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The Nickel (Beer) In New York

April 4, 2017 By Jay Brooks

nickel
This is an interesting article I stumbled upon, from a Time magazine article about Sam’s Bar & Grill in St. Mark’s Place in the East Village of New York City. It was from April 4, 1949

sams-place-1

The Nickel In St. Mark’s Place


Monday, April 4, 1949

Pale and shaken, 51-year-old Sam Atkins backed away from himself with a feeling somewhere between disbelief and awe. By a single, splendid cerebration he had been lifted out of the ruck into the status of a television curiosity. In his humble Manhattan saloon, Sam had decided to cut the price of beer (the 7-oz. glass) from a dime to a nickel.

Up to that moment Sam was just a pensioned pumper driver from the Bayonne (N.J.) fire department, and Sam’s bar & grill was like any neighborhood joint around St. Mark’s Place on the Lower East Side. Its only distinctive touch was Sam’s cousin, “Bottle Sam” Hock, who amused the trade by whacking tunes out of whisky bottles with a suds-scraper. But the customers got a joyful jolt when Sam opened up one morning last week.

All around the walls, even over the bar mirror, tasteful, powder-blue signs proclaimed in red letters: “Spring is here and so is the 5¢ beer.” The early birds drank and took their change in mild disbelief. The nickel wasn’t obsolescent after all. The word spread. Sam’s bar & grill started to bulge like Madison Square Garden on fight night. People drank, shook hands with strangers and sang.

sams-place

Then something went sour. The two breweries that supplied Sam cut him off, and an electrician came around and took the neon beer sign out of the flyspecked windows. Somehow, it seemed, Sam had betrayed free enterprise. An organization of restaurant owners muttered that Sam might not be cutting his beer, but he was cutting his throat. The Bartenders Union threw a picket line in front of the place because it was nonunion.

But Sam hung on. He signed up with the union, managed to get his beer through a couple of distributors and a Brooklyn brewery, announced that he was going to have the windows washed, and keep at it. Said he solemnly: “The people want it.” By this week Sam’s idea had spread to other saloons in Washington, D.C. and New Jersey, and Sam was getting more trade in a day than he had drawn before in a week. The nickel beer was here to stay, Sam announced.

nickel-beer

Filed Under: Beers, Just For Fun, Politics & Law, Related Pleasures Tagged With: Business, History, New York

Beer In Ads #2235: The All Important

April 3, 2017 By Jay Brooks


Monday’s ad is for Schlitz, from 1907. In the first decade of the 20th century, Schlitz Brewing, then one of the larger breweries in the U.S. after the industry had shrunk from over 4,000 to around 1,500 in just 25 or so years, did a series of primarily text ads, with various themes. In this ad, with the title “The All Important,” you might understandably wonder what is the all important? It’s purity, of course, which is “absolute cleanliness” and “freedom from germs.” And that is more or less what it means. Google’s definition is “freedom from adulteration or contamination.” I certainly wouldn’t “knowingly drink beer that was not.”

schlitz-1907-all-important

Filed Under: Art & Beer, Beers Tagged With: Advertising, History, Schlitz

Beer In Ads #2234: The Doctor Says “Drink Beer”

April 2, 2017 By Jay Brooks


Sunday’s ad is for Schlitz, from 1908. In the first decade of the 20th century, Schlitz Brewing, then one of the larger breweries in the U.S. after the industry had shrunk from over 4,000 to around 1,500 in just 25 or so years, did a series of primarily text ads, with various themes. In this ad, a doctor apparently prescribes beer for “the weal and convalescent,” so if it’s good enough for “those who need strength” then it should be pretty good for you, too.

schlitz-1908-doctor-2

Filed Under: Art & Beer, Beers Tagged With: Advertising, History, Schlitz

Beer In Ads #2233: Schlitz, For Fifty Years

April 1, 2017 By Jay Brooks


Saturday’s ad is for Schlitz, from 1909. In the first decade of the 20th century, Schlitz Brewing, then one of the larger breweries in the U.S. after the industry had shrunk from over 4,000 to around 1,500 in just 25 or so years, did a series of primarily text ads, with various themes. In this ad, celebrating their 50th anniversary, having been founded in 1849, they’re talking about their purity, and “common beer, usually, costs you just as much as Schlitz,” so the inference is that you might as while buy the Schlitz.

Schlitz-1906-for-50

Filed Under: Art & Beer, Beers Tagged With: Advertising, History, Schlitz

Beer In Ads #2232: What Is Beer?

March 31, 2017 By Jay Brooks


Friday’s ad is our last trade ad for March, by the United States Brewing Industry Foundation, from the early 1940s. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, entitled simply “What is Beer?,” it depicts eleven different people involved in the creation, selling and consumption of beer. Some you’ll expect, like the brewer, of course, along with the farmer and the tax collector. But I wasn’t expecting the poet. But I guess it makes sense. As they suggest. “It is the beverage of friendship, good company and good inspiration.”

what-is-beer

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2231: What Hops Do For Beer And Ale

March 30, 2017 By Jay Brooks


Thursday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1940. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, it’s another one labelled as part of a series entitled “THE RECORD … Facts That Concern You.” As I mentioned yesterday, I’m unsure just how many were actually created and published but this one provides a clue. In the upper right-hand corner it says that this ad is “No 21 of a series,” so that suggests there were at least that many ads of this type. The ad describes hops by stating “Hops are for flavor. They give to good beer and ale their lively, appetizing flavor, their pleasant, aromatic tang.” Hard to argue with that.

UBIF-1940-hops-21is

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History, Hops

Beer In Ads #2230: The Story Of Relief From Relief

March 29, 2017 By Jay Brooks


Wednesday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1938. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, one of the earliest by the UBIF, and labelled as part of a series entitled “THE RECORD … Facts That Concern You.” I’ve only found a few from the series, so I’m unsure just how many were actually created and published. The ad itself is titled “The Story of Relief From Relief” is a catchall of themes they’d later explore in more depth, about creating jobs, paying taxes, helping farmers and trying to make bars safer and lawful places.

UBIF-1938-relief

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2229: The Entire Cost Of The C.C.C.

March 28, 2017 By Jay Brooks


Tuesday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1940. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, which appears to be about the C.C.C., which I confess I didn’t know what that meant. Apparently C.C.C. stands for Civilian Conservation Corps, and here’s a description from Wikipedia:

The Civilian Conservation Corps (CCC) was a public work relief program that operated from 1933 to 1942 in the United States for unemployed, unmarried men from relief families as part of the New Deal. Originally for young men ages 18–25, it was eventually expanded to young men ages 17–28. Robert Fechner was the head of the agency. It was a major part of President Franklin D. Roosevelt’s New Deal that provided unskilled manual labor jobs related to the conservation and development of natural resources in rural lands owned by federal, state and local governments. The CCC was designed to provide jobs for young men, and to relieve families who had difficulty finding jobs during the Great Depression in the United States. At the same time, it implemented a general natural resource conservation program in every state and territory. Maximum enrollment at any one time was 300,000. Over the course of its nine years in operation, 3 million young men participated in the CCC, which provided them with shelter, clothing, and food, together with a small wage of $30 (about $547 in 2015) a month ($25 of which had to be sent home to their families).

So the beer industry was suggesting in this ad that this popular program cost many times less than all of the taxes paid on beer, and therefore the industry was helping out with the good work of the corps. In fact, only four days of beer taxes were needed to fund it for an entire year. Not bad. Drink up, you’re helping conserve our natural resources.

USBF-1939-ccc

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2228: Sure … Everybody Notices The One Black Sheep!

March 27, 2017 By Jay Brooks


Monday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1940. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, showing one black sheep grazing among a dozen white ones, the message is none to subtle. And if you still weren’t sure, the headline should seal the deal. “Sure … everybody notices the one black sheep! The ad copy goes on to explain that’s why their new program is designed to get rid of every bad beer retailer.”

UBIF-1940-black-sheep

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

Beer In Ads #2227: Beer Proposes A Program … And Invites Your Support

March 26, 2017 By Jay Brooks


Sunday’s ad is a trade ad, by the United States Brewing Industry Foundation, from 1939. After prohibition ended, the industry started doing PSA-type ads in an attempt to create goodwill for beer and brewers. They would later go on to do a fairly sophisticated series of ads between 1946 and 1956, known unofficially as Beer Belongs. Officially, they were “The Home Life in America” series, consisting of 120 ads, with a new ad running in major periodicals each month. Last year, for my Beer in Ads series, I featured every one of them. But in the years before that, the U.S. Brewing Industry Foundation (a precursor to the original Brewer’s Association) dabbled with a variety of similar ads promoting the industry as a whole. These were especially popular during World War 2, and in fact they even won an award from the government for some of these ads. Most of the ads were black and white, although a few were in color, though usually in a minimal way, with a few colors accented rather than being in full color.

In this ad, which is almost entirely text, the United Brewers Industrial Foundation was proposing a voluntary program whereby they were trying to clean up beer’s image, so they created a “Brewer’s Code of Practice,” a part of which was to undo the anti-social aspects and images of drinking beer. The new foundation apparently represented over half of total beer production at that time, so they felt like this was a goal they could tackle, I suppose. They also invited consumers to help them by rooting out bad beer places. And I love this bit of wisdom, which sounds so modern. “There is nothing more promising to combat the evil of too much alcohol than the opportunity of drinking good beer.” In other words, drink less, but better beer.

beer-proposes

Filed Under: Art & Beer, Beers Tagged With: Advertising, Brewers Association, History

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