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Beer In Art #19: Black Velvet Monkey King Beer

March 15, 2009 By Jay Brooks

Just in case you thought I was an art snob, I offer today’s beer-themed work into evidence that I can appreciate art in almost any form. Having visited the kitschy motel resort South of the Border that’s just over the border into South Carolina from North Carolina several times as a kid on family vacation road trips, I have a special place in my heart for black velvet paintings. Sadly, my parents never picked one up though I had my share of black light posters as a teenager in the 1970s, including one or two that were simulated velvet.

This week’s work of art has the formal title Custom Black Velvet Painting of a Monkey King With A Beer, and it’s from a company called Indignico Inc. Back in the “velvet painting purchasing heyday of the late ’60’s and early ’70s that there was enough business to justify the multiple-artists-per-painting, production-line techniques of mass production” so during that time there were no individual artist because back then the paintings were collaborative works of art, meaning each painting was done by several different artists. Usually they were done in an assembly line of sorts, where each painter did a portion of the work, one small part, and then passed it on to the next artist, who added his bit before passing it on himself, a pattern which continued until the painting is completed.

But according to William Travis Robison, owner of Indignico, “here in the present day, and for at least the last 20 years, such methods are no longer used — at least not in Tijuana. Today in Tijuana any painting you might buy that was painted on black velvet will have been hand-painted by a specific actual human being. To be sure, some of the professional Mexican velvet Elvis artists from Tijuana painting today are more naturally talented than others, but not one of them would consider what he does to have anything to do with the soulless, rote work of the production line, be it Jorge Terrones, or Lino Zamora, or Abel Velezquez, or Argo, or Francisco Romero, or Ramirez, or Santos, or Felix, or Salvador….”

 

 

Indignico appears to be the biggest purveyor of black velvet paintings on the planet, with an unbelievable array of different types of paintings, including Elvis, scary and funny clowns, cowboys and Indians, unicorns, and a wide range of politicians from Nixon to George W. Bush. Check out the galleries and prepared to be amazed. The section called “Tijuana Standards” is four pages and alone has more velvet paintings than I think I’ve ever seen in one place. They range is price from $75 for standard images and can go as high as $350 for more unusual subjects like Dick Cheney and Joe the Plumber. Today’s painting is a custom painting, and you can find it in that particular gallery. That means it was commissioned by a customer, which brings up an interesting question. If you could have any person or subject painted on black velvet, what would you choose?

Believe it or not, in Portland, Oregon, there is a museum devoted to black velvet paintings, the Velveteria. It’s interesting that it’s Portland because a few years ago I found a pretty cool black velvet painting in the men’s room of a restaurant during the Oregon Brewers Festival.

Did you know that velvet painting may be as old as the 14th century, when Marco Polo wrote that he saw painting on velvet in Kashmir during his travels. But it was the 1950s when its modern popularity began, originating from Tijuana, Mexico.

Here’s some more history from AFCNewsource:

The popularity of American black velvet painting can be traced to the work of one man known as the “American Gauguin” — Edgar Leeteg, a native of Sacramento, California, who lived and painted in Tahiti from 1933-to-1953. Leeteg’s vast output of thousands of black velvet paintings served as the inspiration for imitators who flocked to create a vast industry churning out a form of art that would be indelibly associated with tourism. Many of Leeteg’s works were purchased by navy personnel based in Hawaii, who would return to San Diego, bringing Leeteg nudes and commission Mexican painters in Tijuana to make similar portraits of their girlfriends in black velvet.

If you want to learn more about velvet painting — there’s more to it than you might think — Wikipedia has an entry, but the AFCNewsource has probably the best description from an art history point of you. If you want even more, check out Jennifer Heath’s book, Black Velvet. And check out the Velvet Store.

 

Filed Under: Art & Beer

Drinking With Ruben & The Jets

March 14, 2009 By Jay Brooks

Lagunitas Brewing, at the end of last year, released their fifth Frank Zappa beer, with a label based on Zappa’s 5th album, Cruising with Ruben & the Jets. The record was originally released December 2, 1968. The beer is 8.6% abv and is essentially Lagunitas’ take on an Imperial Stout.

I heard a rumor today that this may be the last of the Zappa beers, which seems a shame. I’ll see what I can find out next week.

 

 

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Fairfax Brewfest

March 14, 2009 By Jay Brooks

We’ve lived in Marin County five years now, and I’ve never managed to attend the Fairfax Brewfest. For various reasons, I’ve always been out of town whatever weekend it’s been held. But not this time, so I was happy to finally be able to go. This year was their 14th annual festival, and I carpooled down with my friend Brent Ainsworth, who’s an editor and reporter with our local paper, the Marin I.J. There was a baker’s dozen of breweries there at the Fairfax Pavilion, a small old wooden structure ideal for the event.

Because it was the weekend before St.Patrick’s Day, green was the predominant choice of clothing for most festival attendees, such as these three young ladies, who were typical of the festival crowd. It was a cool venue, a good crowd and some tasty beers. What more could you ask for in a small town beer festival?

 

For more photos from this year’s Fairfax Brewfest, visit the photo gallery.
 

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Beware the Green Beer Marketing

March 14, 2009 By Jay Brooks

Every company, beer or otherwise, tries to figure how to tie their product into as many holidays as possible. Sales of certain goods will spike for just about every holiday, and nobody wants to be left out. Chocolate and flowers spike for Valentine’s Day; candy and costumes for Halloween; fireworks and picnic supplies for Independence Day; and on and on.

My favorite spoof of this idea isn’t even new, but is as relevant today as when it was first recorded in 1958. I’m talking about Stan Freberg’s Green Christmas, which spoofed the commercialization of Christmas during a time when most of us look back and long for that more simple, seemingly idyllic time. You can listen to it on YouTube, just ignore the video. It’s only about 7 minutes and well worth listening to. It’s as hilarious as it is poignant. Plus, you get to hear them sing “we wish you a Merry Christmas, we wish you a Merry Christmas, we wish you a Merry Christmas, and please buy our beer!” You could also read the transcript on My Merry Christmas.

Beer companies, of course, also do this, and they’re no more or less shameless than anyone else. My favorite example of this counter-intuitive marketing was when I was once sent a German-style stein, complete with metal cap, from Dos Equis! They were trying to market a Mexican beer for Oktoberfest. Well, next week is the Irish holiday, St. Patrick’s Day. And as the saying goes, on St. Patrick’s Day, everyone is a little Irish, and I imagine that extends to beer, as well.

So it’s no surprise that George Killian’s Irish Red would market themselves for St. Patrick’s Day, despite the fact they’re not even remotely Irish. They’re a Coors product. This year, they’ve set up a holiday website, Beware the Green Beer, encouraging people not make fools of themselves on March 17 by drinking green beer. And while I can’t fault their advice, the website features the following tagline. “St. Patrick’s Day calls for a better beer. Lift a glass of fine ruby red instead.” Again, the suggestion that drinking a “better beer” is sound, but I can’t agree with their conclusion that Killian’s is that better beer.
 

 

George Killian’s Irish Red. About as Irish as Dos Equis. And while I agree that people should most definitely avoid green beer in favor of better beer, having that message come from Coors via Killian’s is like being told to shun hamburgers in favor of Filet Mignon by McDonald’s.

 

Filed Under: Uncategorized Tagged With: Holidays

Beer Economics Trickling Down

March 14, 2009 By Jay Brooks

Beer writer Greg Kitsock had an interesting piece in the Washington Post recently, in which he tackled trickle-down economics as applied to the beer industry. It’s called Beer: Trickle-Down Economics and examines what’s going on with beer sales during the current recession, a topic I’ve been speculating on frequently myself. It’s worth a read.

 

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The Newly Formed North American Breweries

March 14, 2009 By Jay Brooks

KPS Capital Partners (KPS), which manages “a family of private equity limited partnerships with over $1.8 billion of committed capital,” created a new division called North American Breweries, Inc. (NAB). The new division, NAB, was formed to be the umbrella organization directing three new acquisitions by KPS; High Falls Brewing, Labatt USA and a perpetual license to sell Seagram’s Cooler Escapes and Seagram’s Smooth.

The sale of Labatt USA was mandated by the U.S. Department of Justice as a condition of approving InBev’s purchase of Anheuser-Busch last year. The financial terms were not disclosed, but apparently the DOJ has already approved the deal.

As far as I can tell, there’s no website set up yet for NAB, just this NAB page at the KPS website.

From the KPS press release:

Raquel Vargas Palmer, a Partner of KPS, said, “The Labatt USA acquisition completes the foundation of the North American Breweries platform. My partners and I are very pleased that Rich Lozyniak will serve as CEO of the new company, following two exceptional tenures with other KPS portfolio companies. We are confident that Rich and the North American Breweries management team will enhance the company’s value through acquisitions and many other exciting initiatives that drive organic growth of the company and its brands.”

And here’s how they describe their new entity:

About North American Breweries, Inc.

North American Breweries is a national platform for investments and growth in the beer and malt beverage industries. Formed in 2009, North American Breweries owns High Falls Brewing Company, one of the largest and oldest continually operating breweries in the United States, and is the exclusive marketer and seller of Labatt brand beer and Seagram’s Coolers in the United States. The company’s brands include the complete line of Labatt beers, including the flagship pilsner Labatt Blue and Labatt Blue Light; the Genesee line and the Dundee Ales & Lagers family, which includes the Original Honey Brown Lager; and Seagram’s Cooler Escapes and Seagram’s Smooth. It is also America’s exclusive distributor of several imports, including Steinlager from New Zealand, Toohey’s New from Australia, Thwaites from the U.K. and Imperial from Costa Rica; and a manufacturer of beer and other alcoholic and non-alcoholic beverages under contracts on behalf of other companies. North American Breweries is a portfolio company of KPS Capital Partners, LP.</blockquote

 

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Craft Beer Numbers For 2008

March 13, 2009 By Jay Brooks

At the end of last month, the Brewers Association released the calendar year 2008 sales and volume numbers. Craft beer gained 5.8% over 2007 by volume and 10.5% by dollars.

From the Brewers Association press release:

Overall share of the beer category from craft brewers was 4.0 percent of production and 6.3 percent of retail sales. More than 1 million new barrels of beer were sold in 2008, and close to half of those barrels were beer from craft brewers.

“2008 was a historic year for beer with the large brewers consolidating and imports losing share, while the top ten selling beer brands dropped in sales. At the same time, small independent craft brewers continued to gain share and attention,” said Paul Gatza, Director of the Brewers Association.

 

With total U.S. beer being more than a $100 billion industry, the Brewers Association estimates the actual dollar sales from craft brewers in 2008 were $6.34 billion, up from $5.74 billion in 2007. Taxable barrels of the total beer category was 1,210,018 more in 2008 with craft brewers producing 473,364 of those barrels. Total craft brewer barrels for 2008 was 8,596,971, up from 8,123,607 barrels in 2007.

Beer’s popularity as America’s favorite fermented beverage continued in 2008 with Gallup stating “beer is back to a double-digit lead over wine.” Taking into account the challenges in today’s economy, BevincoNielsen released a survey showing beer was faring better than spirits, with wine lagging. The Brewers Association emphasized trading across from wine and spirits to beer continues, with some of today’s wine drinkers discovering the affordable enjoyment and rewards of craft beer.

These increases in share and barrels for craft brewers come at a time when, according to the Brewers Association, the cost of operating a small brewery increased over 39 percent in the period of November 2007 to November 2008. The Brewers Association states that today’s craft brewers face many challenges including:

  • Access to ingredients and raw materials
  • Increased pricing for materials and supplies
  • Access to market (competition for shelf space at the retail level)

 

The good news is more breweries again opened than closed in 2008, and far fewer closed in 2008 than the year before. The number of American breweries has finally topped 1,500. In fact, the new total is 1,527, of which 1,483 are considered craft breweries.

On the downside, brewpubs were down 2% and contract beer was down 9%. On the upside, regional breweries were up 10% and microbreweries up 13%. The overall beer market is up 0.4% and accounts for approximately $101 billion.

 

 
If you’re a sucker for numbers, check out the craft statistics page.

 

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Born On Date Aborted

March 13, 2009 By Jay Brooks

Using a twisted phrase worthy of Yoda, A-B launched the “Born On Date” in September of 1996 and with it, their advertising began including the self-evident tagline “fresh beer tastes better.” They were nothing, if not fastidious, in enforcing it and their efficient distributor network pulled any product that was older than 110 days.

Over the last decade plus, A-B has used that policy as a way to criticize every other big brewer not doing likewise, which is pretty much everyone else. But early last month, Anheuser-Busch suddenly announced that they would be abandoning the cherished “born on date” for a number of brands, including Bud Ice along with Honey Lager, Pale Ale and Porter under the Michelob brand. Effectively it’s all the “new and niche beers” that will stay on the shelves longer, at least 180 days. The born on date will continue to be used on the flagship Budweiser and Bud Light, and also Bud Select, Busch and Natty Light.

As most people knew, the product at that age was most likely still drinkable, and as a result who knows how much money was lost. Well, the new overlords at A-B InBev are not A-B, and they’re loathe to throw money away if they can possibly help it, any money, no matter what. Frugal is the kind word for their penchant for implementing cost-cutting measures, so it comes as no surprise that they would discontinue what was obviously a wasteful, albeit P.R. savvy, program. But to save face and try to convince the public that the change is good, despite what they’ve been saying for over ten years about anyone not doing what they did, the spin machine has been turned up to overdrive.

They’re claiming that the 110-day limit is no longer necessary because “A-B has improved its brewing processes and packaging — using new fillers and bottle crowns — that reduce the amount of oxygen in its beers.” If you believe that, I’ve got some swamp land in Florida I’d like to show you.

In the statement A-B released, supply veep Peter Kraemer said the following. “In recent years our brewery team has made significant improvements in both the brewing and packaging processes that have resulted in our beers leaving the brewery at the peak of freshness, and then maintaining that freshness much longer than in the past.”

So, assuming that’s true — a doubtful assumption at best — then why aren’t they abandoning the “born on date” for all their products? Can it be possible that after inventing these so-called new and improved “processes and packaging” that they decided not to use them on their best-selling products? You tell me, does that make any sense? Or is it more likely that’s the spin to avoid making it seem like they’re going back on the self-aggrandizing commitment that they’ve been using over ten years to proselytize brand loyalty and make their products seem fresher than their competitors, which of course isn’t remotely true.

We’re certainly seeing some remarkable changes since the new rulers arrived in St. Louis; layoffs, new policies to pay suppliers more slowly and abandoning the “born on date” for several of their brands. These are all measures taken to cut costs, save money and pay of the debt incurred from buying A-B. Undoubtedly, there will be more of these. What’s next? Only time will tell.

 

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Sixty Minutes Tackles Lowering the Drinking Age

March 13, 2009 By Jay Brooks

I’ve been swamped with work lately — not that I’m complaining — but between SF Beer Week, personal issues and deadlines I’ve gotten behind on almost everything, including some Bulletin posts I’d been hoping to do. So over the next few days you may see some news that’s not really as newsy anymore, as I try to catch up. Case in point is an item about lowering the drinking age that aired on 60 Minutes in late February. I have to give CBS some credit, if for no other reason than they at least were willing to do a story that wasn’t completely one-sided, as is so often the case. Lesley Stahl’s piece did seem to approach the Choose Responsibility ideas with an air of skepticism, while appearing, at least to me, more accepting of MADD and other critics’ arguments. And naturally, the New Drys used the opportunity to continue spreading false information. Choose Responsibility — the organization advocating for lowering the drinking age to 18 created by former college dead John McCardell — was the focus of the 60 Minutes piece, and so also took the brunt of the New Drys’ attacks. They put up a rebuttal on their website to the misleading propaganda that aired during the piece. You can watch the original segment below, at Choose Responsibility or at CBS, where they also have a transcript available. Then check out Choose Responsibility’s rebuttal to get the full story, and also get a glimpse of how the New Drys use propaganda to further their ends.

 

Watch CBS Videos Online

 

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Limey Lager Love

March 12, 2009 By Jay Brooks

Earlier this month our Session was about Lager Love, and it looks like the English have fully embraced them.

If you’re a fan of British ales, there’s little to wave the flag about concerning the results of a recent survey, released Tuesday by Ciao, an online consumer review website. The online community complied data from reviews and comments from “2.61 million unique visitors” to create a list of the top ten most popular beers in England.

Take a look at the list below, and weep.

  1. Kronenbourg 1664 Lager
  2. Guinness Draught Stout
  3. Stella Artois Premium Lager
  4. Hoegaarden White
  5. Grolsch Premium Lager
  6. Carling Black Label Lager
  7. Heineken Export Lager
  8. John Smith’s Extra Smooth Bitter
  9. Foster’s Lager
  10. Budweiser Lager

You’ll probably notice right away that there’s only one British beer brand listed — John Smith’s — which, sadly, is owned by Heineken. Seven lagers, two ales and a hybrid. Three are InBev brands. Not one is brewed by an independent company that’s either not ginormous or owned by a larger parent company. Pathetic. At this rate, Americans may actually drink more ales than England. Somebody should look into that. I’d like to know that statistic.

Curiously, they state that number eleven is Carlsberg Special Brew Lager, which they claim makes it the “nation’s least favourite,” as if there are only 11 brands of beer in England. I’m not sure I understand that rationale at all, unless somebody there just wasn’t thinking or perhaps is a complete moron.

On a related, and equally disturbing note, somebody’s put up a website entitled The Campaign For Real Lager, apparently spoofing CAMRA, which I guess is fitting given the current state of beer in the UK. That’s assuming it is a spoof, I must confess I’m not 100% sure, nor was the Brit who sent me the link (thanks Glenn).

The website describes itself like this, with language that cries out as tongue in cheeky:

The Campaign for Real Lager (CAMRL) is an independent, voluntary, consumer organisation whose main aim is to promote and ensure the healthy future of lager beer, and maintain Britain’s greatly renowned lager culture.

CAMRL campaigns to make the big lager brands bigger and keep the great lager pubs great, we seek to quell the worrying rise of the newly fashionable “Real Ale” culture that is leading to the damaging promotion of warm, flat, insipid ‘beers’ ahead of cold, clean, crisp lagers.

Perhaps more unsettling is just how well it’s done; crisp layout, colorful graphics, and punchy copy combine to make the humor wry, dry and appropriately British. Funny and frightening all at the same time. That’s hard to do. The domain is registered to a Matthew Hall of Worcester, which is northwest of London with the closest big city being Birmingham.

 

 

On a more serious note, to which CAMRL seems like a kick in the teeth, there’s an article in today’s London Times entitled Beer Today, Gone Tomorrow? whose headline states that “[a]t the current rate of closures, Britain’s last pub will call time in 2037,” asking the ultimate question of whether or not there’s any “light at the bottom of the glass?”

In the article, it is reveled just how dire things are for the British pub:

According to startling figures from the British Beer and Pub Association (BBPA) released last week, there are now 39 pubs closing in Britain each week. Were the closures to continue at that rate, last orders in Britain’s last pub would be called for the final time one evening in June 2037.

It’s a long article, but worth your time reading, at least in my opinion. The reason it’s relevant is that several states are currently attempting to raise the tax on beer in the U.S. — notably California and Oregon, two states with large craft beer industries, which will be placed at risk should the new higher taxes be implemented. Back in the Great Britain, the British Beer and Pub Association also estimates that a “record 2,000 pubs have now closed since the Chancellor increased beer tax in the 2008 Budget, resulting in 20,000 job losses over the last year.” That’s exactly what would happen here, too. Yet shortsighted moralists and neo-prohibitionists continue to beat the drum for higher taxes, an outrageously dangerous ploy during our economic recession. The one thing not to do in a depression is put more people out of work or force popular consumer goods to rise sharply in price. Either or both will not help the U.S. economy but in fact will harm it even further. What would help is if both countries started drinking a lot of beer that was brewed locally. That’s a trend we should all get behind before there’s no small breweries or pubs left.

 

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