Friday’s ad couldn’t be more new, less historical, if it tried. It’s the new poster for this year’s SF Beer Week, which begins today. This year’s poster may be the best yet. Each of the objects, people, places, things represent the name of a local beer, so it’s game, as well as a piece of cool art. See how many you can find and figure out.
Thursday’s ad is a recent one for Heineken, in support of a music festival they sponsored, the Heineken Jammin’ Festival in Venice, Italy. I may not like their beer, but they do put out some great advertising. The photo of a band on state from overhead, with the floodlights lighting the crowd makes it look like a pint of dark beer with a nice head and bubbles. Awesome shot.
Wednesday’s ad is another one for Budweiser, though this one’s a little older than yesterday’s, most likely from the late 1950s or early 1960s. It’s from Budweiser’s long-running “Where There’s Life” series of ads. The ad features a couple on the beach, and even though its night their faces still look shiny with sweat, or maybe that’s just the glow of the fire that makes them look like that. Either way, hopefully those weenies will be done soon.
Tuesday’s ad is for Budweiser, from not too long ago: 1987. And while I don’t normally feature the overtly sexist ads, this one is too classic to ignore. This, and variations on it, were nearly ubiquitous in the late 1980s. I recall seeing them everywhere. I still think it’s a fairly clever ad, even with the titillation. One thing that sticks out now, just 25 years later, is what they’re listenging to and reading. If the ad was done today, they’d be using an iPod and reading on a Kindle or iPad.
Monday’s ad is still one more by Eugene Oge, a French illustrator who did a number of great beer adverts during his lifetime from 1861-1936. He was a major figure in the Belle Epoque and did many outstanding ads for resorts, food, and all sorts of beverages and brands. This is the fifth of his I’ve featured, and it’s for a presumably French beer brand, Grande Brasserie D’Arcueil. On a particularly hot day, the server appears to be licking the beer foam on the side of the glass as he delivers a giant mug of beer.
Today’s work of art is a thoroughly original, unique work of contemporary art. The medium is not paint, but “stitched commercial wool felt combined with needle and traditional wet felting.” The Portland, Oregon artist, LeBrie Rich, originally created it as a window display for the local knitting shop Knit-Purl. Hard as it is to believe, everything except the aluminum tv dinner tray and the plastic fork is made of felt.
Appropriate for today, the work also includes a football game on the felt television.
And, of course, there’s a beer. In this case, the TV dinner is paired with a can of Hamm’s.
And finally, here’s the TV dinner itself. Hungry? Probably a lot of fiber.
To learn more about LeBrie Rich, check out the biography and resume on her own website. And there’s a short profile on Craft Corps. She also has some of her other items for sale on Etsy, and his online store Penfelt.
Our 105th Guinness ad is from the Illustrated London News, from early 1945, during World War II. It shows two navy men painting, or possibly just cleaning, an impossibly huge aircraft carrier. One turns to the other and says. “I feel like a Guinness,” to which the other replies. “I wish you were!”
Friday’s ad is yet another by Eugene Oge, a French illustrator who did a number of great beer adverts during his lifetime from 1861-1936. He was a major figure in the Belle Epoque and did many outstanding ads for resorts, food, and all sorts of beverages and brands. This is the fourth of his I’ve featured, and it’s for a presumably French beer brand, Biere de L’Eclair. Since fizzy yellow beer is sometimes referred to as piss water, I wonder if the horse licking the mug of beer is related to that idea? Nah, probably not, especially with the dog at the man’s feet begging for any beer that might drips down the sides of his mug.
Thursday’s ad is from Switzerland, specifically Zurich, and is for possibly a restaurant or beer hall. Because Bayrische Bierhalle Kropf, in German, is Bavarian Beer Hall Kropf. It’s by Herman Rudolf Seifert, though I can’t find any substantive information about him. Featuring prominently in the ad is the hammers logo with the date 1417, which is used on the Hacker-Pschorr logo so perhaps it is a beer hall that serves their beer.
Wednesday’s ad is also for an Italian beer, though it’s by renowned German illustrator Adolfo Hohenstein, who made a name for himself painting in Italy, where he helped to found Italian Art Nouveau. Hohenstein is also considered the “father of Italian poster art,” and this poster was completed in 1906, the year he left Milan and returned home to Germany. I think it’s one of the most beautiful of the time period.
