called a “social lubricant” for centuries. That’s one of its roles in society, to pretend otherwise seems dishonest.

But here’s the thing, and perhaps the point of all this — finally — only ONE person in all of England complained about this ad. Only One. Out of a population of more than 60 million people, only ONE person was offended enough to complain. That one person being offended by the ad prompted a full-scale investigation involving who knows how many people, a news article in the BBC, and a major brewer to withdraw an ad from the market. Does that seem reasonable? It sure doesn’t seem so to me. Like many issues of censorship, the person who lodged this complaint could have asked a few friends before starting this ball rolling. Perhaps some friend’s support or non-support might have changed or strengthened their resolve. But even if a 100 people had complained, a hundredfold increase, I would still be skeptical that justice had been served. Perspective has to play in role in looking at issues of censorship and people being offended. I’m sorry this person felt as badly as she (or possibly he, I suppose) claims to have, but that doesn’t mean the whole of England should have to sit up and take notice. Is there anything published in the world today that you couldn’t argue might be offensive to somebody? It’s one thing to be sensitive to the views of others, but quite another to insist the world be inoffensive to all. Every time we pander to such an extreme minority view, however well-intentioned, we fan the flames of intolerance and make it harder for all of us to co-exist. Why can’t we all just have a beer and get along?

Filed Under: Editorial, News Tagged With: Business, Europe, Great Britain, Strange But True

Jesus Was a Homebrewer

September 15, 2006 By Jay Brooks

jesus-drinks-beer
Many people think that Jesus may have been a homebrewer. I have heard that when the Greeks first translated the bible from ancient Hebrew, that they lacked a word for beer and thus substituted the Greek word for wine in its place, perhaps thinking what difference would it make, an alcoholic drink is an alcoholic drink. I’m not sure this is directly on point, but the article Beer, Barley and [Hebrew symbols] in the Hebrew Bible certainly shows that this would have been quite possible and that there is some confusion about translations of this type for centuries.

So when Jesus turned the water into wine (in the Gospel of John 2:1-11), perhaps he was simply a homebrewer and making beer for the wedding party. It certainly seems more plausible to take vats of water and make beer out them than magically turn one liquid into a completely different one. It’s my understanding that the priests of the day would have been the ones who possessed the knowledge of how to make ancient beer so it follows that Jesus would have known this ancient art, as well. That’s probably why Jamie Floyd’s new Ninkasi Brewing in Eugene, Oregon has “Jesus Was a Homebrewer” printed on the back of his brewery t-shirts. And no less a beer luminary than Michael Jackson has also ruminated on this subject.

But while I’m very open to this possibility and believe it makes far more sense than the conventional story, I gather that many people of a more religious bearing than myself do not look upon this debate with anything but contempt. My understanding of fundamentalism is that many adherents refuse to entertain the idea that mistranslations may have occurred because they believe the translators themselves were divinely inspired and somehow led by the hand of god in their work. Whatever your own take on this theory, it follows that religion and beer are generally not fast friends, notwithstanding many christians do enjoy a pint from time to time. So I was mildly amused when I saw the new ad campaign for this year’s holiday season by the Churches Advertising Network (or CAN), an English group whose mission, in their own words, is to be “an independent, ecumenical group of Christian communicators which exists to provide high quality national Christian advertising campaigns, especially around major festivals, and to provide the means for local churches to share in and receive the benefit of such national campaigns.”

Apparently each year, CAN creates an ad campaign around Christmas to try to bring people back into the fold. “Previous CAN campaigns include a poster depicting Jesus as the revolutionary leader Che Guevara and one suggesting Mary was having a “bad hair day” when she discovered she was pregnant.”

This year’s campaign features a pint glass with the image of Jesus in the Brussels lace stuck to the side of the empty glass and a MySpace.com website for Jesus. CAN chairman Francis Goodwin said he hoped the poster and accompanying radio adverts would spark a debate about religion.

“The message is subtle but simple – where is God in all the boozing at Christmas?” said Goodwin.

“For many, Christmas is just drinking and partying and God is excluded, yet many young people are interested in finding deeper meaning and exploring faith.”

The poster is a nod to the occasional discoveries of holy images in everyday objects, from the face of Jesus in a frying pan, toast or fish finger, his mother Mary on a toasted cheese sandwich and even Mother Teresa in a sticky bun.

jesus-beer-poster

According to the group’s literature, here is their take on this image:

This year’s poster picks up on the current media preoccupation with finding images of Jesus in everything from egg yolks to currant buns. Next to an empty beer glass in which a face can be seen are the words “Where will you find him?” and pointing to the web address myspace.com/isthisjesus.

The poster aims to provoke thought and debate about where and how people find God. The myspace.com webspace will include a link to the rejesus website, which has creative features and reliable information on the Christian faith. Rejesus is supported by all the mainstream UK churches.

So why the image of an empty beer glass? Francis Goodwin, Chair of the Churches Advertising Network (CAN) says: “The message is subtle, but simple: where is God in all the boozing at Christmas? For many, Christmas is about drinking and partying, and God is excluded. Yet many young people are interested in finding deeper meaning and exploring faith. We hope the link to myspace.com will offer a fresh venue for them to discuss their feelings and debate the issues.”

Richard Johnston and Mark Gilmore, who produced the poster at Radioville, the ad agency for the campaign, say…

“We took the traditional silly-season news story in which people find images of Jesus in the side of trees, in a slice of toast or even within the bubbles of cheese on a pizza, and developed a number of new images showing Jesus’ face in unexpected places. Because of the season, CAN chose the beerglass route, where Jesus’ face is captured in the froth running down the side of an empty pint glass. The responses expected on myspace.com when the campaign launches should be quite illuminating.”

Yes, they should be quite “illuminating.” It will quite interesting to see what people say about this. I can’t imagine many American fanatics being very happy about this since so many neo-prohibitionists are also highly religious. One bit of unintentional humor is that when you visit the MySpace page, Jesus has “0” friends. Jesus has no friends? I’m sure that will change shortly, but for now I feel kinda bad for him. Perhaps I should buy him a beer.

Filed Under: Just For Fun, News Tagged With: Europe, Great Britain, International, Strange But True

Icons of England: The Pub and a Pint

August 10, 2006 By Jay Brooks

I’ve always been fascinated by symbols, so I was immediately drawn to the Icons of England Project, a project to identify and select the symbols that are instantly recognizable as being a part of England and England’s heritage. Throughout the course of 2006, people are invited to nominate icons for England and they will be chosen in four waves, three of which have already been selected. That quintessentially English establishment, the Pub was selected earlier this year, along with such other stalwarts as tea, Big Ben, the FA Cup, the miniskirt and Alice in Wonderland. The third wave was just announced and it included a Pint, along with the perfect pairing of pub food, Fish & Chips. The latest wave also included Monty Python, bowler hats, Robin Hood and the OED. A total of 53 icons have been chosen so far with one more round of icons to be selected. A staggering 667 nominations have been made online and my favorites so far are cheddar cheese, cider, James Bond, real ale, the red phone box, shepherd’s pie, the tube map, and Wallace and Gromit. What great fun.
 

Two of the Icons of England, the pub and a pint.

Filed Under: Just For Fun, News Tagged With: Europe, Great Britain

Myopic Cyclops

August 7, 2006 By Jay Brooks

In the last few days since I first saw the press release for Cyclops, the new system for categorizing the flavor of beer introduced by CAMRA (The Campaign or Real Ale), I’ve been wrestling with the question of whether this is a good idea or not. It’s generated a lot of initial press, especially throughout England, and it ranges from high praise to mild ridicule to being called “perhaps the worst idea ever.” I didn’t want to rush to judgment on this one so I’ve been taking my time trying to weigh the pros and cons.
 

A CAMRA promotional photo showing how coasters with the Cyclops system info might be used.

 
In general the goal of making beer more accessible seems like a positive step. I can only assume many people unfamiliar with the many different beer styles and nearly limitless potential flavors and aromas might feel pretty overwhelmed. Even many craft beer lovers don’t know all of the beer styles and this point was recently hammered home to me when several beer bloggers mistakenly identified Rock Bottom’s Ned Flanders Ale as defective when in fact it was an interpretation of a style — Flanders Red Ale — that was supposed to have sour flavors coupled with unusual Brettanomyces and lactobacillic elements. Sure it was an unusual style but these were people who claim some affinity for good beer and indeed have undertaken to write about it. So if they were confused, it sure suggests a real need for something like this.

 

The Official Position

CAMRA claims Cyclops is an “initiative that has been created to help and educate pub goers that are interested in giving real ale a try for the very first time, or have only tried a few pints and want to find out more!”

More from CAMRA:

Real ale can be a complicated subject as a lot of craft goes in to the brewing of our national alcoholic drink. Some beer experts in the past have used very ‘flowery’ language to describe a beer and some consumers have found this hard to understand.

The new ‘Cyclops’ campaign has been designed to inform new real ale drinkers of what style of beer they are drinking, what its alcohol content is, what the beer should look like, what it should smell like and of course, what it should taste like using very simple but informative language.

According to the press release, the goal of the Cyclops program is to “demystify real ale after research showed that 1 in 3 people would try more real ale if its characteristics were made easier to understand in pubs.” Apparently in designing the system, they took “lessons from the UK wine industry,” which I’m not sure was the best place to look for inspiration. Wine and beer are not the same, of course, so what works well in one may not translate to the other. There are similarities to be sure, but do they work in this instance? I’ll explore that question more fully below.

More from the press release:

Declining beer sales in the UK have brought beer consumers and brewers together to revitalise the market for real ale, Britain’s national pub drink. Following the success of the wine industry to make wine more accessible to all consumers through simple tasting notes Cyclops will use common language to explain what different real ales should look, smell and taste like. Sweetness and bitterness are the two dominant taste qualities of real ale and Cyclops using a scale of 1 to 5 for each enables drinkers to work out how sweet and bitter they like their beers.

The new scheme was the brainchild of David Bremner, Head of Marketing at Everards Brewery in Leicester. Everards pilot scheme aimed to promote its beers to new consumers who may have never tried real ale before or who had only tried a few pints in the past. By using attractive imagery and simplified language, real ales are described on promotional material such as beer mats, posters, tasting cards and pump-clip crowners to inform consumers of what they are buying. This information will also be placed on the back on beer handpulls to keep pub staff informed of what the real ale is like.

So far, only fourteen of Britain’s brewers have signed onto the program, but a few of them are big players and together a large number of pubs will likely see the new promotional material.

 

The System

Okay, let’s assume for now this is something that’s worth doing. Is the Cyclops system that CAMRA came up with a good method to educate consumers about individual beers? Not being a brewery member of CAMRA, I can only reverse engineer how the ratings are created.

Each beer has five essential pieces of information: See, Smell, Taste and then a five-point scale for bitter and sweet. Let’s look at one example to see how this would work. We’ll use Everard’s Tiger Beer.

  1. SEE: See is a rather awkward way to say the beer’s look, it’s color. Of course, it also seems to ignore other factors when looking at a beer like head retention, head color, Brussels lace, bubble size, cloudiness, etc., but I guess the goal is to keep things simple. In the case of Tiger, the SEE is listed as: “AUBURN, CHESTNUT BROWN.” And while that easily translate to give you an idea or impression of the beer’s color from what I can tell the color assigned is arbitrary and based on the individual brewery’s decision on what to call the beer’s color. To be truly useful, it seems like they should have been tied to one of the commonly used color scales. Beer color is represented using either the SRM (Standard Reference Method) or the EBC (European Brewing Convention) color measurement. There’s also an older one known as Lovibonds, but it’s essentially the same as SRM.

    Perhaps if every beer that was 9-11 Lovibonds was called “Copper” every time that would be useful and if brewers wanted to use a more romantic, evocative color descriptor then the second color name could be used for that. I can’t be 100% certain, but from a random sample of color names, it doesn’t appear to be standardized, which renders it somewhat subjective and less useful.

    To illustrate this now, here’s three brewer’s SEE descriptors for their entire portfolios:

    Badger Ales: dark amber, ruby brown / light amber, copper / tawny, light golden brown / pale gold
    Everards: amber / auburn, chestnut brown / tawny copper / gold straw
    Fuller’s: tan / light gold / tawny / auburn / deep ruby red / chestnut

    Just in these three, already there’s conflicts. Everards has one beer described as “auburn, chestnut brown” and Fuller’s has one they call “auburn” and another called “chestnut.” So are the two Fuller’s beers the same color as the one from Everards? It’s not exactly clear, is it? And if the goal is to make it more accesible, then I’m not sure this does the trick very well as it only leads to more confusion.

  2. SMELL: While perhaps less genteel than aroma, smell at least conveys exactly what this represents. But again, trying to encapsulate something so subjective and personal is all but impossible. There’s no real standards here to cling to so I’m not sure this information helps. There are a few beers that have specific signature aromas such as the coriander and orange peel in Wits or the clove and bananas in German-style hefeweizens. But for most beers, the positive aromas are not really universal. In any particular beer, some people may smell one thing, others another and no one is really wrong. Everyone’s olfactory sense is different and/or developed to a greater or lesser degree than another person’s sense. So looking again at our three brewery examples, they all read like someone’s tasting notes. And having been collating tasting notes for years, I can tell you everybody has their own method, style and personal terminology for taking notes.
  3. TASTE: See above. For the most part, what’s true for a beer’s nose is true for the flavors, as well.
  4. BITTER: Using a five-point scale, the idea here appears to be to give at least a range of the bitterness of a particular beer. Personally I like the International Bitterness Units (IBU) scale, but I realize it’s a little unwieldy for the general populace. It’s more useful if you know the IBU ranges of beer styles. It too, has limitations since the higher you go on the scale the less accurate the formula for figuring out IBUs becomes. But by and large, its served the industry well. I’m not sure that a bitterness scale with only a range of five (six if you use zero) gives enough information. It may be enough for the majority of English ales but if you try to go beyond that it may not work. But I suppose of all the Cyclops scales at least this one is easily understood and does give some information that may be meaningful.
  5. SWEET: The sweetness imparted by a beer from either the malt or alcohol (or esters) is like hops, a much broader range than a five-point scale can adequately capture. The problem is, as Stan from Beer Therapy puts so well, there’s “more to hops than bitterness. And there’s certainly more to malt than sweetness.” Stan hits upon perhaps the biggest hurdle to overcome in designing such a system to categorize beer, which is that a true appreciation of beer’s complexities cannot be distilled down into a simple series of numbers and universal descriptors.
  6. OTHER FACTORS: All of the examples of the Cyclops system in use also includes the beer style, percentage of alcohol and a short sentence or two description. This is generally the same information currently available for most beers, and it does add to the overall picture, but it doesn’t exactly simplify things.

Here is three ways in which Everard’s Tiger Beer Cyclops system data might be used:

In a festival program.

As a poster.

On a coaster.

 

The Name: Cyclops?

According to CAMRA’s press release, the name Cyclops comes “due to the one eye, nose and mouth imagery used on the promotional material.” The Cyclops originates, of course, from Greek mythology and “is a member of a primordial race of giants, each with a single eye in the middle of his forehead.”

But as Alan writing on A Good Beer Blog points out, the most “famous Cyclops, Homer’s Polyphemus [in The Odyssey], was blinded for life by drinking strong wine and ate people. This is hardly the making of a good brand. But even when he had one good eye he saw things … like he was born with one eye in the middle of his forehead — as in without [a] particularly strong ability to see things from other perspectives.”

At first I thought perhaps cyclops might be an acronym for something but when I found out it was simply named for the promotional materials, I threw up my hands. What a terribly unthoughtful way to choose a name for something you know will be controversial and which you want to succeed. So the name has absolutely nothing to do with the program itself or what it’s trying to accomplish. It’s likely to confuse most people even more plus a cyclops doesn’t exactly conjure up a warm and fuzzy image that could be exploited by marketing efforts.

 

What Others Are Saying

Roger Protz explained the goal a little better in a CNN report:

Cyclops is partly aimed at raising the respectability of a drink often miscast as the cause of Britain’s social ills, namely the notorious binge-drinking culture that sees city center bars, hospitals and police stations filled with inebriated youngsters.

“Wine is seen as respectable, but to many people beer means thugs. This is completely untrue. What we’re trying to do is elevate beer to a level equal with wine, where it becomes normal to drink beer at a dinner party.

“Brewers are responding to this. Some are even producing beer in elegant wine-shaped bottles, and as most wine writers agree, beer goes much better with food than wine.”

Says Protz, while he was once ridiculed for talking floridly about lowly bitters and stouts, more people are now appreciating the finer points of blending hops, barley and malts.

The London Telegraph, on the other hands, responds to the idea of a pub “where particular ales are suggested for particular dishes” by condescendingly suggesting that “the day of the beer snob cannot be long away.” Now that’s clueless reporting. Firstly, we beer snobs have been simmering in the underground for decades and secondly, food and beer pairings are not exactly a radical idea. If you can pair one beverage with food you can pair another. The author, the aptly named Neil Tweedie, is a wine writer, which doubtless explains his disparaging tone.

 

Conclusion

After writing this all out and thinking about how this might be used, the inescapable conclusion is that while I applaud the attempt it’s essentially an unworkable idea, especially if you try to broaden it to include all beer styles rather than just a narrow range of English ales. It’s a shame, too, because I’m pretty anal-retentive and detail-oriented so I would love a way to categorize all beers using a single, simple method. Unfortunately, I don’t think this is it. I’m not willing to call it the worst idea ever, because however flawed it is, at least it’s attempt. It’s more than you and I have tried. In the end, I think Cyclops might need some glasses, he’s a little myopic. Pint glasses?

Filed Under: Editorial, News Tagged With: Great Britain, Press Release, Tasting

GBBF Winners Announced

August 2, 2006 By Jay Brooks

The winners of this year’s Great British Beer Festival were announced yesterday. Here’s the list:

CHAMPION BEERS:

GOLD: Crouch Vale Brewers Gold
SILVER: Harveys Sussex Best Bitter
BRONZE: Triple fff Moondance
 

CATEGORY WINNERS:

Milds:

  1. Mighty Oak’s Oscar Wilde Mild (Essex)
  2. Elgood’s Black Dog (Cambridgeshire)
  3. Grainstore Rutland Panther (Rutland)

Bitters:

  1. Elgood’s Cambridge Bitter (Cambridgeshire)
  2. Acorn Barnsley Bitter (South Yorkshire)
  3. TIE
    • Sharp’s Doombar Bitter (Cornwall)
    • Woodforde’s Wherry (Norfolk)

Best Bitters:

  1. Harveys Sussex Best Bitter (East Sussex)
  2. Triple fff Moon Dance (Hampshire)
  3. TIE
    • Kelburn, Red Smiddy (East Renfrewshire)
    • Surrey Hills Shere Drop (Surrey)

Strong Bitters:

  1. York Brewery, Centurions Ghost Ale (Yorkshire)
  2. Thornbridge Jaipur IPA (Derbyshire)
  3. Weetwood Oasthouse Gold (Cheshire)

Speciality Beers:

  1. Cairngorm Trade Winds (Highlands)
  2. Wolf Straw Dog (Norfolk)
  3. William Brothers Fraoch Heather Ale (Alloa)

Golden Ales:

  1. Crouch Vale Brewers Gold (Essex)
  2. Hop Back Summer Lightning (Wiltshire)
  3. Holden’s Golden Glow (West Midlands)

 

BOTTLED BEER:

  1. White Shield: White Shield Brewery (Staffordshire)
  2. Hen’s Tooth: Greene King (Suffolk)
  3. Titanic Stout: Titanic (Staffordshire)

The scene at this year’s Great British Beer Festival.

Filed Under: Events, News Tagged With: Awards, Europe, Festivals, Great Britain

Crouch Vale Brewers Gold Best Beer in Britain

August 2, 2006 By Jay Brooks

For the second year in a row, Crouch Vale Brewers Gold has won Champion Beer of Britain. Crouch Vale’s website describes the beer as “pale, refreshing and hoppy beer with gorgeous aromas of tropical fruits.”

From the CAMRA press release:

The beer is described in the 2006 edition of CAMRA’s Good Beer Guide as: “Honey-toned golden ale, with grapefruit sharpness offset by suggestions of melon and pineapple.”

The Essex brewed beer was chosen as the overall winner from over fifty finalists in eight categories including beers from tiny micros to major regional brewers.

Roger Protz, one of the finalist judges and Editor of the Good Beer Guide said: “It’s a tremendous victory for a brewery committed to its cask beer and richly deserved for this marvelous hoppy and fruity beer.”

Colin Bocking, Managing Director of Crouch Vale brewery said, “I am speechless. It was enough of a surprise to have won Champion Beer of Britain in 2005, but to have been voted Britain’s best beer for a second year in a row is truly unbelievable.

“Thanks to all the people who have supported the brewery over the years, especially those that have enjoyed this remarkable beer. This great news could not have come at a better time for us as we are in the middle of expanding the brewery.”

The Silver award went to Harveys brewery in Sussex for their Sussex Best Bitter. The Bronze was awarded to Triple fff brewery in Hampshire for Moondance.

Colin Bocking from Crouch Vale Brewery accepting this year’s Champion Beer of Britain Award.

Filed Under: News Tagged With: Awards, Europe, Great Britain

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