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Jay R. Brooks on Beer

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Beer In Ads #105: Weisbrod & Hess

May 10, 2010 By Jay Brooks

ad-billboard
Monday’s ad is another oldie, from 1905. It’s for Weisbrod & Hess, a.k.a. Oriental Brewery of Philadelphia, Pennsylvania. It’s a complex and beautifully illustrated poster.

weisbrod-hess-1905

Filed Under: Art & Beer, Beers Tagged With: Advertising, History, Pennsylvania, Philadelphia

Smokin’ Aces Drink Bell’s Oberon

May 10, 2010 By Jay Brooks

bells
We were watching Smokin’ Aces 2: Assassins’ Ball last night — quick review: mildly entertaining action adventure with cartoon violence and not much of a plot. Most of the best bits were in the trailer.

smokin-aces-2

Anyway, a good portion of the film takes place in a bar. One of the beers served is Bell’s Oberon. There’s a prominent tap handle of it on the bar, where one scene takes place. When the frame part of the scene at one point, the Bell’s logo along with the Oberon label can be seen in the foreground on the left-hand side of the frame. And at several more points, either the Bell’s or Oberon graphics can be seen. I don’t know if Larry Bell paid for product placement or if someone who made the film was a big fan. Either way, that was fun to see.

bells-oberon

Filed Under: Beers, Just For Fun, Related Pleasures Tagged With: Film, Michigan, Midwest

Session Beers For The Next Session

May 10, 2010 By Jay Brooks

session-the
Our big 40th Session will be hosted by Erik Lars Myers from Top Fermented. He’s chosen a topic near and dear to Lew Bryson’s heart — as wll as many other beer lovers — session beers, which he describes as follows.

There are a thousand ways to approach this.

What is your definition of a session beer? Is it, as Dr. Lewis suggested at the Craft Brewers Conference this year, “a pint of British wallop” or is your idea of a session beer a crisp Eastern European lager, a light smoky porter, a dry witbier, or even a dry Flemish sour?

Is it merely enough for a beer to be low alcohol to be considered a session beer, or is there some other ineffable quality that a beer must hold in order to merit the term? And if so, what is that quality? Is it “drinkability”? Or something else?

What about the place of session beer in the craft beer industry? Does session beer risk being washed away in the deluge of extreme beers, special releases, and country-wide collaborations? Or is it the future of the industry, the inevitable palate-saving backlash against a shelf full of Imperial Imperials?

What are some of your favorite session beers? When and where do you drink them? If you’d like, drink one and review it.

So join us for the next Session, all about sessions, on Friday, June 4.

Filed Under: Beers, The Session Tagged With: Announcements

Guinness Ad #17: The Pelican Thief

May 8, 2010 By Jay Brooks

guinness-toucan
Our seventeenth Guinness poster by John Gilroy is part of the “My Goodness, My Guinness” series, showing a Pelican with his mouth filled with bottles of Guinness and, in the background, a table of zookeepers looking around, wondering what happened to their beer.

guinness-pelican

Filed Under: Art & Beer, Beers Tagged With: Advertising, Guinness, History

Session #39: Collaboration Beers

May 7, 2010 By Jay Brooks

collaboration
Our 39th Session is hosted by Mario Rubio who writes at both Brewed For Thought and, collaboratively at Rate Beer’s Hop Press. It’s appropriate then that he’s chosen Collaboration Beers as this month’ session topic, which he described in his announcement.

Feel free to have fun with the topic. Drink a collaborative beer. Who’s brewed some of your favorite collaborations? Who have been some of your favorite collaborators? Who would you like to see in a future collaboration?

As the topic is collaborations, working with each other is encouraged.

session_logo_all_text_200

As time is short for me, what with being overwhelmed with work of late and leaving later this afternoon for the Boonville Beer Festival, I’ll turn to an article I wrote for the January 2009 issue of All About Beer magazine. Entitled Brewing Togetherness, it was essentially on this very topic, with the subtitle “Collaboration Beers: The Natural Evolution of Craft Beer.” Here are the opening paragraphs:

Aristotle observed, in his classic work Metaphysics, that “the whole is more than the sum of its parts.” He may not have been talking about beer when he said that, but then again, he was on to something. Over the past decade or so, there’s a trend that’s been slowly building as craft brewers are increasingly making metaphysically delicious beers, in pairs or in groups, with the results often tastier than the sum of their part-iers’ efforts alone.

This recent trend of collaboration beers represents the next logical step in building relationships that brewers began thirty years ago at the dawn of modern craft brewing. Since then, an unprecedented sharing of knowledge and resources has led to an industry mature beyond its years. This is arguably the reason that American craft beer has built its excellent reputation in such a short time, and also why collaboration beers feel like such a natural extension of that success.

Of course, since trade guilds began in the United States, shortly after the start of the Civil War, brewers have been sharing technical information and basic advancements in brewing techniques. But today’s craft brewers have gone further. The kind of assistance they gave one another—early on and continuing through the present day—was unequivocal and without reservation.

When all the small breweries combined brewed such a tiny fraction of the total beer sold, nobody worried about market share, competition or trade secrets. Brewers in the craft industry were simply very open with one another, freely offering each other help, and freely asking for it, too, in a way that earlier generations and larger businesses wouldn’t dream of doing.

As several brewers noted, many early brewers came from a homebrewing background, and took their hobby and “went pro” at a time when there were few books available and hardly any readily available body of knowledge. Most brewers learned their craft in the kitchen, not in a formal school setting. As a result, brewers were already used to turning to other homebrew club members or on forums to fill in gaps in their knowledge.

But a curious thing happened once the size and number of small brewers increased and their market share grew bigger, too. Those close relationships endured as did their willingness to share, as brewers eschewed conventional business thinking and continued to help each other as often as needed. You’d be hard-pressed to find another business where people don’t protect their most valuable trade secrets and operational knowledge. Most industries employ corporate espionage to find out their competitors’ secrets and the threat of lawsuits to keep their own employees from defecting and taking their institutional knowledge with them to a competing firm.

You might be tempted to think that so cavalier an attitude could doom such businesses to failure or, at the very least, to not staying ahead of their competition. By any measure, however, you’d be deeply wrong. It may be counter-intuitive, to say the least, but by and large the breweries that have been the most open and helpful have also been the most successful.

After that, I attempted to detail as many collaborations as I could, with eye toward documenting some early collaborations, both domestic and internationally, and describing the many different kinds of collaborations that brewers were doing. There were so many that a graphic was created for the article showing all the connections that I mentioned.

Collabrographic

And here’s how I concluded, with how the many brewers participating in collaborations feel about them.

The Future of Brewing Together

While there is no doubt that collaboration beers are a growing trend, not everyone is convinced they’re here to stay. Everyone seems to have a different reason for doing them and perceives their value differently.

Some people fear that collaborative brews may simply be a way to generate publicity. Before doing his own jointly-brewed beer, Ron Jeffries admitted to feeling “a little cynical about them.” But after being involved in one, he’s had to rethink that assumption. For him, “the collaboration experience was spiritual,” as well as educational. “It was great to spend time with people I respected, but didn’t really know that well. It was great to see a little bit more of how and why they do what they do.”

Many people echo the sentiment that a collaboration must be more than just a marketing exercise. Collaborations are, by necessity, compromises. Jeffries feels that if it goes too far it becomes more marketing-driven instead of being all about creating a great beer. “That’s the danger,” he says.

Tomme Arthur makes a musical analogy: “There must be a point. You can put Mötley Crüe and Guns N’ Roses on the same stage, but there’s no guarantee the results will be beautiful music.” Continuing the musical metaphors, Cilurzo adds, “Collaborations are like musician’s side projects, where you can gain inspiration. But it doesn’t mean the band breaks up.”

Arthur believes “there will continue to be a need for ambassadors overseas” providing an “opportunity to reach out. We all use the same ingredients, but there’s a world of difference.” Cilurzo adds, “In collaborations, you see things you might never have thought of on your own, and that’s the ultimate reward.” Calagione sees the trend as “a microcosmic symbol of how promiscuous the beer industry is, where we all share secrets with one another, where the consumer is generally catholic with their drinking habits, celebrating the breadth of styles available in the world.”

Todd Ashman sees collaborations as “a natural evolution” of the brewer’s networking experience and offers a way “to stay in touch with people you might not otherwise deal with regularly.” He adds, “It’s also a way to get your customers into the fold and keeps it interesting” for both them and the brewers. And that may be the truest test of all, that the consumers ultimately like and are willing to buy the collaboration beers.

While there is certainly competition among American craft brewers, it is a healthy competition, borne of trying to outdo one another, to show off, to push the envelope just a little bit farther. As Stone’s Mitch Steele says, “Craft brewers feed on what each other is doing.” Or as Calagione puts it, collaborations “remind everybody how creative and exciting the craft beer world is. Not only do we let our freak flag fly, but we also let it mingle.”

Undoubtedly, consumers can count on seeing and tasting more collaboration beers in the coming years. As long as brewers keep approaching the collaborations with their fellow brewers, whether at home or abroad, in the right spirit, then they’ll continue to create unique beers, often in limited quantities, that will keep the beer world continually excited about each new beer. As Dustin Watts, co-creator of the Midnight Project, sees the ultimate point of collaborations, they just scream, “Welcome to the world of craft beer, this is what it’s all about.”

The entire article is online, so you can read it at All About Beer’s online archive. Since then, one of my favorite collaborations has been the Life & Limb project between Sierra Nevada and Dogfish head.

But the story behind the Collaboration Not Litigation between Russian River and Avery expresses the spirit of craft brewers best.
collab-not-lit

Filed Under: Beers, Breweries, The Session Tagged With: Collaborations, International

Beer In Ads #104: Schlitz New Pop Top Bottle

May 7, 2010 By Jay Brooks

ad-billboard
Friday’s ad is for the new pop top bottle that Schlitz debuted in the early 1960s. It’s their stubbie bottle — I just love the look of the stubbie bottle — showing how easy it twists off. And then there’s that tagline. :Now a beer bottle you can open with your bare hands.”

schlitz-60s-3

Filed Under: Art & Beer, Beers Tagged With: Advertising, History, Schlitz

Beer In Ads #103: Fresh & Cold, Direct From The North Pole

May 6, 2010 By Jay Brooks

ad-billboard
Thursday’s ad is one of the oldest I’ve come across. It’s from 1877 and is, I believe, for a Baltimore brewery, an F. Klemm. The lithograph was created by a Baltimore firm, A. Hoen & Co. I chose it because today in 1851, an ice machine was patented so brewers no longer needed to go all the way to the north pole for their ice. Still, it’s pretty funny seeing the polar bears take to beer so completely. To the left, you can see one smoking a cigar, but my favorite is on the right where a, presumably, mama bear is giving her cub a sip of her beer.

Fresh-and-Cold

Filed Under: Art & Beer, Beers Tagged With: Advertising, History

Moderate Drinking Lowers Diabetes Risk

May 6, 2010 By Jay Brooks

health
A recent study from several universities in the Netherlands shows as much as a 40% decrease in the risk of type 2 diabetes for people who drink alcohol in moderation as compared to people who abstain altogether. Reuters is reporting today about the study, which went online last week at the website for the American Journal of Clinical Nutrition.

The study itself, entitled the “Combined Effect of Alcohol Consumption and Lifestyle Behaviors on Risk of Type 2 Diabetes,” concluded that even a healthier overall lifestyle could not explain the lower risk brought upon by moderate alcohol consumption, as had been previously thought.

From the Abstract:

Objective: We studied whether moderate alcohol consumption is associated with a lower risk of type 2 diabetes in adults with combined low-risk lifestyle behaviors.

Design: We prospectively examined 35,625 adults of the Dutch European Prospective Investigation into Cancer and Nutrition (EPIC-NL) cohort aged 20–70 y, who were free of diabetes, cardiovascular disease, and cancer at baseline (1993–1997). In addition to moderate alcohol consumption (women: 5.0–14.9 g/d; men: 5.0–29.9 g/d), we defined low-risk categories of 4 lifestyle behaviors: optimal weight [body mass index (in kg/m2) <25], physically active (≥30 min of physical activity/d), current nonsmoker, and a healthy diet [upper 2 quintiles of the Dietary Approaches to Stop Hypertension (DASH) diet].Results: During a median of 10.3 y, we identified 796 incident cases of type 2 diabetes. Compared with teetotalers, hazard ratios of moderate alcohol consumers for risk of type 2 diabetes in low-risk lifestyle strata after multivariable adjustments were 0.35 (95% CI: 0.17, 0.72) when of a normal weight, 0.65 (95% CI: 0.46, 0.91) when physically active, 0.54 (95% CI: 0.41, 0.71) when nonsmoking, and 0.57 (95% CI: 0.39, 0.84) when consuming a healthy diet. When ≥3 low-risk lifestyle behaviors were combined, the hazard ratio for incidence of type 2 diabetes in moderate alcohol consumers after multivariable adjustments was 0.56 (95% CI: 0.32, 1.00).

Conclusion: In subjects already at lower risk of type 2 diabetes on the basis of multiple low-risk lifestyle behaviors, moderate alcohol consumption was associated with an approximately 40% lower risk compared with abstention.

All good news, right? Well, one feature that’s ubiquitous every time another study has great news about drinking beer drives me absolutely crazy. The Reuters’ report concludes with this unnecessary disclaimer, as they all seem to.

That said, [the lead research scientist] also noted that experts do not recommend that non-drinkers take up moderate drinking simply because it is related to lower risks of certain diseases. Alcohol always carries the potential for abuse, and the known risks of problem drinking have to be balanced against the possible health benefits of moderate drinking.

It’s as if they’re afraid that if they don’t say something like this, that people will go on a drinking binge, thinking it’s good for them all of a sudden. Can they really think so little of their audience? Or is simply being worried about liability? Either way, it drive me to drink.

Filed Under: Beers, News Tagged With: Health & Beer, Science

Beer In Ads #102: Budweiser, There’s Nothing Like It

May 5, 2010 By Jay Brooks

ad-billboard
Wednesday’s ad is from Life Magazine, and ran in the April 17, 1950 issue. The Budweiser ads shows a couple gardening, with the tagline “There’s nothing like it … absolutely nothing.” But it’s the text that I really love, comparing mother nature to their beer.

No one works more tirelessly to give you the good things of life than Mother Nature. It is she, by the way, who brings you BUDWEISER. We supply her with the choicest of ingredients and the most perfect of working conditions and … slowly … slowly she matures every flavorful, sparkling drop of the world’s most famous beer.

Live life, every golden minute of it. Enjoy BUDWEISER, every golden drop of it.

Now that’s beautiful copy-writing.

beer-life-04-17-1950

Filed Under: Art & Beer, Beers Tagged With: Advertising, Budweiser, History

Rethinking The Can

May 5, 2010 By Jay Brooks

beer-can-beer
John Heylin, who runs the Nor Cal Beer Guide, has an interesting article he posted today about the untold costs of aluminum cans, entitled Why Craft Breweries Should Stop Using Cans. In it, his main argument is that while cans have benefits once they’re made, that the process of creating aluminum cans have significant costs to the environment from the mining and processing of them. I hadn’t ever thought about it from that angle, and it’s certainly worth looking into further. He concludes with this.

The bottom line is this: aluminum is in no way environmentally friendly. Sure, after it is ripped from the Earth, smelted, shipped, refined, and made into a product it is easily recyclable and very light weight, but the cost is far too great. The cost to the environment and to the people living around these areas is just too much. Clean aluminum is like the myth of clean coal, it’s a total lie.

So what about glass? Heylin remarks that “at least glass comes from sand, is reusable, and when thrown away goes back to sand. Aluminum? It lasts forever.” I’m assuming, though, that taking sand and turning it into glass also has environmental costs associated with it, though what they are I don’t know off the top of my head.

In the end, I really don’t know how to balance which does the greater harm or is gentler on the planet. It seems no matter what we choose, some harm is done. I’m certainly not willing to give up packaged beer while so many other manufactured goods, and for that matter entire industries, are doing far worse damage. I guess today I’ll stick with draft beer. But wait, isn’t that one big aluminum can? Damn. Okay, I guess I’ll search out a wooden cask. Hold up, isn’t that chopping down forests for the wood? In the Joe Jackson song Cancer, a line in the chorus is “everything gives you cancer” and at one point in the song just after singing that line, a piano riff begins and Jackson yells out, “hey, don’t play that piano.” And in a sense, I guess my point is, like the song, that everything causes some harm and choices have to be made. Every brewery is built with mined metal, industrial processing plants, smelting, iron and steel, and goodness knows what else.

Should we try to make responsible choices? Of course. But in a world where every decision has consequences, and usually bad ones, even Thomas Hobson might have trouble making a choice.

Still, it’s always good to consider and rethink our assumptions on a regular basis. Any day that makes us think is a good day, in my opinion, at least, even if it’s driving me to drink.

Filed Under: Beers, Editorial, Politics & Law Tagged With: Cans, Environment, Packaging, Recycling

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