Wednesday’s ad is another one from the United Brewers Industrial Foundation, from 1945. This was the year before the “Beer Belongs” series began. These were similar, and used the “Beer Belongs” tagline, but were unnumbered stand-alones. They each featured a painting by a well-known artist or illustrator of the day, along with many of the elements that would later appear in the “Home Life in America” series. In this ad, the painting is called “Sailing in California Waters,” by artist Julien Binford, who did at least one additional ad in this series.

Tuesday’s ad is another one from the United Brewers Industrial Foundation, from 1945. This was the year before the “Beer Belongs” series began. These were similar, and used the “Beer Belongs” tagline, but were unnumbered stand-alones. They each featured a painting by a well-known artist or illustrator of the day, along with many of the elements that would later appear in the “Home Life in America” series. In this ad, the painting is called “Ski Trail,” by artist Marianne Appel.

Monday’s ad is another one from the United Brewers Industrial Foundation, from 1945. This was the year before the “Beer Belongs” series began. These were similar, and used the “Beer Belongs” tagline, but were unnumbered stand-alones. They each featured a painting by a well-known artist or illustrator of the day, along with many of the elements that would later appear in the “Home Life in America” series. In this ad, the painting is called “Quail Hunt,” by artist Julien Binford.

Saturday’s ad is another one from the United States Brewers Foundation, this one from 1941. As far as I know this one’s not from a specific series. The point of the ad is that for one book not worth reading you wouldn’t tear down an entire library, and likewise you wouldn’t condemn the entire beer industry for a few bad retailers. Of course, that’s exactly what prohibitionists due, extrapolating any behavior as not reflecting on the bad actor, but on the industry as a whole.