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Beer In Ads #2207: The Bitterness Of Battle Fades In The Friendliness Of Beer And Ale

March 6, 2017 By Jay Brooks


Monday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1941. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, titled “The Bitterness of Battle Fades in the Friendliness of Beer and Ale,” two men are sitting in a backyard, sharing a beer. They’d been playing horseshoes, but one of them, presumably the winner, said. “And now let’s have a beer together.”

USBF-1941-bitterness-fades

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2206: But Why Court-Martial The Whole Regiment?

March 5, 2017 By Jay Brooks


Sunday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1940s. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, a long line of soldiers are in perfect formation. Except for the one who just dropped his rifle. According to the USBIF, he’s like that one bad beer retailer who breaks the law or “permit anti-social conditions.” This is another ad about their “clean-up or close-up” program where they “want every beer retail establishment to be as wholesome as beer itself.”

Beer-A-Beverage-Of-Moderation-Paper-Ads-United-Brewers-Industrial-Foundation

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2205: Nature Makes Beer

March 4, 2017 By Jay Brooks


Saturday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1940s. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, showing an idyllic farm, it appears that they’re trying to change the image of bars as men’s clubs, dark and dank. The headline, “A wholesome beverage, it deserves to be sold only in wholesome surroundings.” The later mention that a modern invention, “a new kind of tavern brings you good beer and ale in clean, wholesome surroundings.” It’s an interesting effort, and obviously they didn’t do away with the dive bar (thank goodness) but it did herald an age that had several different kinds of bars, just like today.

Nature-Makes-Beer-Paper-Ads-United-Brewers-Industrial-Foundation

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2204: Thanks A Million!

March 3, 2017 By Jay Brooks


Friday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1939. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, the worker, the taxman and the farmer are all happier since beer was once again back after prohibition was repealed. That’s because since repeal, beer’s made one million jobs, the brewing industry’s paid a million dollars a day in taxes, and three millions acres of farmland dedicated to beer’s agricultural ingredients. Because, see, “even the non-beer drinker enjoy’s beer’s economic benefits!”

USBF-1939-thanks

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, Economics, History

Beer In Ads #2203: Thanks For The Job!

March 2, 2017 By Jay Brooks


Thursday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1939. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, another blue collar worker (it may be our “Mike Anders” from yesterday’s ad) walks hand in hand with his son after a hard day’s work. But he’s happy because he has a job. Now that alcohol is legal again (it was only six years after repeal) lot’s of people had jobs, and the beer industry was trying to make sure it thanked its consumers and also let them now what a positive impact their business was having on the economy.

USBF-1939-Life-4

Filed Under: Art & Beer, Beers, Just For Fun, Politics & Law Tagged With: Advertising, Brewers Association, History

Beer In Ads #2202: Me

March 1, 2017 By Jay Brooks


Wednesday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1942. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, “me” is a man named Mike Anders is sitting, faces us, with his lunch pail on his knees. He looks good, sturdy blue collar stock, a hard-working American. He’s in his forties, married, with four kids. He works hard, he’s supporting the war effort. But he needs to relax to, so after dinner he’ll “get together with a couple of friends. For a quiet sensible evening. Lots of good talk … and maybe another glass of good ale or beer. We’ll take it easy.”

Vintage-1942-Brewing-Industry-Foundation-Magazine-Ad-Beer

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2201: Heineken, Beyond Reach

February 28, 2017 By Jay Brooks


Tuesday’s ad is for Heineken, from the 1970s or 80s. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel format, a man who could charitably be called less than handsome holds a mug of beer. In the second panel he takes a drink of the beer. But in the third panel, he looks exactly the same, apparently he’s “Beyond Reach,” so I guess even Heineken has its limits in transforming people by the power of beer.

Heineken-1970s-beyond-reach

Filed Under: Art & Beer, Beers Tagged With: Advertising, Heineken, History

Beer In Ads #2200: Heineken Refreshes Drag Queens?

February 27, 2017 By Jay Brooks


Monday’s ad is for Heineken, from the 1970s. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel format, I’m not quite sure what’s going on. It’s an odd one. In the first panel, what appears to be a man in drag, wearing women’s clothing. In the second, a crease of smile’s starting to emerge when handed a mug of heineken. What did drinking the beer cause to happen? In the final panel, there’s no a bag over the head of our drag queen. Why, you might ask? I have no idea? Is it funny? I have no idea. An alert reader (thanks Beer Nut) noticed that the person in the ad is Les Dawson, who “was an English comedian, actor, writer, and presenter, who is best remembered for deadpan style, curmudgeonly persona and jokes about his mother-in-law and wife.”

Heineken-1970s-drag-queen-2

Filed Under: Art & Beer, Beers Tagged With: Advertising, Heineken, History

Ballantine’s Literary Ads: John Steinbeck

February 27, 2017 By Jay Brooks

ballantine
Between 1951 and 1953, P. Ballantine and Sons Brewing Company, or simply Ballentine Beer, created a series of ads with at least thirteen different writers. They asked each one “How would you put a glass of Ballantine Ale into words?” Each author wrote a page that included reference to their beer, and in most cases not subtly. One of them was John Steinbeck, who’s the “American author of 27 books, including 16 novels, six non-fiction books, and five collections of short stories.

Today is the birthday of John Steinbeck (February 27, 1902–December 20, 1968), who was “widely known for the comic novels Tortilla Flat (1935) and Cannery Row (1945), the multi-generation epic East of Eden (1952), and the novellas Of Mice and Men (1937) and The Red Pony (1937). The Pulitzer Prize-winning The Grapes of Wrath (1939)[2] is considered Steinbeck’s masterpiece and part of the American literary canon. In the first 75 years after it was published, it sold 14 million copies.

The winner of the 1962 Nobel Prize in Literature, he has been called ‘a giant of American letters.’ His works are widely read abroad and many of his works are considered classics of Western literature.

Most of Steinbeck’s work is set in southern and central California, particularly in the Salinas Valley and the California Coast Ranges region. His works frequently explored the themes of fate and injustice, especially as applied to downtrodden or everyman protagonists.”

steinbeck

His piece for Ballantine was done in the form of a few paragraphs of one of his novels about the desert, like “The Grapes of Wrath:”

The sun is straight overhead. There isn’t enough shade to fit under a dog. The threshing machine clanks in a cloud of choking yellow chaff-dust. You wear a bandana over your nose and mouth, but your throats aches and your lips are cracking. Your shirt is black with sweat, but inside you’re dry as the Los Angeles River. The water in the barrel tastes like chaff. It only makes you thirstier.

Let’s say the boss is a man of sense and humanity. When the machine stops for lunch, he comes bucking over the stubble in a jeep, and on the back seat is a wash boiler of crushed ice and bottles of Ballantine Ale. Such a boss will never lack for threshing hands.

Well, first, you take a big swallow to cut the crust, and suddenly you can taste again. The you let cold Ballantine Ale rill into your parched throat like a spring rain on the desert. Smooth malt and hops pull together against the heat and dust and weariness. That’s the biggest thirst I know, and the best antidote.

steinbeck2

Filed Under: Art & Beer, Beers, Just For Fun Tagged With: Advertising, Ballantine, History, Literature

Beer In Ads #2199: Hi-De-Heineken

February 26, 2017 By Jay Brooks


Sunday’s ad is for Heineken, from the 1970s. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel format, an unhappy-looking maid holds a dirty mop and frown into the camera. In the next panel, the frown is still there, but now she’s also holding a mug of Heineken. After drinking some of the beer, she’s been completely transformed in the final panel. Now she’s smiling, dressed in a bright yellow (beer-colored?) suit. She still has the remaining beer in her hand, but the mop has been replaced with a microphone. Judging from the new tagline, I believe she’ll be singing the Cab Calloway classic Hi-De-Ho.

Heineken-1970s-maid

Filed Under: Art & Beer, Beers Tagged With: Advertising, Heineken, History

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