Today is the day that John Mitchell died, since his actual date of birth is unknown (1929-June 16, 2019). He was born in Singapore, but raised in England, before emigrating to Canada when he was 24, in 1953. With Frank Appleton, he founded the Horseshoe Bay Brewery, one of Canada’s first microbreweries, in 1982. It didn’t last long, but just two years later he co-founded Canada’s first brewpub, Spinnakers,
And here is an obituary of Mitchell, from the CBC:
Born in Singapore in 1929, Mitchell was raised in England before moving to Canada when he was 24.
His journey into craft beer began in 1982 when he founded Horseshoe Bay Brewing, regarded as Canada’s first microbrewery, in West Vancouver. He then opened Spinnakers, the country’s oldest brewpub, in Victoria in 1984.
In 1996, he was part of the team that established Howe Sound Brewing in Squamish, B.C.
That’s where John Ohler started working with him. The two became best friends.
“He didn’t go into business to make money. He went into business to brew great beer. He really wanted to bring back … real ale, and that had been lost at the time,” Ohler said.
“He opened the brewery so that he could restore draught beer back to its days of glory.”
Mitchell was a strong-minded yet private person, Ohler said, and he was opinionated about beer — it had to be a certain temperature, specific carbonation, and brewed with whole hops instead of hop pellets.
He was generally drawn to English-style ales, he added.
Mitchell laid the foundation that allowed the craft beer industry to grow into what it is today, Ohler said. He pushed to change laws to allow for entrepreneurial “fairness” in the industry, he added.
In 2016, Mitchell and Ohler started a foundation to provide scholarships to students in the Brewing and Brewery Operations Diploma Program at Kwantlen Polytechnic University.
Mitchell was diagnosed with pneumonia about two weeks ago and was admitted to hospital, Ohler said.
He died with his wife, Jenny, and daughter, Louise, by his side.
And here’s another account, from North Shore News:
The “Grandfather of Canadian Craft Beer” was born in Singapore in 1929 and raised in England, before immigrating to Canada in 1953. Inspired by his love for the rich, flavourful ales of the U.K.—and their complete absence in Canada—Mitchell pioneered the country’s first craft brewery in Horseshoe Bay in 1982. That meant years of lobbying all levels of government to allow craft breweries the right to legally exist, thus setting the stage for the coming craft beer revolution.
Mitchell was one of the founding partners—and the original brewer—of Spinnakers Brewpub in Victoria, Canada’s oldest continuously operating craft brewery (which celebrated its 35th birthday last week). Today, you can still find hand-pulled pints of Mitchell’s ESB on the beer list, named in his honour. Mitchell was also instrumental in the founding of Howe Sound Brewing, and its Troller Bay Ale pays tribute to his original brewpub.
John Mitchell serving a real ale from a beer engine at Spinnakers circa 1984
As a craft beer pioneer, Mitchell “started an economic and cultural revolution that went on to challenge the dominance of the major beer brands and changed the way people think about and consume beer,” according to the John Mitchell Foundation, a non-profit charity named in honour of Mitchell and dedicated to advancing the pursuit of brewing excellence. Founded in 2016, the foundation was created to provide endowments and scholarships for students at Kwantlen Polytechnic University’s brewing diploma program in Langley.
Today on social media, Mitchell was remembered by the craft beer community for his impact not only on the craft beer industry, but on Canadian culture.
Spinnakers is located on the north shore of the Middle Harbour on Kimta Road overlooking and on lovely Songhees Walkway. Spinnakers was established to fill a gap in the Canadian beer industry. Back in the early 1980s, the market was dominated by the “Big 3″: Labatt, Molson and Carling O’Keefe. But, one of Spinnakers’ founding partners, John Mitchell, was about to create waves in the brewing world.
Laws that prohibited any individual or company from being involved in the manufacturing or retailing of beverage alcohol in British Columbia became a matter for review when, in June, 1982, Mitchell opened a small brewery on the property of Sewell’s Marina in West Vancouver to brew and supply real ales to his Troller Pub, located down the street.
Although this first foray into commercial brewing did not last, Mitchell was inspired and eager to persue his inspiration. A September 1982 trip to the UK in search of better brewing equipment also yielded a suitcase full of beers, a couple bottles each of 14 different UK brands. These were shared one October evening with a number of beer aficionados in a pub, the Pickled Onion, located in a Dunbar residence on the west side of Vancouver. The host, a wine and spirits agent provided accompaniments and others brought along a few beers of their own to share. Working our way through the beers, discussing the merits of each and speculating on recipes, the group had a grand evening as we also tried another five or six North American bottled beers and finally settled into the draft canisters of home brew brought by a couple of the participants. This was the evening that Spinnakers was conceived out of a realization that we could have access to such an amazing array of flavours. With the best beers of the evening having been provided by the home brewers, it was evident that the technology was in the room and the task at hand was to find a location and set about the process of building Canada’s first in-house brewpub of the modern era.
The process started with a review of Provincial liquor laws and a visit to Victoria’s City Hall where we quickly learned that a brewery / pub combination was not an allowed land use anywhere within the city limits. Subsequent conversations with Victoria’s Mayor and a few Councilors revealed a perspective that whilst the idea of a neighbourhood public house with an in-house brewery might be interesting, given that there were no examples to look at we were facing a very real fear of the unknown, that is, it may be a nice idea, but not in my backyard, thank you. One councilor summed it up nicely by telling us to find a neighbourhood that did not exist so that there would be no pushback and that those who lived next to the proposed brewpub would be doing so out of their own volition.
With this in mind, the current location at the foot of Catherine Street, on the edge of Lime Bay, overlooking Victoria’s harbour was singled out as a preferred potential location. Adjacent lands were derelict industrial, the remnants of a long closed shingle mill, an oil tank farm and underutilized rail yards. Long considered the wrong side of the bridge, Vic West had long been ignored by officials at the City. Suggestions of the current location resulted in the City Planning Department calling for a new community plan for Vic West before consideration could be given to any proposal. Having a background in private practise involving community planning work proved useful as we were able to return 6 weeks later with a vision as to how the surrounding areas might unfold over the next 20 years and how a neighbouthood brewpub might fit into the community.
Presentations to the Vic West Community Association resulted in the association conducting a neighbouhood poll indicating a very high level of support. This led to the development of a set of drawings and applications to create a zoning bylaw specific to the needs of a craft brewery and brewpub.
At the same time, a process was commenced with the Provincial government’s department of Liquor Control and Licensing which led to the creation of a set of Guidelines for Licensing Brewpubs in British Columbia. It turned out that previously authorized Horseshoe Bay operation was allowed to proceed because it was not expected to succeed. The advent of another pending application caused the General Manager to require the development of more formal guidelines for licensing as well as a need to amend the Liquor Control and Licensing Act to provide an on-going exclusion to Tied House Provisions which were embedded in the Act to ensure a legal separation between manufacturers and liquor licensees.
At the level of the Federal Government it was also necessary to seek an amendment to the federal Excise Act which stated that the only means of communication between the manufacturer of commodities subject to Excise duties was by highway. The Troller Pub / Horshoe Bay Brewing scenario complied with the Federal Excise Act as the beer was kegged at the brewery and then trucked down the street to the pub. Spinnakers, as a result of an Federal Excise Act amendment, contained within a February 1984 Federal Budget, was the first in-house liquor manufacturing facility to take advantage of the new provisions, ultimately paving the way for brewpubs, wineries and more recently, craft distilleries with attached licensed premises to exist.
From idea to opening day, over a period of 18 months, the Spinnakers team managed to put together what became Canada’s first in-house brewpub of the modern era. We think it was worth the effort. We trust that you will appreciate the results of our efforts.
Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising. With Spring approaching, there are so many great examples that I’m going to post two a day for a few months.
Monday’s work is a sign created for “Lion Bock,” which was done sometime between the 1880s and 1919. It was created for the Windisch-Muhlhauser Brewing Co. of Cincinnati, Ohio, which was founded in 1866. This poster was done by chromolithographers Wolf & Co. in Philadelphia, Pennsylvania.
Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising. With Spring approaching, there are so many great examples that I’m going to post two a day for a few months.
Sunday’s ad is for Magnolia Bock Beer, which was published on June 14, 1908. This ad was for the Houston Ice & Brewing Co. of Houston, Texas, which was originally founded in 1892 by Hugh Hamilton. This ad ran in the St. Landry Clarion, of Opelousas, Louisiana.
Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising. With Spring approaching, there are so many great examples that I’m going to post two a day for a few months.
Saturday’s ad is for Charleston Bock Beer, which was published on June 13, 1907. This ad was for the Charleston Brewing Co. of Charleston, West Virginia, which was originally founded in 1902 as the Capitol City Brewing Co., and after 1907 was called the Kanawha Brewing Co. This ad ran in the Labor Argus, of Charleston, West Virginia.
Today is the birthday of Constant Vanden Stock (June 13, 1914-April 19, 2008). While he was best known for his exploits in football/soccer, he also ran his family’s business, Belle-Vue Brewery. That brewery was founded by his father, Philémon Vandenstock, in 1913. Constant’s father was captured by the Nazis in World War 2, and was sent to a concentration camp, but died one week after being released in 1945. After the war, Constant re-opened the brewery and continued to run it until the business was effectively acquired by Interbrew, now AB-InBev, in 1988.
Constant Vanden Stock was the president and a player of Belgian football club R.S.C. Anderlecht. The stadium of this club is named after him. Constant Vanden Stock also served as coach of the Belgium national football team from 1958 to 1968. He is the father of another club president, Roger Vanden Stock. He is also behind the bribery of referee Emilio Guruceta Muro to throw the UEFA cup semi-final against Nottingham Forest in 1984. Vanden Stock managed the family brewery Belle-Vue, famous for its Kriek and Lambic, until he sold it to beer giant Interbrew, now InBev.
This tribute to Vanden Stock is from the 10th anniversary of his death in 2008, published by the RSCA in Belgium in 2018.
Son of brewer Philémon Vanden Stock and his wife Marie, Constant Vanden Stock wasborn in Anderlecht on June 13, 1914, just before the start of the First World War. Ten years later, he began to play for the Mauve and Blancs, where he played only 52 matches in the first team between 1933 in 1938 due to serious injuries. He then joined the ranks of the neighbors of the Union Saint-Gilloise. Five years later, he put an end to his sports career and he focused on the development of Belle-Vue, his father’s brewery.
In the early 1950s, Constant Vanden Stock occupied a very first position at Sporting. He was there for three years responsible for recruiting young people. Constant was also the cadet and school coach. After a short stint as president of La Forestoise, he was appointed to the selection committee of URBSFA. Two years later, he became the only national team coach. Albert Roosens, the Anderlecht president at the time, wanted to bring him back to the RSCA, but Constant nevertheless chose the role of technical director at the Club Brugeois. A year later, in 1969, he returned to the capital, however. Constant became a member of management and also vice-president there, before finally taking over the helm as president in 1971.
It was the start of a long and successful period. In twenty-five years of presidency, Constant Vanden Stock managed to add many trophies to the prize list of our club. He celebrated ten Belgian champion titles, seven Belgian Cups, two Cup Winners’ Cups, a UEFA Cup and two European Super Cups. In addition, the old Émile Versé stadium was completely renovated between 1983 and 1991 to become a football stadium with boxes and business seats , a great novelty. The enclosure was logically renamed the Constant Vanden Stock stadium to pay tribute to his work.
In 1996, Constant Vanden Stock decided to pass the baton to his son Roger, but he remained, at 82, obviously very attached to his club, as honorary president. In 2005, Constant’s health began to deteriorate, with balance problems which were followed by a heart attack. Constant Vanden Stock died on April 19, 2008, just before the centenary of his club, at the age of 93 years. Rest in peace, Mr. Constant.
Brasserie Belle-Vue has a long and sometimes controversial history of innovation, takeover, and survival among the lambic brewers and blenders. It was founded in 1913, by a café blender named Philémon Vandenstock (1886 – 1945). The owner of a bar in Brussels, Vandenstock, along with his wife, bought wort from various lambic breweries in the city and began blending fondgeuze for the establishment. Shortly after they began their blending business, World War I broke out leaving few resources to continue. Finally, in 1927, the Belle-Vue Café in Anderlecht became available. Vandenstock purchased the building as an outlet for his lambics; serving five other cafes in the area while also selling directly to customers. From 1927 onward, the blendery would market itself under the Belle-Vue name with a mention to Ph. Vandenstock usually visible somewhere on the branding.
The business flourished under Philémon, leading to the first brewery acquisition by Belle-Vue in 1943: Vos-Kina, a lambic brewery located in Sint-Jans-Molenbeek. The acquisition of the brewery came at a difficult time in Europe’s history, right in the middle of World War II. While many breweries were struggling through the war, Belle-Vue was growing. Now able to brew his own lambic, Vandenstock also brought his son Constant Vandenstock and his son-in-law Octave Collin Vandenstock into the business to help manage.[1] Sadly, Philémon was arrested by the occupying Nazi forces in 1944 and sent to the Neuengamme concentration camp where he remained until it was liberated in May of 1945. He died just one week after the camp’s liberation.
The journey of Belle-Vue’s slide into non-traditional lambic started immediately after the death of Philémon when his son Constant took over the business. Until then, Belle-Vue was producing only traditional fondgeuze; however, like many other lambic breweries at the time, Constant began to use artificial flavorings to adapt to the changing palates of Belgian lambic drinkers. Belle-Vue began sweetening, filtering, pasteurizing, and carbonating its gueuze so that it could be consumed more like a traditional European pale lager rather than a traditional lambic. Belle-Vue also was one of the first, if not the first, lambic breweries to move away from using the traditional 75cl bottles to using capped 25cl bottles. This provided an easy “one bottle for one glass” strategy and did away with specialty corkscrews needed for opening the larger bottles.
The journey to the top of the lambic world for Belle-Vue began in the 1949-1950 season when Belle-Vue began to send lambic across the country and into France and the Netherlands. Belle-Vue, who was at the time the only lambic brewery with filtered and pasteurized gueuze, managed to escape the heatwave that resulted in exploding bottles for the majority of the lambic brewers and blenders that season. Business was so good that the brewery went on to two more takeovers, taking over the Louis & Emile De Coster lambic brewery in 1952 and Timmermans in 1955.
Constant, who was always involved with the football leagues in Belgium and Europe brought his son, Roger, as well as Roger’s cousin Philipe, into the business in 1962. In 1969, Belle-Vue acquired two more breweries: De Boeck and Goossens, known together as Brasseries Unies (United Breweries). These two breweries together had already acquired Brasseries Brasserie de la Couronne (De Kroon), Espagne, De Coster-Heymans, and Vandenkerckhoven. Again in 1970 Belle-Vue acquired Brabrux, which had already acquired other well known lambic breweries De Keersmaeker, Vaan Haelen-Coche, Bécasse-Steppé, and Vandenperre. At this point, Belle-Vue controlled approximately 75% of the lambic market. De Neve was also taken over by Belle-Vue in 1975, which is now a set of luxury apartments in the old brewery building.
Belle-Vue was riding a wave of success that very few lambic breweries were achieving at the time, but to do this Belle-Vue needed the help of one brewery still bigger than them in Belgium: Artois. Belle-Vue partnered with Artois to help expand its brand in the export market. The cost of this was a 43% minority share for Artois in Belle-Vue, with Constant still remaining in charge of Belle-Vue. When Artois merged with Piedboeuf (most recognized as the brewer of Jupiler) in 1988 to create Interbrew, it effectively put an end to the Vandenstock family stake in Belle-Vue.
Today, Brasserie Belle-Vue exists under the AB-InBev umbrella and consistently puts out non-traditional, sweetened lambics for the masses. No longer producing a traditional lambic or gueuze, the final true-to-style Belle-Vue product was the Belle-Vue Sélection Lambic released in 1999. Belle-Vue beers are now produced at the brewery in St. Pieters-Leeuw located just outside the Brussels Capital Region in Flemish Brabant. Belle-Vue is not a member of HORAL.
Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising. With Spring approaching, there are so many great examples that I’m going to post two a day for a few months.
Friday’s ad is for Bartel’s Bock Beer (and their Lager), which was published on June 12, 1919. This ad was for the Bartels Brewing Co. of Edwardsville, Pennsylvania, which was originally founded in 1898. This ad ran in the Pittston Gazette, of Pittston, Pennsylvania.
Today is the birthday of John Hemrich (June 12, 1823-August 24, 1896). He was born in Baden-Württemberg, Germany, trained as a brewer, and came to America when he was 25, and had breweries in New York, Iowa, Wisconsin, but eventually ended up in Washington state, where he founded the Bay View Brewery, which eventually merged with two other Seattle breweries to become the Seattle Brewing and Malting Co.
He’s also the father of Andrew Henrich, Alvin Hemrich, and Louis Hemrich, all of whom worked with other family members on a variety of brewery projects over the years. It’s a complicated story, but Gary Flynn at Brewery Gems is your best bet for understanding it all, and I recommend starting with his biography of John Hemrich.
Today is the birthday of Johan ‘John’ Hallgren (June 12, 1867-April 7, 1926). He was born in Maglehem, Skåne, Sweden and moved the U.S. sometime between 1881 (when he was 14) and 1890 (when he was 22) with at least four different sourced dates. By 1893, he was living in Delaware and married Alma Maria Fredriksdotter Svensson. The couple had six children, and lived in a variety of places, including New Castle and Willmington, Delaware, New York City, and a number of small towns in Pennsylvania, like Chester, Harrisburg, Hershey, and, finally, Mount Joy.
In Mount Joy, there was a brewery, the Mount Joy Brewery, which was founded by Philip Franck in 1860. It was later bought by Alois Bube, who owned it from 1877 until his death in 1908, after which his estate and family kept it going for another six years. In 1914, they sold it to Hallgren, who appears to have worked as a brewer before that, and he operated it until 1917, when it was closed due to prohibition.
Today is the birthday of Anton Ruh (June 11, 1845-November 26, 1925). Ruh was born in Germany, but made his way to America, settling in Kentucky. In 1889, he became the brewmaster of the Bavarian Brewing Co. of Covington, Kentucky, after Wilhelm Riedlin became the sole owner. He brewed there until prohibition began, and even though the brewery did reopen after repeal, he had passed away in 1925.
There isn’t a great deal of information about Anton Ruh, although there’s this brief mention from the North Kentucky Tribune:
One Covington family contributed greatly to the beer brewing heritage of Covington. German immigrant Anton Ruh was a long-time brew master at Bavarian Brewery. Under his leadership, the Bavarian brand gained a reputation across the Midwest. Anton’s son, Joseph Ruh, was associated with both Bavarian and Heidelburg Breweries. Joseph’s son, Carl Ruh, was a teacher at Covington Catholic High School, a Kentucky State Representative and Kenton County Sheriff.
It appears that Ruh may be front and center in this photo of the brewery workers from an unknown date.
And this history of the brewery is from “The Encyclopedia of Northern Kentucky,” edited by Paul A. Tenkotte, James C. Claypool:
Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising. With Spring approaching, there are so many great examples that I’m going to post two a day for a few months.
Wednesday’s work is for “Holsten Bock,” which was created in 1910. It was created for the Holsten Brewery, which was founded in 1879, in Hamburg, Germany. This poster was done by the Austrian commercial artist Julius Klinger, and it was printed by lithographers Hollerbaum & Schmidt in Berlin, Germany.