Friday’s ad is for Grande Brasserie d’Arcueil, from 1910. From the late 1800s until the 1980s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. I’ve been posting vintage European posters all last year, and will continue to do so in 2020. This poster was for Grande Brasserie d’Arcueil, which was presumably a brewery in Arcueil, “a commune in the Val-de-Marne region in the southern suburbs of Paris, France.” The poster was created by French artist Eugène Ogé.

Thursday’s ad is for La Biere Schneider Allary, from 1900. From the late 1800s until the 1980s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. I’ve been posting vintage European posters all last year, and will continue to do so in 2020. This poster was for La Biere Schneider Allary, although I don’t know much about who exactly the advertising is for, or who the artist was who created the poster. The text reads “Je vous Conseille Amicalement de ne Boire que de La Biere Schneider Allary” which Google translates as “I kindly advise you to drink only Schneider Allary Beer.”

Wednesday’s ad is for Leurs Bieres Sodibo Gold Mohur Imperial Hawk, from 1928. From the late 1800s until the 1960s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. I’m not sure exactly what this poster was meant to advertise or what the name of the brewery, although I think the beer’s name was Gold Mohur Imperial Hawk. It was created by French artist Le Maire.

Tuesday’s ad is for Buvez Les Bières De Garde, from 1930. From the late 1800s until the 1960s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. This poster is for the Brasserie de la Arnould Mochez, located in France. It was founded around 1821, changed locations at least twice, and ceased operations for good in 1940. I’ve been unable to find information about the artist.

Saturday’s ad is for Pelforth, The Pride of France, from the later 1960s. From the late 1800s until the 1960s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. Pelforth is a French brewery founded in 1921 in Mons-en-Barœul by three Lillois brewers (though one sources says 1914). It was originally called Pelican, after a popular dance at the time, but changed its name to Pelforth after World War II. The name is a mash up of Pelican and “forte”, which means strong – and this is the style of beer they brew, including a blonde, brune and amber. Today, the brewery is owned by Heineken.

Thursday’s ad is for Hurra! Bier!, from 1937. From the late 1800s until the 1960s, poster art really came into its own, and in Europe a lot of really cool posters, many of them for breweries, were produced. This was not part of the series of posters promoting beer by the German Brewers Association, the Swiss Brewery Association, and others, in the mid-20th century, but it seems to be in the same spirit of promoting beer generally. Many websites attribute it to French painter and lithographer Théodore Géricault, but he died in 1824, so it seems unlikely he created it nearly 100 years before the beer poster’s heyday, so it must have been someone else. The language appears to be German, so it likely wasn’t done in Géricault’s native country. It appears to have been made in Vienna, Austria by printmaker Paul Gerin, at least that appears on at least one copy of the print I found online. The small logo that’s visible above her left shoulder is for Gallery Otto, an Austrian art gallery that was founded in 1934, so the date at least makes sense. But there’s still no credible information about the artist who created the poster, which is a shame.

Because I couldn’t leave it there, I did finally discover that the original may have first appeared in the September 1937 issue of an Austrian magazine. The scan below is from that magazine, called simply “Wiener Magazine” (Viennese Magazine) which I found at ANNO – AustriaN Newspapers Online, described as “Historic Austrian newspapers and magazines online.” It appears to have been on page 100, which seems to be the back page of the magazine. Sadly, there’s still no information about the artist, but there is some satisfaction in possibly having found the origin of the art.