Saturday’s ad is for Birra Metzger, from 1910 or 1912. From the late 1800s until the 1960s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. This poster is for Birra Metzger, founded in Turin, Italy, in 1848. The brewery was bought in 1944, but closed in 1975. In the last few years, however, it’s been relaunched as Metzger 1848. It was created by Italian-born French artist Leonetto Cappiello.
Today is the birthday of Christian Weyand (May 11, 1826-August 7, 1898). He was born in France as Cretien Weyand, but came to the U.S. when he was 21, settling in the Buffalo area of New York. He was originally a shoemaker, but when he was forty years old, he co-founded the Main Street Brewery, along with a partner, John Schetter, who he eventually bought out in 1873. In 1890, the brewery was incorporated as the Christian Weyand Brewing Co. and remained in business until closed by prohibition in 1920.
Here’s a short biography from Find-a-Grave:
Weyand, Christian, was born in Lorraine, France, May 11, 1826, attended the common schools, and in the spring of 1847 came to America and settled in Buffalo, where he has since resided. He followed the shoemaker’s trade for some time, and then in 1866 engaged in the brewing business with a partner.
In 1873 he became sole owner of the establishment on the corner of Main and Goodell streets, and in a few years built up one of the largest and best breweries in Western New York. In May 1890, the Weyland Brewing Company was incorporated with C. Weyand. president; John A. Weyand, vice-president and manager; and Charles M. Weyand, secretary, and treasurer. Mr. Weyand is probably the best-known brewer in Buffalo. He is a prominent, public-spirited citizen, widely esteemed and respected, and has always enjoyed the confidence of all who know him. May 9, 1852, he married Magdalena Mayer of Buffalo.
And this is his obituary from the American Brewers Review:
This short history of Christian, and the brewery, is from the “1897 Brewers Convention Buffalo NY,” published by the Buffalo Brewers Association:
Christian Weyand Brewing Company.
In 1866, Christian Weyand established the business now conducted by The Christian Weyand Brewing Company. Mr. Weyand is a native of France, having been born in the province of Lorraine a little more than seventy years ago. There he spent his youth and received his education; but in his twenty-first year he left Lorraine for the wider opportunities of the New World, landing in New York just fifty years ago. He soon found his way to Buffalo, but it was nearly twenty years before he began the business with which his name is now so intimately connected in the minds of all Buffalonians. During these years he worked as a shoemaker — at first as an employee, and later in a shop of his own.
Mr. Weyand, with a partner, began the brewing business in a small way, with little capital and a poorly equipped plant; but the purest and best of barley malt was used from the start, and improved machinery was introduced as fast as the necessary capital could be secured. In 1873. Mr. Weyand assumed entire charge of the business, and applied himself vigorously to the task of building up a model brewery. His efforts met with entire success, and in a few years his establishment became one of the first in its line in Buffalo — a city that boasts of many fine breweries. In 1890, he organized the business into a stock company, called The Christian Weyand Brewing Company, of which he is president, his son, John A. Weyand, vice-president and manager, and another son, Charles M. Weyand, secretary and treasurer. Since then the business has materially increased, and in 1896-97 it became necessary to make extensive additions to the plant. The new buildings on the corner of Main and Goodell streets, built of buff terra cotta elaborately ornamented in Renaissance style, are exceedingly handsome; and it is now one of the best-equipped breweries in the country.
This is purported to be a photograph of the house at the “Southeast Corner Main and Goodell Streets” from the 1912 “Picture Book Of Earlier Buffalo.” But as Michael F. Rizzo and Ethan Cox, authors of “Buffalo Beer” point out, “the structures in the background and to the left of the subject must have been the Christian Weyand brewery. Indeed, the least occluded building to the left was, I think, their office address on Goodell.”
Saturday’s ad is for Pelforth, The Pride of France, from the later 1960s. From the late 1800s until the 1960s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. Pelforth is a French brewery founded in 1921 in Mons-en-Barœul by three Lillois brewers (though one sources says 1914). It was originally called Pelican, after a popular dance at the time, but changed its name to Pelforth after World War II. The name is a mash up of Pelican and “forte”, which means strong – and this is the style of beer they brew, including a blonde, brune and amber. Today, the brewery is owned by Heineken.
Thursday’s ad is for Hurra! Bier!, from 1937. From the late 1800s until the 1960s, poster art really came into its own, and in
Because I couldn’t leave it there, I did finally discover that the original may have first appeared in the September 1937 issue of an Austrian magazine. The scan below is from that magazine, called simply “Wiener Magazine” (Viennese Magazine) which I found at ANNO –
Friday’s ad is for Bière Du Fort-Carré, from around 1900. From the late 1800s until the 1940s, poster art really came into its own, and in
In later years, the poster was also used to create a sign for the brewery.
Today is the birthday of Mary of Burgundy (February 13, 1457-March 27, 1482), She was also known as the “Duchess of Burgundy, [and] reigned over the Low Countries from 1477 until her death. As the only child of Charles the Bold and his wife Isabella of Bourbon, she was the heiress to the vast, and vastly wealthy, Burgundian domains in France and the Low Countries upon her father’s death in the Battle of Nancy on January 5, 1477.”
Portrait of Mary of Burgundy, painted in 1490 by Austrian artist, Michael Pacher.
Here’s more about Mary, most of it from her Wikipedia page:
Mary of Burgundy was born in Brussels, at the ducal castle of Coudenberg, to Charles the Bold, Count of Charolais, and his wife, Isabella of Bourbon. Her birth, according to the court chronicler, Georges Chastellain, was attended by a clap of thunder ringing from the otherwise clear twilight sky. Her godfather was Louis, Dauphin of France, in exile in Burgundy at that time; he named her for his mother, Marie of Anjou. Reactions to the child were mixed: the baby’s grandfather, Duke Philip the Good, was unimpressed, and “chose not to attend the [Baptism] as it was only for a girl;” the grandmother, Isabella of Portugal, was simply delighted at the birth of a granddaughter.
Philip the Good died in 1467, making his son Duke of Burgundy and his 10-year-old granddaughter heiress presumptive. As the only child of Charles the Bold, Mary was heiress presumptive to a vast and wealthy domain, made up of the Duchy of Burgundy, the Free County of Burgundy, and the majority of the Low Countries, and her hand was eagerly sought by a number of princes. The first proposal was received by her father when she was only five years old, to marry the future King Ferdinand II of Aragon. Later the younger brother of Louis XI, Charles, Duke of Berry, made an approach, to the intense annoyance of his brother the King, who attempted to prevent the necessary papal dispensation for consanguinity.
As soon as Louis produced a male heir who survived infancy, the future King Charles VIII of France, Louis wanted his son to be the one to marry Mary, despite his son being thirteen years younger than Mary. Nicholas I, Duke of Lorraine, was a few years older than Mary, and his duchy lay alongside Burgundian territory, but his plan to combine his territory with hers was ended by his death in battle in 1473.
Mary ascended upon her father’s death in the Battle of Nancy on 5 January 1477. King Louis XI of France seized the opportunity afforded by his rival’s defeat and death to attempt to take possession of the Duchy of Burgundy proper, and also of Franche-Comté, Picardy and Artois.
A portrait believed to have been painted by Niklas Reiser.
The King was anxious that Mary should marry his son Charles and thus secure the inheritance of the Low Countries for his heirs, by force of arms if necessary. Burgundy, fearing the French military power, sent an embassy to France to negotiate a marriage between Mary and six-year-old Charles VIII, but returned home without a betrothal, finding the French king’s demands of cession of territories to the French crown unacceptable.
On February 10, 1477 at Ghent on the occasion of her formal recognition, known as the Joyous Entry, as Charles’ heir, she was compelled to sign a charter of rights, called the Great Privilege. Under this agreement, the provinces and towns of Flanders, Brabant, Hainaut, and Holland recovered all the local and communal rights which had been abolished by the decrees of the dukes of Burgundy in their efforts to create a centralized state on the French model out of their separate holdings in the Low Countries. In particular, the Parliament of Mechelen (established formally by Charles the Bold in 1470) was abolished and replaced with the pre-existing authority of the Parliament of Paris, which was considered an amenable counterweight to the encroaching, if informal, centralization undertaken by both Charles the Bold and Philip the Good. The Duchess also had to undertake not to declare war, make peace, or raise taxes without the consent of the States, and to employ only native residents in official posts.
Such was the hatred of the people for the old regime that two of her father’s influential councilors, the Chancellor Hugonet and the Sire d’Humbercourt, having been discovered in correspondence with the King of France, were executed at Ghent despite the tears and entreaties of the Duchess.
Another, later portrait by an unknown Flemish artist.
Mary now made her choice among the many suitors for her hand, selecting Archduke Maximilian of Austria, who became her co-ruler. The marriage took place at Ghent on the evening of 16 August 1477. The event initiated two centuries of contention between France and the Habsburgs (later of Spain, then of Austria) for their possession, which climaxed in the War of the Spanish Succession, 1701–1714.
In the Netherlands, affairs now went more smoothly, the French aggression was temporarily checked, and internal peace was in large measure restored.
Five years later, the 25-year-old Duchess died due to a fall from her horse on March 27, 1482 near Wijnendale Castle. She loved riding, and was falconing with Maximilian when her horse tripped, threw her, and then landed on top of her, breaking her back. She died several days later, having made a detailed will. She is buried in the Church of Our Lady in Bruges.
Louis was swift to re-engage, and forced Maximilian to agree to the Treaty of Arras (1482) by which Franche-Comté and Artois passed for a time to French rule, only to be regained by the Treaty of Senlis (1493), which established peace in the Low Countries. Mary’s marriage to the House of Habsburg would prove to be a disaster for France, for the Burgundian inheritance would later bring it into conflict with Spain and the Empire.
But, of course, she was also the inspiration for a Belgian beer, brewed by the Brouwerij Verhaeghe, located in Vichte, which is a ancient castle and farm in West Flanders. The beer is called Duchesse de Bourgogne, and it’s a personal favorite of mine. I know some people think it’s uneven, or not a classic Flanders Red Ale, but I love it.
I also wrote about Duchesse de Bourgogne a few years ago, and at the time I did my own short overview of her life.
Beer aside, the history of the Duchesse is fascinating. Her anglicized name was Mary of Burgundy, though she was born in Brussels on February 13, 1457, the only child of Charles the Bold, Duke of Burgundy, and his wife Isabella of Bourbon. Needless to say she was quite a catch, especially after her father died in battle (at the siege of Nancy, not a particularly awful sounding name) in 1477, when she was nineteen. Louis XI of France tried to take Burgundy and the Low Countries for himself but was frustrated when Mary signed the “Great Privilege,” by which she gave Flanders, Brabant, Hainaut, and all of Holland autonomous rule (leaving for herself the remainder of the Low Countries, Artois, Luxembourg, and Franche-Comté). She then married Archduke Maximilian of Austria, who was later the Holy Roman Emperor Maximilian I, and part of the Hapsburg Austrian dynasty. This sparked a long-standing dispute over the Low Countries between France and the Hapsburg family.
One of Mary’s favorite hobbies was falconing, which was popular among royals in the day. Falconry is basically training and hunting using a falcon. While engaged in this pursuit, in 1482, Mary’s horse tripped, tossing her onto the ground where the horse then landed on top of her, breaking her back. A few days later she died. Mary was only 25. The beer label’s portrait pays homage to her love of falconry and her ultimate death because of it.
Her young son Philip became heir after her death, though Maximilian was in charge until he reached adulthood. King Louis forced Maximilian to sign the Treaty of Arras the same year, and it gave Franche Comté and Artois to France. But Philip was a virtual prisoner until 1485, and then it took Max another eight years to take back control of their lands in the Low Countries. The Treaty of Senlis, in 1493, finally established peace in the area, but Burgundy and Picardy remained French.
So during her short life, Mary had such great impact on European politics that they can be felt even now in the present. So it’s quite appropriate that she have so wonderful a beer that bears her name and her portrait. It’s a fitting legacy.
The Duchesse de Bourgogne from Brouwerij Verhaeghe is the traditional Flemish red ale. This refreshing ale is matured in oak casks; smooth with a rich texture and interplay of passion fruit, and chocolate, and a long, dry and acidic finish. After the first and secondary fermentation, the beer goes for maturation into the oak barrels for 18 months. The final product is a blend of younger 8 months old beer with 18 months old beer. The average age of the Duchesse de Bourgogne before being bottled is 12 months.
Coat of arms of Mary of Burgundy.
Sunday’s ad is for Bières La Semeuse, from 1900. From the late 1800s until the 1940s, poster art really came into its own, and in
Today is the birthday of John Kauffman (February 10, 1839-January 15, 1886). Kauffman was born in Lorraine, France. He was part of the group that bought the Franklin Brewery in Cincinnati, Ohio in 1856. By 1859, it was called the John Kaufman & Co. Brewery, and it became the fourth largest brewery in Cincinnati. Eventually, he remained as the sole owner, and in 1882 renamed it the John Kauffman Brewing Co. It was closed by prohibition, and never reopened, although it was used as the Husman Potato Chip factory, so at least it was put to good use.
There’s an entry for the John Kauffman Brewery in the “History of Cincinnati and Hamilton County, Ohio,” published in 1894:
“In 1856 John Kauffman, George F. Eichenlaub, and Rudolf Rheinbold purchased the Franklin Brewery on Lebanon Road near the Deer Creek from Kauffman’s aunt. Her husband, John Kauffman, estabished the brewery in 1844. He died in 1845. In 1859 under the name Kauffman and Company, they began to build a new brewery on Vine Street and soon left the Deer Creek location. The first structure on Vine was completed in 1860.
In 1871 the Kauffman Brewery was the city’s fourth largest with sales amounting to $30,930. It was located on both the west and east sides of Vine north of Liberty and south of Green Street.
In 1860 Kauffman also bought the Schneider grist mill on Walnut Street near Hamilton Road (McMicken Avenue), but leased it out before long to another company.
In its first year on Vine Street, the brewery produced only about 1000 barrels. By 1877 the number grew to 50,000 barrels of beer. Kauffman’s beer was sold in Nashville, Montgomery, Atlanta, Charleston, Savannah, and New Orleans.
In 1865 Eichenlaub retired from the business and he was followed by Rheinbold in 1877. John Kauffman then took over the leadership by himself. After his oldest son Johnn studied brewing in Augsburg, Germany, he went to work at the family brewery. Emil Schmidt, Kauffman’s son-in-law, was superintendent by 1877.
In 1882 the brewery was incorporated as the John Kauffman Brewing Company with a paid-in capital stock of $700,000. In 1888 the brewery building at 1622 Vine was enlarged. Note it is occupied by the Schuerman Company today. The office and family residence was at 1625-27 Vine, which was razed and replaced about 75 years ago.
John Kauffman died in 1892 and his wife Marianne Eichenlaub Kauffman took over. She was president of the corporation; Emil Schmidt, vice-president; and treasurer; Charles Rheinbold, secretary; Charles J. Kauffman, superintendent; and John R. Kauffman, brewmaster. By 1894 the brewery produced 70,000 barrels of beer. The malt house had a capacity of 150,000 bushels of barley and the brewery plant covered five acres of ground.
By 1913 John R. Kauffman was president of the company. The brewery produced ‘Gilt Edge’, ‘Columbia’ and ‘Old Lager’ beers. It closed in 1919 when Prohibition became law and never reopened.”
The brewery is also mentioned briefly in a History of the Brewery District for Cincinnati:
Industry continued to be an important factor in Over-the-Rhine’s development. The canal area was still the location of many diversified industries, including lumberyards, foundries, pork packers, tanneries, and glycerin works. The brewing industry tended to concentrate along McMicken Avenue and the Miami and Erie canal (what is now the Brewery District). By 1866 the Jackson Brewery, J. G. John & Sons Brewery, Christian Moerlein Brewing Company, and John Kauffman Brewing Company dominated the industrial use of the area. In close association on the west side of the canal were the John Hauck and Windisch-Mulhauser Brewing Companies. Between 1875 and 1900 seventeen breweries were located in Over-the-Rhine and West End.
It was originally founded by American jockey Tod Sloan, who so wanted to create the atmosphere of a New York saloon that he actually bought one in New York, had it dismantled, shipped to Paris and rebuilt it where it stands to day at 5 rue Daunou (Sank Roo Doe Noo). It’s original name was simply the New York Bar when it opened on Thanksgiving Day in 1911. Sloan initially hired a Scottish bartender from Dundee named Harry MacElhone to run it, who twelve years later bought the bar in 1923 and added his first name to it. Shortly after opening, it began attracting American expatriates and celebrities, including such “Lost Generation” writers as F Scott Fitzgerald, Gertrude Stein and Ernest Hemingway. George Gershwin supposedly wrote “An American In Paris” there, and it has been visited by many movie stars over the years, from Humphrey Bogart to Clint Eastwood. In the book Casino Royale, Ian Fleming’s character Bond said it the best place in Paris to get a “solid drink.” It’s also where the Bloody Mary was first conceived, as well as the White Lady and the Sidecar.
Andrew started working in the bar in 1939, when he was 16, and never left. He took over for his father Harry MacElhone in 1958 and continued to run the bar for 31 years, until 1989. He’s also credited with creating the Blue Lagoon cocktail in the 1960s, when Blue Curaçao was first available in bottles.
Tuesday’s ad is for Biere Titan, from 1933-34, though some sources say it’s 1926. From the late 1800s until the 1940s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. This poster is for Grandes Brasseries de Jarny et Uckange, which was located in the Moselle region of Eastern France. The company was created in 1926 by the merger of two breweries. The poster was created by Dutch artist Gabrielle Favre.