
Tuesday’s ad is an early one for Whitbread Pale Ale. The 1936 ad is all shadows and light, with the shadowed man wearing some sort of riding hat, or is he Sherlock Holmes?

By Jay Brooks

Tuesday’s ad is an early one for Whitbread Pale Ale. The 1936 ad is all shadows and light, with the shadowed man wearing some sort of riding hat, or is he Sherlock Holmes?

By Jay Brooks

Monday’s ad is for Ballantine Ale from 1947. The whale may not be white, but it sure seems to play on the story of Moby Dick. Ballantine did a series of diorama ads that featured different stories, some from literature and some from history. I don’t know how many they did, I’ve collected at least a dozen of them, but I’d love to know more definitively what subjects they covered.

By Jay Brooks

Last week’s artworks were all paintings of wheat fields by Vincent Van Gogh for the most recent Session on wheat beers. Since wheat fields were a favorite subject for Van Gogh — throughout his life he painted at least 40 artworks that included a wheat field — I couldn’t help but feature several more again this week.
Wheat field, painted in 1889.

Green Wheat Field, also painted in 1889.

Wheat Field with Reaper, from 1888.

Sheaves of What in a Field, from 1885.

Sunset Wheat Fields Near Arles, from 1888.

Wheat Field Behind Saint Paul Hospital with a Reaper, from 1889.

Wheat Field with Cypresses at the Haute Galline Near Eygalieres, from 1889.

Sunset Wheat Field with Sheafs, from 1888.

For more about Vincent Van Gogh, Wikipedia is a good place to start, though there’s even more at the Vincent Van Gogh Gallery, which has a complete list of his works. There are also tons of links at the ArtCyclopedia and another biography at the Web Museum.
By Jay Brooks
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Our 43rd Guinness poster depicts a man leaning against an ancient Greek column and accidentally knocking it down, just because he’s recently enjoyed a pint of Guinness. That’s, as the slogan suggests, “Guinness for Strength.”

And here’s another version of the ad with a lot more text than usually seen in Guinness advertising at that time.

By Jay Brooks

Friday’s ad is for Carlsberg from 1925. It features an odd painting of a man with a beer stein holding some vegetable like turnips. I don’t know if Carlsberg adapted a known work of art for this advertisement or if it was commissioned for it.

By Jay Brooks

Thursday’s ad is for Schlitz Famo, from around 1918. Famo was their non-alcohol beer during Prohibition, or as they referred to it, “a pure non-intoxicating beverage.” I’m not sure what the tie-in was with the man in uniform, though it was during World War I, and since today is Veteran’s Day — originally Armistice Day for that war’s end.
Most of the beer companies scrambled to come up with a N/A brand in the years just before Prohibition as they finally started to see the writing on the wall. For an interesting overview of the names they came up with, check out Prohibition and Near-Beer Names.

During the early part of Prohibition, brewers at the time were emphasizing cleanliness by saying that “Schlitz Famo goes through a pulp filter–then through a sterilized pipe line to glass-lined tanks in a cool cellar for aging. A sterilized line carries it to automatic filling machines containing sterilized bottles, thence to Pasteurization” They further stressed the nutritional values of their products. The company boasted that Schlitz Famo is more than a drink. It is a food. Every time you take a glass of Schlitz Famo you are taking something to eat. Every compound essential to the human body is present in Schlitz Famo–protein, carbohydrates, mineral matter and water–the only factor absent being fats, and they are formed in the body from the carbohydrates. These elements repair and build up broken-down tissues and impart to the body heat and muscular energy. That’s why we say Schlitz Famo is a worth-while cereal beverage. It is non-intoxicating. It is healthful, refreshing and satisfying. It has the wonderful hop aroma.
By Jay Brooks

Wednesday’s ad is for Budweiser from 1948. It depicts a very colorful, surreal circus scene with the slogan “You Have To See It To Believe It.”

By Jay Brooks

Tuesday’s ad is for Budweiser from 1958. It’s from the “Where There’s Life … There’s Bud” series and features a couple at the beach. The man is pouring beer from a can to overflowing — tilt the glass, dude! — while the woman tries to sip it up before it spills over the side, while holding a partially-eaten sandwich. Is it just me, or is there something vaguely odd about the ad?

By Jay Brooks
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The theory that it was beer that caused early man to make the transition from hunter/gatherers to farmers instead of bread, thus starting civilization itself, has been gathering steam since it was first proposed by anthropologists in the 1950s. The latest support comes from archaeologist Brian Hayden at Simon Fraser University in Canada, who will be submitting his recent research to the journal Current Archeology. His theories suggest that it wasn’t just the beer that was important, but its use in rituals like feasts that help bring people together.
From the article in Live Science:
The advent of agriculture began in the Neolithic Period of the Stone Age about 11,500 years ago. Once-nomadic groups of people had settled down and were coming into contact with each other more often, spurring the establishment of more complex social customs that set the foundation of more-intricate communities.
The Neolithic peoples living in the large area of Southwest Asia called the Levant developed from the Natufian culture, pioneers in the use of wild cereals, which would evolve into true farming and more settled behavior. The most obvious explanation for such cultivation is that it was done in order to eat.
Archaeological evidence suggests that until the Neolithic, cereals such as barley and rice constituted only a minor element of diets, most likely because they require so much labor to get anything edible from them — one typically has to gather, winnow, husk and grind them, all very time-consuming tasks.
Hayden told LiveScience he has seen that hard work for himself. “In traditional Mayan villages where I’ve worked, maize is used for tortillas and for chicha, the beer made there. Women spend five hours a day just grinding up the kernels.”
However, sites in Syria suggest that people nevertheless went to unusual lengths at times just to procure cereal grains — up to 40 to 60 miles (60 to 100 km). One might speculate, Hayden said, that the labor associated with grains could have made them attractive in feasts in which guests would be offered foods that were difficult or expensive to prepare, and beer could have been a key reason to procure the grains used to make them.
“It’s not that drinking and brewing by itself helped start cultivation, it’s this context of feasts that links beer and the emergence of complex societies,” Hayden said.
Feasts would have been more than simple get-togethers — such ceremonies have held vital social significance for millennia, from the Last Supper to the first Thanksgiving.
“Feasts are essential in traditional societies for creating debts, for creating factions, for creating bonds between people, for creating political power, for creating support networks, and all of this is essential for developing more complex kinds of societies,” Hayden explained. “Feasts are reciprocal — if I invite you to my feast, you have the obligation to invite me to yours. If I give you something like a pig or a pot of beer, you’re obligated to do the same for me or even more.”
“In traditional feasts throughout the world, there are three ingredients that are almost universally present,” he said. “One is meat. The second is some kind of cereal grain, at least in the Northern Hemisphere, in the form of breads or porridge or the like. The third is alcohol, and because you need surplus grain to put into it, as well as time and effort, it’s produced almost only in traditional societies for special occasions to impress guests, make them happy, and alter their attitudes favorably toward hosts.”
Food and beer together at the heart of the birth of civilization. Now that’s pairing idea I can get behind.
By Jay Brooks

Monday’s ad is for Schlitz, from — I’m guessing — the swinging, sophisticated sixties with a play on their famous slogan “when you’re out of Schlitz you’re out of beer” being rendered more proper, as “When One Is Out Of Schlitz, One Is Out Of Beer.”

