
Saturday’s ad is for Bière Fine Luxem, from around 1930. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Saturday’s ad is for Bière Fine Luxem, from around 1930. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Friday’s ad is for Brasserie Vandenkerckhove, from around 1930. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Thursday’s ad is for Bières de la Meuse, from 1896. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Wednesday’s ad is for Bière St. Nicolas de Port, from 1933. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Tuesday’s ad is for Birra Napoli, from 1922. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Monday’s ad is for La Perle, from 1919. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Sunday’s ad is for Bières de Neufchâteau, from the 1920s. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Saturday’s ad is for Bière Mètèor, from 1925. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Friday’s ad is for Bière De l’Espérance, from 1920. From the late 1800s until the 1940s, poster art really came into its own, and in

By Jay Brooks

Thursday’s ad is for Birra Livorno, from possibly the late 1890s, though it could be from as late as the 1920s. From the late 1800s until the 1940s, poster art really came into its own, and in

I also found this second image of the poster showing very different colors.

