
Monday’s ad is for Der Fahrradclown, or the Bicycle Clown, from 1966. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Monday’s ad is for Der Fahrradclown, or the Bicycle Clown, from 1966. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Sunday’s ad is for Der Bootclown, or the Boat Clown, from 1966. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Saturday’s ad is for Der Kinderwagenclown, or the Baby Carriage Clown, from 1966. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Friday’s ad is for Der Stehclown, or the Standing Clown, from 1966. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Thursday’s ad is for Hurra! Bier!, from 1937. From the late 1800s until the 1960s, poster art really came into its own, and in

Because I couldn’t leave it there, I did finally discover that the original may have first appeared in the September 1937 issue of an Austrian magazine. The scan below is from that magazine, called simply “Wiener Magazine” (Viennese Magazine) which I found at ANNO –

By Jay Brooks

Wednesday’s ad is another ad for

By Jay Brooks

Tuesday’s ad is for

By Jay Brooks

Monday’s ad is for Frisch vom Fass Bier, or Fresh from the Beer Barrel, from 1966. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Sunday’s ad is for Suntory Beer, from 1985. From the late 1800s until the 1960s, poster art really came into its own, and in

By Jay Brooks

Saturday’s ad is for Dortmunder Union, from 1960. From the late 1800s until the 1960s, poster art really came into its own, and in

