Friday’s ad is yet another French beer, this one for Bieres de Chartres. While I don’t know very much about it, or who the artist is, it’s from the same period of time — the 1920s — and is cut from the same cloth. It may even be a tad funnier, what with the waiter drinking the beer even as he delivers it.
Thursday’s ad is another French beer, and like Tuesday’s ad, features an anthropomorphic sun. It was done by French illustrator Marcellin Auzolle and is specifically for Supreme Biere Gangloff. A lot of great artists worked for Gangloff in the 1920s, I hope their beer was as good as their taste in artists. It’s also great to see kids in beer ads, especially given our peculiar paranoia about mixing the two.
Tuesday’s ad is for another French beer, Biere Gangloff. It’s also from around the 1920s, and was done by famed illustrator Jean D’Ylen. Another case of a giant mug, in this case two of them.
Monday’s ad is for a French beer, Biere de Maxeville. It’s from around the 1920s, the heyday of the poster. The old man is drinking from one seriously big mug and even the sun looks thirsty.
Tuesday’s ad is for Brasserie Nouvelle de Lutece in Paris, France, most likely from the 1950s or early 60s. According to Articles of Incorporation for AB InBev France, it may be at least partially owned by ABI, though I’ve seen references to the brewery possibly no longer being operated, too. Still, I love seeing such innocent ways of advertising beer, with cartoons and young women that would all but be forbidden in today’s America. She almost reminds me of a Little Red Riding Hood character, only her basket of goodies includes beer.
Tuesday’s ad is, I believe, one featuring King Gambrinus, entitled Biere Allary by Jean D’Ylen. I chose it because it was today in 1294 that Jan Primus, a.k.a. John I, Duke of Brabant, and possibly the inspiration for King Gambrinus died. The ad is from 1925 in France.
“This Jean D’ylen image is another example of how his teacher, Cappiello, influenced his work. This poster is a cartone — it is set onto cardboard and would have then been placed above a display of the beer or set somewhere as an advertising tool inside the store. It was never made into a full-sized poster.”
You can see more posters by D’Ylen at art.com.
Monday’s ad is one I don’t know much about, but chose it because it’s National Pretzel Day. The French translates as something like “pretzel singer with beer and wine.” I’m not even sure it’s for a brewery, it seems like it may be for a bar or restaurant instead. It’s most likely from 1920s France.
This Friday is also the three-year anniversary of The Sessions, a.k.a. Beer Blogging Friday. When I created the logo for the Session, I used this Gangloff beer ad from 1930. I chose it for its simplicity and clean lines. I think it’s worked well, and so it made the obvious choice for today’s ad.
As far as I can tell, Brasserie Gangloff was an Alsatian brewery that closed in 1970. The only photo I could find of it was after it was bombed on July 16, 1943 during World War II.
Tuesday’s ad is by an artist named G. Foure, and that’s about as much as I know about him. The poster, Biere Titan, is for Grandes Brasserie Jarney and Uckange, a French brewery that was created in 1926 when
Brasseries de Pagny sur Moselle merged with Brasseries de Jarny. That means this ad was done some time after 1926. The Biere Titan certainly has a jolly amber giant look to him. I also love the feathery wisps of cloud-like head. Who’s thirsty now?
Friday’s ad is another old art poster from France. I don’t know the artist, the brewery or even the year is was created, though it was most likely in the first few decades of the last century. “Le Bon Bock” I presume is “the good beer” and Atlantique may be the brewery, or it may simply refer to beer along the Atlantic coast of France.
