Monday’s ad is unusual insofar as its for a beer brewed in a village that no longer exists. Adelshoffen used to be in the Lower Rhine region of Germany. The most famous beer they made was Adelscott, which was launched in 1982. Heineken acquired the brewery through Fischer in 1996 and closed the brewery in 2000.
Today’s featured artwork is thoroughly modern, but on an old-time subject. It’s about the mansion built by Washington D.C. beer mogul Christian Heurich, who was born today in 1825. It’s a twenty-page independent comic book with a story by Matt Dembicki and art by Andew Cohen. Entitled The Brewmaster’s Castle, the story takes place March 7, 1945 as an 102-year old Heurich takes a bittersweet final stroll through the mansion he built between 1892-94. Here’s page 1:
The actual building still stands, known today as the Christian Heurich House Museum it’s billed as “Washington’s Most Intact Late-Victorian House” and described as follows:
One of Washington’s best-kept secrets, The Brewmaster’s Castle is the most intact late-Victorian home in the country, and a Landmark on the National Register of Historic Places.
Built in 1892-1894 of poured concrete and reinforced steel by German immigrant, local brewer and philanthropist, Christian Heurich (HI-rick), it is also the city’s first fireproof home.
Heurich was Washington’s second largest landowner, the largest private employer in the nation’s capital, and as the world’s oldest brewer, ran his brewery until his death at 102.
A visit to The Brewmaster’s Castle is a visit back in time to the late-19th Century, when the Heurich family was in residence in Washington’s premier residential neighborhood.
Here’s what the mansion looks like today.
But back to the comic book. Here, Christian Heurich strolls through his mansion.
And near the end of the story, Heurich begins turning out the lights.
The original Christian Heurich Brewery opened in 1873 but was closed in 1956 by Christian Heurich, Jr., who took over the brewery after his father died in 1945. Where the brewery stood is now the site of the John F. Kennedy Center for the Performing Arts. In 1986, Christian Heurich, Jr.’s son Gary Heurich started Olde Heurich Brewing, an early D.C. microbrewery that lasted twenty years, closing in 2006.
You can buy your own copy of the comic book for only $5 (plus $1 shipping) directly from the author. You can pay him directly via PayPal using his e-mail address of mattdembicki (@) gmail (.) com. He’s “hoping [they] might get some funds soon to print a larger run and get greater distribution. You can help. Support the arts and brewing history (not to mention independent comics) — all worthy causes IMHO — by buying this unique hand-crafted comic directly from the artist. Below is the cover.
RustyCans.com has more on Heurich’s history.
Our 34th Guinness poster by John Gilroy features an auto mechanic not needing a jack at all, instead lifting the car off the ground with one hand to work underneath it, thanks to the “Guinness for Strength” he just enjoyed.
Friday’s ad is a striking ad for the Swiss Lowenbrau in Zurich. There’s not much to say about it, it pretty much speaks for itself. It’s simple, only two colors; the red lion, holding and wrapped in the black flag. Timeless.
Thursday’s ad is a beautiful one for an Birra Italia, a Milan brewery. It’s from 1906 and was created by the German artist Adolfo Hohenstein, who was well-known for his Opera posters. Oddly enough, he’s “considered the father of Italian poster art and an exponent of the Stile Liberty, the Italian Art Nouveau.”
Wednesday’s ad is for the Scottish lager Tennent’s. Given the bottle, I’m guessing this is an old ad, maybe late 19th century. With the two dogs, the tagline “Give us your business & we’ll hold it” is pretty funny.
Tuesday’s ad is for the Mexican beer Tecate, brewed by Cuauhtémoc Moctezuma Brewery. The brewery was founded in 1890. I have no idea when the ad is from, though it has a look of the 1950s or early 60s. Norman Rockwell south of the border.
Monday’s ad is from a French brewery in the medieval village of Albi, the capital of Tarn, a tourist area in southern France. Founded in 1822, I assume that’s King Gambrinus holding the bottle with his picture on it. I also imagine those are supposed to be hops in the foreground, but they look more like strawberries.
In honor of labor day, here’s a fun series of illustrations showing all the labor necessary to make beer, in this case Guinness. In 1981, Guinness commissioned British illustrator and artist John Ireland to create twelve paintings whimsically depicting the steps that go into making Guinness beer for a calendar.
From the Guinness Collector’s Club website:
John was born on the 19th March 1949 at Aldershot Hants and attended Farnham Grammar school, Farnham Art School and finally Ravensbourne College of Art and Design. He lived and worked in London from 1971 until moving to Norfolk in 1976. John has two sons, two sheep, a dog and a wife Tessa and has worked as a freelance illustrator since leaving college, principally for magazines and publishing, with a little bit of advertising. In recent years. A lot of his work has involved caricatures including collections of sporting personalities and a weekly drawing for the TV Times for over nine years.
John [Ireland] writes:
“I had been asked a few years prior to 1980 to submit ideas for a Guinness Calendar but nothing came of it, and when I was asked to produce roughs for a W. Heath Robinson pastiche I was initially reluctant, suggesting I could do something in my own style. When it became obvious that they – J.Walter Thompson the advertising agency — were set on doing it their way, I decided that it was better I should do it rather than someone else mess it up and do Heath Robinson a disservice.”
“There were similarities in our styles, which is presumably why I had been asked in the first place. I had been interested in his drawings since I was a child, having bought his books at jumble sales. The whole job went amazingly smoothly and following a guided tour of the Park Royal Brewery, it was left up to me to decide on which elements of production I should highlight.”
“This is so unusual for advertising, normally you are presented with layouts that you have to stick to rigidly and all the copy has been written already. In this instance I even wrote the captions. My initial roughs were accepted with hardly any changes suggested. I only had to make the May drawing a little busier and ensure that wherever possible both bottled and keg beer should be depicted as apparently there was intense rivalry between the two divisions of the company. The barman in the December drawing is actually a portrait of Heath Robinson with his cat ‘Saturday Morning’ and the customer is my Father.”
Blogger Phil Beard, at his Notes on the Visual Arts and Popular Culture, also has a nice post on the series. These days John Ireland is best known for his caricatures.
January: Hop Picking Time in the Guinness Fields
February: Early Morning on the Guinness Farm
March: Industry in the Guinness Maltings
April: Roasting the Guinness Barley
May: Mixing the Guinness Mash
June: Filtering the Guinness Wort
July: Fermenting the Guinness
August: Bottling the Guinness
September: Signing the Day’s Production of Guinness
October: The Training of the Guinness Quality Testers
November: Delivering the Guinness
December: The First Guinness of the Day
Today’s painting is by one of the most famous post-impressionist artists, Henri de Toulouse-Lautrec. The painting is most often called “The Hangover,” though occasionally subtitled “Portrait of Suzanne Valadon,” an artist on her own right. It’s also been called “The Drinker.” The original hangs in the Fogg Museum at Harvard. It was painted in 1888.
And yes, I realize it may very well be wine in the glass and the bottle, but I’m holding out hope that it may also be beer because I like the painting so much. Toulouse-Lautrec was an alcoholic most of his adult life, and originally had a taste for beer and wine, though he later began drinking American-style cocktails, too. He had a hard time coping with people’s cruel tendency to mock his short stature and turned to drink as a result.
Art and alcohol were his only mistresses, and they were mistresses to which he devoted all of his time and energy. He was doing one or both almost every day of his life until he died.
For more about Toulouse-Lautrec, Wikipedia is a good place to start, and there are a number of links at the ArtCyclopedia and the Artchive. And you can also see a number of his other works at Olga’s Gallery, the Artliste, the Web Museum and CFGA.