This was created back in May, but it escaped my notice. April Kuhn created a cool poster for Drink Philly entitled The Philadelphia History of Beer. According to the website, “[w]hile it doesn’t cover everything that’s occurred in Philadelphia since its founding, it does cover a lot — and it shows why this truly is one of the world’s greatest spots for beer.” If you’d like one of the poster for your very own, they’re on sale online for $10 right now.
Monday’s holiday ad — it’s Boxing Day — is from 1930s Britain and is, I believe, an industry advertisement extolling the virtues of beer. And this one is suggesting that even for festive occasions, beer is best. Happy Boxing Day.
Today’s work of art is another painted by David Teniers the Younger, a Flemish artist born in Antwerp. The painting is known as Peasants Dancing Outside an Inn. The painting is in the Royal Collection at Windsor, which I believe means the Queen of England owns it. It was completed around 1645, although the Royal Collection lists the date as 1641.
The Web Gallery of Art describes the painting:
The painting, which would appear to date from the mid- or late 1640s, is essentially a genre scene of a type that had been pioneered by painters like Jan Brueghel the Elder, Frans Francken II and David Vinckboons. The broad characterisation of peasant types by Teniers is to some extent derived from Adriaen Brouwer, but the squat proportions of the figures, with their large heads and big feet, are typical of the artist’s style. Not all the figures, however, are peasants. The couple in the left foreground, accompanied by a child and a dog, are bourgeois types. So too is the woman nearby being helped to her feet. Dress and coiffure suggest social distinctions that may give the painting extra meaning.
The inn in the left half of the composition occurs again in a painting in Dresden, but the general layout of the composition with buildings on the left, a tree with or without a fence marking the centre, and a distant view on the right is a well-established format in Teniers’s work. Otherwise it is the range of observation and contrasting actions that holds the attention. The bagpiper leaning against the tree, the man vomiting, the man near the centre leaning on his stick, the dancers, the woman looking out of the window of the inn are all memorable figures in a painting of varied emotions and changing rhythms. The figure helping the woman to her feet anticipates Watteau, who was a keen admirer of Teniers. Genre, landscape and still life are all combined in this composition, which provides abundant proof of the artist’s skills.
The second painting of the same Inn they’re referring to appears to have been done around 1660 and is also titled Peasants Dancing Outside an Inn, though it’s often referred to as Peasants Dancing Outside An Inn II
To learn more about David Teniers, Wikipedia has a good overview and there’s also a more detailed biography at the National Gallery and the Web Gallery of Art. You can see more of his work at the Web Museum, Olga’s Gallery and the National Gallery. There are also additional links at ArtCyclopedia
Here’s yet another beer bottle Christmas tree, this one from 2007. It was “built from 1050 stubbies (250ml bottles), equivalent to 462 pints. Tied together with 300 meters of wire and decorated with 200 lights, with a bubble lamp in the centre, the tree stands 2 meters high and 1 meter wide at the base.” Hoppy Christmas.
Our 99th Guinness ad is a black and white print advertisement that ran in Life magazine in December of 1940. Showing a tuckered out store Santa Claus being torn apart by the little kiddies hoping to tell him what they want for Christmas. I’m not sure how that behavior squares with needing to be good, for goodness sale. But the ad suggests, “When you’re Tired enjoy a Guinness.” And I love their description: “Guinness looks, tastes and is different from every other malt beverage. It is dry, racy — hearty and nourishing!”
This isn’t exactly new, but it’s still pretty cool, despite using green bottles. They may not be great for keeping UV light out of the beer, but they do work great for building Christmas trees. Completed in 2006, 2000 Heineken bottles are controlled by animated lighting equipment built by the homeowner.
Friday’s holiday ad is for Rhode Island’s Narragansett Beer, which has made a come back in recent years. It originally “appeared in the December 23, 1945 issue of The Boston Herald.” Offering “Holiday Greetings from Narragansett,” and also featured a wonderful painting of an idyllic winter scene.
According to Narragansett’s blog, the “painting is titled, ‘On The Post Road,’ and was created by artist, Harold Breut.”
I kept forgetting to post this nice piece about King Hammurabi, the Babylonian ruler responsible for mankind’s first set of laws, known as the Hammurabi Code. It ran in the San Francisco magazine Drink Me, in their October 2011 issue. The article, Hammurabi: The King Of Beers, goes into some deatil about the laws in the Hammurabi Code dealing with beer:
The Code contains dozens of edicts concerning the growing, harvesting, and sale of grain. Thus it pertains to beer, since grain had been domesticated and farmed for only two reasons:beer and bread. But the laws which deal specifically with those happy suds are numbers 108 through 111.
Law 108 reads as follows: “if a tavern-keeper (female) does not accept corn according to gross weight in payment of drink, but takes money, and the price of the drink is less than that of the corn, she shall be convicted and thrown into the water.” There are a couple of important things to clarify here. First, it is of interest that the regulation goes out of its way to specify that the hypothetical tavern-keeper is female.
In ancient Babylon, almost all tavern-keepers (not to mention brewers, generally) were women.
Men hunted and made war; women grew food and made beer. And second, “shall be… thrown into the water” does not mean that the offending tavern-keeper was merely tossed in the nearest river and left to sputter. It meant that the guilty party was thrown into the nearest river and held there until she stopped sputtering. Additions to Babylonian law made after Hammurabi’s death did away with the drowning of offending barkeeps and replaced it with mutilation of the woman’s breasts. Sheesh…
Like most despotic rulers, Hammurabi was seriously paranoid that his subjects were plotting against his authority. One of the central meeting places for average citizens in Babylon was the beer hall. These were, or were thought to be, hotbeds of sedition, which inevitably led to the creation of Law 109: “if conspirators meet in the house of a tavern-keeper, and these conspirators are not captured and delivered to the court the tavern-keeper shall be put to death.” The method of execution favored here was to drown the wrongdoer in a barrel of her own beer. Given the amount of political sniping that goes on in our bars today, we can be thankful (I think) that Law 109 has gone the way of the dodo bird.
And then there were the nuns. Called “sisters of god,” they were holy women dedicated to one of the numerous gods that populated Babylonian mythology. The nuns were expected to behave according to a quite rigid set of moral protocols, and the punishments for failing to do so were, to say the least, horrifying. As an example we need look no further than Law 110: “if a sister of a god open a tavern, or enter a tavern to drink, then shall this woman be burned to death.” Given that the Law specifically prohibits the sisters from not only drinking in a beer house, but going into business as a beer entrepreneur, we can only imagine that these actions were routinely undertaken by Babylon’s holy ladies. And the menfolk must have really hated them for breaking with the norm. Burning a woman alive for having a drink? Wow.
The final Law governing alcohol is 111, and it reads thusly: “if an inn-keeper furnish sixty ka [a unit of measure similar to a bushel] of drink to the city, she shall receive fifty ka of corn at the harvest.” It is a rather dull little edict; Babylonian capitalism in action. But at least no one gets drowned or burned.
This is pretty cool, despite the Corona bottles. According to the musician who made the video, BoTLpLayA, “[he] play[s] Carol of the Bells on perfectly tuned corona bottles (they make the best sound), by “plucking” them with [his] finger.” Hmm, not sure that makes sense, but who am I to argue with the results. Enjoy!
Thursday’s holiday ad is for Stag Beer, from 1958. Maybe it’s just me, but a treasured stag traditions doesn’t sound too wholesome to me, especially when the ad shows a comely lass standing under the mistletoe holding a beer in her hand. So if I understand this scene correctly, a beautiful woman is offering me a beer, and by taking it I’ll be under the mistletoe, so I’ll also have to kiss her, as well. Okay, I take it all back; now that is a treasured tradition.
