Brookston Beer Bulletin

Jay R. Brooks on Beer

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Beer In Ads #2186: Heineken Refreshes Cricket

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Monday’s ad is for Heineken, from 1979. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel format, it features the international sport of cricket. In the first panel, a thick-bearded batsman is standing next to the wicket, bat in one hand and a beer in the other. In the second panel, he’s throwing back the mug of beer and drinking it down, and you can already see his bat is starting to grow. Thanks to the beer, his paddle has grown to the size of a pizza peel. Let’s see the bowler bowl one past him now.

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Beer In Ads #2185: Heineken Refreshes A Bird

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Sunday’s ad is for Heineken, from 1981. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel format, a bird flies up to a beer can, and in the second panel perches on the can. After pecking the can open and taking a sip, I suppose he’s supposed to look transformed. But I confess for this one, the bird doesn’t really look different from the previous two panels. He may look a little happier — he does appear to be smiling — but is otherwise unchanged.

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Beer In Ads #2184: Heineken Refreshes Loaves Of Bread

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Saturday’s ad is for Heineken, from 1981. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a single-panel format, a man is riding his bicycle down a tree-lined road with three packages of Heineken tied down to the back. I can’t tell if they’re giant oil-can size cans of beer or some sort of six-pack or other size of bottles. Also on the back of the bike, though, is a ginormously long loaf of bread that stretches the width of the road and then some. Hopefully, he won’t have to travel on any narrow roads to get where he’s going, otherwise he’s screwed.

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Bistro Double IPA Winners 2017

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Today the 17th annual Double IPA Festival was held at the Bistro in Hayward, California. I missed judging last year, but happily was able to be there again this year. We judged 68 Double IPAs and 37 Triple IPAs, and awarded three medals in each category, plus an honorable mention for each, as well.

Double IPAs

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Our judging table in the basement of the Bistro.

Triple IPAs

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The second judging table.

Peoples Choice Awards

Congratulations to all the winners.

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It was a beautiful day at the Bistro for tasting 105 Double and Triple IPAs.

Beer In Ads #2183: Heineken Refreshes The Concorde

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Friday’s ad is for Heineken, from 1976. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a two-panel format, a Concorde jet is looking a little tired and suffering drooping nose. But after a fill-up from the Heineken fuel truck, the plane’s nose is no longer dropping, but is raring to go. The plane, somehow, is now smiling, too. I wonder why it never caught on to refer to beer as “jet fuel?”

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Beer In Ads #2182: Heineken Refreshes Mustaches

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Thursday’s ad is for Heineken, from the 1970s. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel vertical format, the first panel shows a chubby, bespectacled man with a droopy mustache. After sipping some Heineken, his ‘stache is standing tall. Stiff as a board and ready for action. That must be why he’s smiling.

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Bock To Basics

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For our 121st Session, our host will be Jon Abernathy, who writes The Brew Site. For his topic, he’s chosen Bock!, which again sounds simple enough, but I’ll just let Jon explain what he means:

The month of March heralds the start of spring, and March 20 is even National Bock Beer Day. So Bockbiers seemed like a natural fit for the month!

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Don’t feel constrained to simply write a review of a Bock beer, though I’m certainly interested to read any reviews that come it. Some other ideas to consider:

  • Dig into into the history of the style—their ties to Einbeck, the differences in the development of Bocks and Doppelbocks, and so on.
  • Do any of your local breweries brew a Bock-styled beer? Seek it out and write about it.
  • Alternatively, interview your local brewer who brewed that beer; get their take on the style and why/how they brewed it the way they did.
  • Have you ever attended Bockfest in Cincinnati, Ohio? It just so happens to take place the first weekend of March—write a review for The Session!
  • There are already the styles of traditional Bock, Doppelbock, Maibock, Eisbock, Weizenbock (and Helles Bock and Dunkles Bock in the BJCP) guidelines. Just for fun, invent a new style of Bock and describe it.
  • Have you homebrewed a Bock or similar style? Tell us about it, and anything you learned brewing this lager style at home.
  • Bock puns!

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In mid-2015, I was Thinking About Beer Color, so it could be fun to restrict that to just one family of color, the browns. There certainly are a lot of beers that fit into that range. What’s your take on the narrow band on the beer color rainbow.

To participate in the March Session, on or before Friday, March 3, 2017, post your thoughts on Bock beer. Either comment on the original announcement or via Twitter or Facebook. Jon’s Twitter handle is @brewsite.

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Beer In Ads #2181: Heineken Refreshes Steel Girders

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Wednesday’s ad is for Heineken, from 1977. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a two-panel format, a man is carrying a large steel girder, balanced on his head, while carrying a full mug of beer. It’s obviously a poke at Guinness advertising, which had a similar ad with a man carrying a girder. The girder is bent in a curve, essentially drooping in the front and back, as if he was carrying something limp. But in the second panel, after he’s drank some of his beer, the girder has stiffened up and is straight as an arrow. Plus the man has gone from frowning to wearing a smile, but I’m sure that’s just a coincidence.

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Beer In Ads #2180: Heineken Refreshes Humpty Dumpty

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Tuesday’s ad is for Heineken, from the 1970s. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a two-panel vertical format, the Mother Goose character Humpty Dumpty has already had his great fall, and is sitting on the grass beneath the wall he’s just fallen from with cracked noggin. He looks like he’s in pretty bad shape. And while “[a]ll the king’s horses and all the king’s men, couldn’t put Humpty together again,” one sip from a mug of Heineken and he’s good as gold, right as rain and fit as a fiddle. He’s even back on his wall, with a smile on the face of his now intact body, with a blue sky at his back. That’s some damn powerful beer.

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Beer In Ads #2179: Heineken Refreshes Shakin’ Stevens

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Monday’s ad is for Heineken, from the 1970s. In the later 1970s, Heineken embarked on a series of ads with the tagline “Heineken Refreshes the Parts Other Beers Cannot Reach.” Many of the ads were in a sequential panel, or comic strip, format and they were intended to be humorous.

In this ad, a three-panel format, the British rock ‘n’ roll singer Shakin’ Stevens — “the UK’s biggest-selling singles artist of the 1980s” — can’t stop shaking. His real name is Michael Barratt, with his stage name adopted when his band changed its name to Shakin’ Stevens and the Sunsets. Somehow in the second panel he manages to hold a mug of Heineken to his lips and take a sip, which promptly cures him of shaking.

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