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Jay R. Brooks on Beer

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Beer In Ads #4895: Pschorr-Braü Mai Bock

February 28, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Friday’s ad is is for Pschorr-Braü Mai Bock, and is from 1913. At that time, it was the Pschorr-Bräu, but after a merger in 1972 with the Hacker Brewery it became known as the Hacker-Pschorr Brewery. This poster was created by Carl Moos, a well-known German-Swiss graphic artist, who was best known for his travel and skiing posters.

Filed Under: Art & Beer, Beers, Breweries, Just For Fun Tagged With: Advertising, Bock, Germany, History, Switzerland

Session #144: Home Beer, Sweet, Home Beer

February 28, 2025 By Jay Brooks

For our 144th Session, hosted by Boak & Bailey, they’ve chosen as their topic by posing the seemingly simple question, [w]hat’s the best beer you can drink at home right now? They also set some guidelines and suggestions about how to proceed:

Not necessarily right now. You can go to the shops if you like. But you shouldn’t have to get on a train or a flight. Or travel back in time. If you like, you can choose a top 3, or top 5, or top 10. What makes it a good beer to drink at home? Is it brewed to be packaged? Does it pair well with your home cooking? Does it pair well with drinking in your pyjamas? If you don’t think there’s any such thing as a good beer to drink at home, that’s fine, too – talk about that! Whatever your response to the prompt might be is absolutely grand. It’s just a starting point, or trigger – not a set of rules to a game of which we are the umpires.

Okay, so that’s the mission. Let me go to the ‘frig.

I’m at the point in my life when I don’t go out to bars, or even breweries, unless I’m working or traveling. We do have four refrigerators, three in the garage, and one in the kitchen, not to mention a beer cellar under the house. So we generally are well-stocked with choices. I get a fair amount of samples, though it’s been declining here of late, so many of what’s out being chilled are the extra samples. If I get a four-pack or six-pack of samples, I’ll try one of the cans or bottles, and put the rest into rotation in the garage. Some sit around too long, sad to say — I’m only one man, after all — though there are a few beers I like to always keep on hand, though in general it’s more that I like to have a few varied types of beers around, and a specific one of them is less important. So for example, I like to have a pilsner around, and I’m thrilled if I have some Trumer Pils, though I’m just as happy with Russian River STS Pils, Moonlight Reality Czech or Firestone Walker Pivo Pils. All four are relatively easy to find near me, but there are plenty of others I would reach for in a pinch. What’s more important is I want that delicate base malt character, signature subtle hop bitterness and the crisp expression of the yeast that makes a pilsner a pilsner.

Decision, decisions….

This approach plays into something that’s been bugging about the direction of beer over the last decade or so, coinciding with the meteoric rise of hazy IPAs. While not my favorite “innovation” of the modern era, I can, and often do, enjoy a good one from time to time. But what I think we lost when they became the be-all, end-all of craft beer was the diversity which was kind of the point. I think I actually whined … excuse me, opined … about this last month. The reason that the “microbrewery revolution” happened at all was in response to people noticing that almost all American beer was the same, and not that great to boot. Different flavors a.k.a. diversity was the point. So when several decades later the market shrinks to being mostly IPAs, us old-timers cried foul, not that anybody listened (nor should they, to be fair).

But back to the problem at hand. The best beer(s) I can drink at home right now are a group of a few types of beers that I like to keep on hand so I can pick what to drink based on my mood, the weather, what I’m eating, if I’m drinking alone or entertaining, or even what I’m doing. It doesn’t always work perfectly, but it’s good to have goals. More often than not, I can find something at least close to what I want … what I really, really want.

I just made this up today, for no better reason than it was a way to organize my thoughts in a less chaotic way than it exists inside my brain. I took the colors of the rainbow and roughly applied them to seven kinds of beer that I like to keep stocked in my house at any given time so I have a wide variety of choices when it comes time to pick which beer to drink. It’s hardly perfect, but just the process of throwing it together was oddly satisfying and more fun than I would have anticipated. It might even be useful. Who knows?

Strong Beers: I always like to keep something good for sipping around, like a Belgian tripels or barleywine. I’m a bit over Imperial Stouts right now, especially ones aged in Bourbon or other barrels. They more often than not taste like what was in the barrel and lose their beerishness. I also have several bottles (not sure that’s the right word) of Utopias, which is nice for that purpose.

Amber or Light Lagers: By this, I mean Pilsners, Helles and other lighter-bodied lagers. Even Amber Lagers or Vienna Lager fits here, as would Märzen.

Yeasty or Yeast-Forward Beers: Belgian beers are what I had in mind here, although Bavarian hefeweizen would fit this, too. But I generally like to have bottles of Orval or Duvel around, or something along those lines.

Gueuze or other Sour or Wild Fermentation Beers: I almost always have some Cantillon, 3 Fonteinen or Boon, or all three in the cellar. And Russian River being a local brewery to me makes it relatively easy to keep a few of their Belgian-inspired sour ales in stock.

Black or Brown Dark Beers: Moonlight’s Death and Taxes, Brian’s San Francisco-style black lager is almost always in my refrigerator. It’s one of my go-to beers. But I also like to keep a nice Porter or stout, especially oatmeal stout around. I wish there were more packaged brown ale in my neck of the woods, but lately they’ve been hard to come by.

IPAs and Hop-Forward Beers: I know I give the proliferation of IPAs a hard time, but that doesn’t mean I don’t sometimes want a true, bitter IPA, especially thee West Coast variety. It felt like WCIPA was on the ropes for a miniute, but they do seem to be making a comeback here in California, at least.

Veiss or Weiss or Rye Beers: Yeah, I know, this is the weakest one color-wise, but oh, well. There are definitely times when a smooth wheat beer is exactly what I want. I’m especially fond of dunkelweizens, but those are as rare as hen’s teeth. And I threw rye in here just because I have a particular soft spot for any beer brewed with rye.

So that’s my approach to drinking at home, which these days is my preferred spot. While I could arbitrarily pick just one, I feel like there’s simply too many good beers around to ever limit oneself to one beer. That’s what got us into this mess in the first place. I think it’s better to have a new favorite beer every time I open the refrigerator depending on the caprices of my whims. I suppose it’s like answering the question “what’s your favorite beer” by replying “the one in my hand.”

Filed Under: Beers, Just For Fun, The Session Tagged With: fresh, local

Beer In Ads #4894: Piel’s Light Bock

February 27, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Thursday’s ad is is for Piel’s Light Bock Beer, and is from March of 1949. While I’m aware of lighter colored bocks not being uncommon, this is the first time I’ve seen one advertised as a “light bock.” Piel’s Brewing was founded in 1883 in Brooklyn, but by the 1960s they started closing breweries and by 1973 they were all shut down, and the brand sold to another conglomerate. The brand tried to restart in 2018, but it must not have lasted long because of their new social channels ar dormant. I do quite love the gnomes with the goats.

Filed Under: Art & Beer, Beers, Just For Fun Tagged With: Advertising, Bock, History, New York

Beer In Ads #4893: National Bock Beer Fight

February 26, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Tuesday’s ad is depicts a goat fight, apparently to the death, as the victor head butts the other goat over the ledge of a cliff. Standing behind and watching this epic battle are personifications of the major nations of the time, all with mugs of Bock beer in their hands. The Library of Congress mentions a connection to the F. Klemm Brewery of Baltimore, Maryland, although it’s fairly subtle and not all obvious. In the bottom right-hand corner is the following text, quite tiny: “Published by F. Klemm, No. 429 Central Ave., Baltimore, MD.” The chromolithograph was created in 1878. The lithographer was A. Hoen & Co., of 75 Second St., in Baltimore, Maryland. “A. Hoen & Co. was a Baltimore, Maryland-based lithography firm founded by Edward Weber in the 1840s as E. Weber & Company. When August Hoen took it over following Weber’s death, he changed the name and built the company into one of the most prominent in the industry at the time.”

Filed Under: Art & Beer, Beers, Just For Fun Tagged With: Advertising, Baltimore, Bock, History, Maryland

Beer In Ads #4892: Neuweiler’s Bock Beer

February 25, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Tuesday’s ad is for “Neuweiler’s Bock Beer,” and was created in 1939. Neuweiler Brewery was located in Allentown, Pennsylvania and was founded in 1900. It closed in 1968.

Filed Under: Art & Beer, Beers, Breweries, Just For Fun Tagged With: Advertising, Bock, History, Pennsylvania

Beer In Ads #4891: American Brewing Co. Bock Beer

February 24, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Monday’s ad is for “American Brewing Co. Bock Beer,” and the chromolithograph was created in 1890. The American Brewing Company was located in St. Louis, Missouri, and was founded in 1857 as the Excelsior Brewery by Charles Hoelzle. In 1890, it was bought by Oscar Henry Jr. and Hugo Koehler.

Filed Under: Art & Beer, Beers, Breweries, Just For Fun Tagged With: Advertising, Bock, History, Missouri, St. Louis

Beer In Ads #4890: Daufer Bock

February 23, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Sunday’s ad is for “Daufer & Co. Bock Beer,” and was created in 1934. Daufer & Co. was located in Allentown, Pennsylvania from 1860 until 1938, although it was known by a variety of names over that time period.

Filed Under: Art & Beer, Beers, Breweries, Just For Fun Tagged With: Advertising, Bock, History, Pennsylvania

Beer In Ads #4889: Boylston Bock In Color

February 22, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Saturday’s ad for “Boylston Bock,” was created in the 1930s, and is a colorized reproduction of yesterday’s poster. which was originally from around 1890. The Boylston Brewery was located in Boston, Massachusetts. The originaly lithographer was Donaldson Litho. of Newport, Kentucky, but this reproduction was done by Erie Lithograph & Printing of Pennsylvania, who are best known for their circus posters. One of its most prominent artists was “John Seyschab [who] studied art in his native Nuremberg, Germany, before coming to Erie and Erie Lithograph in 1917.”

Filed Under: Art & Beer, Beers, Breweries, Just For Fun Tagged With: Advertising, Bock, Boston, History, Massachusetts

Beer In Ads #4888: Boylston Bock

February 21, 2025 By Jay Brooks

Last year I decided to concentrate on Bock ads. Bock, of course, originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Friday’s ad for “Boylston Bock,” was created sometime before 1918, and most likely around 1890, plus or minus, known as both the Boylston Brewery and Haffenreffer & Co., which were their trade names from their founding in 1870 until Prohibition. The brewery was located in Boston, Massachusetts. The lithographer was Donaldson Litho. of Newport, Kentucky.

Filed Under: Art & Beer, Beers, Breweries, Just For Fun Tagged With: Advertising, Bock, History, Massachusetts

Historic Beer Birthday: Rudolph J. Schaefer

February 21, 2025 By Jay Brooks

schaefer
Today is the birthday of Rudolph J. Schaefer (February 21, 1863-November 9, 1923). He was the son of Maximilian Schaefer, who along with his brother Frederick, founded the F&M Schaefer Brewing Company in 1848. Rudolph became the president of F&M Schaefer Brewing in 1912, and continued in that position until his death. He also bought out his uncles and their heirs, and controlled the entire company.

rudolph-j-schaefer

This is what the brewery in Brooklyn looked like in 1916, shortly after Rudolph J. Schaefer took control of the company.

Schaefer-brewery-1916

Below is a chapter on the history of F&M Schaefer Brewing Co., from Will Anderson’s hard-to-find Breweries in Brooklyn.

Longest operating brewery in New York City, last operating brewery in New York City [as of 1976], and America’s oldest lager beer brewing company — these honors, plus many others, all belong to The F. & M. Schaefer Brewing Co.

“F. & M.”, as most breweriana buffs know, stands for Frederick and Maximilian, the brothers who founded Schaefer. Frederick Schaefer, a native of Wetzlar, Prussia, Germany, emigrated to the U.S. in 1838. When he arrived in New York City on October 23rd he was 21 years old and had exactly $1.00 to his name. There is some doubt as to whether or not he had been a practicing brewer in Germany, but there is no doubt that he was soon a practicing brewer in his adopted city. Within two weeks of his landing, Frederick took a job with Sebastian Sommers, who operated a small brewhouse on Broadway, between 18th and 19th Streets. Frederick obviously enjoyed both his job and life in America, and the next year his younger brother, Maximilian, decided to make the arduous trip across the Atlantic also. He arrived in June of 1839 and brought with him a formula for lager, a type of beer popular in Germany but unheard of in the United States. The brothers dreamed, and planned, and saved – and in the late summer of 1842 they were able to buy the small brewery from Sommers. The official, and historic, starting date was September, 1842.

schaefer1842
Sommers’ former facility was a start, but that’s all it was, as it was much too small. New York beer drinkers immediately took a liking to “the different beer” the brothers brewed, and in 1845 Frederick and Maximilian developed a new plant several blocks away, on 7th Avenue, between 16th and 17th Streets (7th Avenue and 17th Street is today, of course, well known as the home of Barney’s, the giant men’s clothing store). This, too, proved to be just a temporary move; the plant was almost immediately inadequate to meet demands and the brothers wisely decided to build yet another new plant, and to locate it in an area where they could expand as needed. Their search took them to what were then the “wilds” of uptown Manhattan. In 1849 the brewery, lock, stock and many barrels, was moved to Fourth Ave. (now Park Avenue) and 51st Street. Here, just north of Grand Central Station, the Schaefers brewed for the next 67 years, ever-expanding their plant. The only problem was that the brothers were not the only ones to locate “uptown.” The area in the 40’s, 50’s and 60’s grew rapidly all during the last half of the 19th century, and especially after the opening of the original Grand Central Terminal in 1871. Frederick and Maximilian had wisely purchased numerous lots between 50th and 52nd Streets, and by the time they passed away (Frederick in 1897 and Maximilian in 1904) the brewery was, literally, sitting atop a small fortune. Maximilian’s son, Rudolph J. Schaefer, fully realized this when he assumed the Presidency of the brewery in 1912. In that same year Rudolph purchased the 50% of the company owned by his uncle Frederick’s heirs. He thus had complete control of the brewery, and one of the first matters he turned to was the suitable location for a new, and presumably everlasting, plant. In 1914, in anticipation of its move, Schaefer sold part of the Park Ave. site to St. Bartholomew’s Church. This sale, for a reputed $1,500,000, forced Rudolph to intensify his search for a new location. Finally, in June of 1915, it was announced that the brewery had decided on a large tract in Brooklyn, directly on the East River and bounded by Kent Avenue and South 9th and 10th Streets. Here, starting in 1915, Rudolph constructed the very best in pre-Prohibition breweries. The move across the river to their ultra-new and modern plant was made in 1916, just four years before the Volstead Act crimped the sails (and sales!) of all United States breweries, new or old alike.

While it must have seemed a real shame to brew “near beer” in his spanking new plant, Rudolph Schaefer obviously felt that near beer was better than no beer at all; consequently, the brewery remained in operation all during Prohibition, producing mostly near beer but also manufacturing dyes and artificial ice.

In 1923 Rudolph J. Schaefer passed away at the relatively young age of 60. Control of the company thus passed to his two sons, Frederick M.E. Schaefer and Rudolph J. Schaefer, Jr. Frederick guided the brewery for several years but was troubled by poor health, therefore, in 1927, only a few years after his graduation from Princeton University, Rudolph Jr. was elected President. Although he was by far the youngest brewery President in the United States, Rudy, Jr. provided excellent leadership. Several months before that magic Repeal date of April 7, 1933, when 3.2% beer became legalized, he beat most of his New York City competitors to the punch by launching an extensive advertising campaign, centered around the theme that “Our hand has never lost its skill.” Rudy, Jr. also personally outlined and designed many of the new buildings added to the brewery in expansion programs in the 1930’s and early 1940’s.

In 1938 Schaefer joined that exclusive group of brewers that sold 1,000,000 barrels in a year, and the 2,000,000 mark was passed in 1944, two years after the company celebrated its 100th birthday in 1842. Sales continued strong throughout the 1940’s and, to increase capacity, Schaefer purchased the former Beverwyck Brewery Co. in Albany, New York in 1950. They remained a two-plant company until 1961 when, with an eye toward expanding into large areas of the mid-west, Rudy Schaefer purchased the Standard Brewing Company, of Cleveland, Ohio. This, however, did not turn out to be a wise move; Schaefer beer just didn’t seem to catch on in Ohio, and within two years Schaefer sold the plant to C. Schmidt and Sons, which used it as their midwestern brewing arm. In what almost seems like musical breweries, however, Schaefer added a plant in Baltimore in the same year, 1963, that it disposed of its Cleveland facility. Ironically, Schaefer purchased the Baltimore plant from Theo. Hamm, a large St. Paul, Minn. brewer that had been attemping, with little success, to move into the east coast. The grass may always seem greener in the other brewer’s territory, but it certainly wasn’t so for both Schaefer and Hamm’s in the early 1960’s!

Schaefer’s most dramatic move with respect to plants was the decision, in 1971, to build a brand new, ultra-modern brewery just outside of Allentown, Pa. Realizing that all three of its plants at the time, Brooklyn, Albany, and Baltimore, were old and inefficient, Schaefer management decided it had to go the route being taken by Pabst, Schlitz, Anheuser-Busch and Miller – build a brand new and thoroughly modernized brewery rather than continue to try to upgrade old facilities. To construct a new brewery is extremely expensive, of course, but when it was opened in 1972 Schaefer could be justifiably proud – their Lehigh Valley plant was one of the most modern and efficient breweries in the world!

What does a company do, however, when it has one ultra-modern plant and three that appear very dated by comparison? The question is really rhetorical, of course; strive to add to the modern plant while phasing out the less efficient facilities. And that’s exactly what Schaefer did. The Albany plant was shut down almost immediately, on December 31st of 1972. In 1974 the Lehigh Valley plant was expanded from its original 1,100,000 barrels-per-year capacity to 2,500,000 and then, in 1975, it was decided to expand again – to 5,000,000 barrels plus. By 1975, therefore, it was obvious that one of the two less efficient plants should and would be closed, the only questions remaining was which plant, Brooklyn or Baltimore, and when. Both questions were answered on January 22, 1976 when Robert W. Lear, Chairman and Chief Executive Officer of The F. & M. Schaefer Corp., announced the closing of the Brooklyn plant. This announcement, only one week after Rheingold disclosed its plans to also shut down in Brooklyn, left Brooklyn and New York City without a single producing brewery. While both Frederick and Maximilian Schaefer, if they were alive today, would undoubtedly be proud of Schaefer’s history and many years of brewing, and would certainly be impressed with the modern brewing techniques reflected in the Lehigh Valley plant, I suspect they’d feel very badly about the closing of the company’s brewery in New York City, the city that’s had a love affair with Schaefer lager for over 134 years.

Rudolph-J-Schaefer-1863
A painting of Rudolph J. Schaefer.

rudolph-and-family

The Schaefers around 1895, with Rudolph Schaefer standing, with his father Maximilian Schaefer sitting down, holding F.M. Emile Schaefer, his grandson and Rudolph’s son on his lap.

Schaefer--Beer-Labels-F--M-Schaefer-Brewing-Company_19149-1

Schaefer-family
Three generations of Schaefers.

Filed Under: Beers, Birthdays, Breweries, Just For Fun Tagged With: History, New York

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