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Beer In Ads #5365: Amstel Bock

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Thursday’s poster is for Amstel Bock, which was created around 1960. This poster was made for the Amstel Brewery, which was founded by brothers-in-law Charles Antoine de Pesters and Johannes Hendrikus van Marwijk Kooy, along with Willem Eduard Uhlenbroek on the Mauritskade in Amsterdam in 1870. The poster was created by Dutch artist Kees van Roemburg.

Beer In Ads #5362: Heineken’s Bokbier

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Monday’s poster is for Heineken’s Bokbier, which was created in the 1950s. This poster was made for the Heineken Brewery, which was founded in 1864 by Gerard Adriaan Heineken. The poster was created by prominent Dutch commercial artist and illustrator Jacob Jansma.

Historic Beer Birthday: Gerard Adriaan Heineken

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Today is the birthday of Gerard Adriaan Heineken (September 28, 1841-March 18, 1893). In 1864, he founded the Heineken brewing dynasty that’s still family-owned today.

This is part of the Wikipedia page for Heineken:

On 15 February 1864, Gerard Adriaan Heineken (1841–1893) convinced his wealthy mother to buy De Hooiberg (The Haystack) brewery in Amsterdam, a popular working-class brand founded in 1592. In 1873 after hiring a Dr. Elion (student of Louis Pasteur) to develop Heineken a yeast for Bavarian bottom fermentation, the HBM (Heineken’s Bierbrouwerij Maatschappij) was established, and the first Heineken brand beer was brewed. In 1875 Heineken won the Medaille D’Or at the International Maritime Exposition in Paris, then began to be shipped there regularly, after which Heineken sales topped 64,000 hectolitres (1.7 million U.S. gallons), making them the biggest beer exporter to France.

Here are some “interesting facts” about the early days of Heineken from the website First Versions:

  • In 1869 Gerard Heineken decided to switch from traditional top fermentation to the Bavarian method of bottom fermentation, a totally different technique that produces a clearer, purer beer, which keeps longer.
  • On January 11, 1873, Heineken’s Bierbrouwerij Maatschappij NV (HBM) was established, and Gerard Heineken was appointed President.
  • A second brewery was opened in Rotterdam in 1874.
  • In 1886 Dr. Hartog Elion, a pupil of the French chemist Louis Pasteur, developed the “A-yeast” in the Heineken laboratory. This yeast is still the key ingredient of Heineken beer.
The Heineken Brewery in 1867.

And this is from the Heineken N.V. Wikipedia page:

The Heineken company was founded in 1864 when the 22-year-old Gerard Adriaan Heineken bought a brewery known as De Hooiberg (the haystack) in Amsterdam. In 1869 Heineken switched to the use of bottom-fermenting yeast. In 1873 the brewery’s name changed to Heineken’s Bierbrouwerij Maatschappij (HBM), and opened a second brewery in Rotterdam in 1874. In 1886 Dr. H. Elion, a pupil of the French chemist Louis Pasteur, developed the “Heineken A-yeast” in the Heineken laboratory. This yeast is still the key ingredient of Heineken beer.

And this longer biography is a Google translation of Oneindig Noord-Holland:

Gerard was born in Amsterdam in 1841 as the son of Cornelis Heineken and Anna Geertruida van der Paauw. He grew up with his brother and two sisters at a time when various contagious diseases were haunting the city. Many fled from run-down and impoverished Amsterdam. Gerard’s half-sister died in 1851 and his brother Adriaan, who was only eight years old, died two months later.

Gerard was a child of his time: he had a great interest in art, the history of the city and new technological developments. In 1863 Gerard had his eye on the somewhat dilapidated De Hooiberg brewery on the Nieuwezijds Achterburgwal in Amsterdam. Gerard’s move to take over the brewery was, to say the least, remarkable. The consumption of beer, still the national folk drink in the 17th century, had only declined. Preference was often given to wine, coffee, cocoa or tea and for the workers, gin and brandy were sufficient, which also had a better shelf life than beer. In addition, the quality of beer had recently deteriorated, so that the brewing industry enjoyed little prestige.

What probably appealed to Gerard was the technical aspect of brewing. It was a time when many new techniques were being developed and with that much progress was possible. In England, partly due to the steam engine, the beer industry had grown to such an extent that it was comparable to the textile industry or mining. In addition, beer was considered a blessing for public health in the Netherlands. If people wanted to move forward and regain their former prosperity, they had to drink the gin and the beer. Beer was therefore an ideal product to invest in if you had money and enough guts.

Gerard had a nose for entrepreneurship and managed to bring the beer back to the man. The switch to the so-called Beijerse or bottom-fermented beer was the first major success. Expansion soon became necessary and three years later the first stone was laid for a new factory on Stadhouderskade.

To keep up, Gerard made sure that the most modern techniques were used in the brewery. He was the first to buy a very expensive ice cream machine, which solved the cooling problems in one fell swoop. Yet the brewery is not only doing well. The international market and Paris in particular remains difficult to conquer. There was strong competition from Germany but also from our own city, where Amsterdam’s Amstel beer provided exciting times. Nevertheless, Gerard always managed to come back as the largest Dutch beer brewery.

While 1893 seemed to be a quiet year, disaster struck on March 18 for Gerard. He collapsed during a meeting, after which he died almost immediately: a heart attack. His son Henry Pierre Heineken (1886-1971) would eventually take over, but lacked business acumen and interest and did more harm than good. Fortunately, his son, the well-known Freddy Heineken (1923-2002), seemed to have inherited more of his grandfather’s talent for trade and leadership. Freddy did everything he could to get the company back into the hands of the Heinekens and would then be able to turn Gerard’s beer brand into a global brand.

Beer In Ads #5358: Heineken’s Bockbier

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Thursday’s poster is for Heineken’s Bockbier, which was created between 1910-1920. This poster was made for the Heineken Brewery, which was founded in 1864 by Gerard Adriaan Heineken. The poster was created by prominent Dutch commercial artist and graphic designer André Vlaanderen. The text at the bottom reads: “Is niet voor de ganzen gebrouwen” (“It is not brewed for the geese”), apparently “plays on a traditional Dutch proverb meaning that high-quality beer should be properly appreciated and not put to waste.”

Beer In Ads #5355: Heineken’s Bokbier

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Monday’s poster is for Heineken’s Bockbier, which was created in the 1950s. This poster was made for the Heineken Brewery, which was founded in 1864 by Gerard Adriaan Heineken. The poster was created by Dutch graphic designer and commercial illustrator Jacob Jansma.

Beer In Ads #5350: Grolsch-Bok

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Wednesday’s poster is for Grolsch-Bok, which was created in 1935. It was produced for the Brouwerij De Klok, of Groenlo, The Netherlands, which was founded in 1809. It was created by Dutch artist Jan Wijga.

Beer In Ads #5349: Van Vollenhoven Bokbier

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Tuesday’s poster is for Van Vollenhoven Bokbier, which was created in 1930. It was produced for the Van Vollenhoven Bierbrouwerij, of Amsterdam, The Netherlands, which was bought by Jan Messchert van Vollenhoven in 1791. It was created by Dutch artist Jan Wijga.

Beer In Ads #5348: Heineken Bokbier This Month

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Two years ago I decided to concentrate on Bock ads for awhile. Bock, of course, may have originated in Germany, in the town of Einbeck. Because many 19th century American breweries were founded by German immigrants, they offered a bock at certain times of the year, be it Spring, Easter, Lent, Christmas, or what have you. In a sense they were some of the first seasonal beers. “The style was later adopted in Bavaria by Munich brewers in the 17th century. Due to their Bavarian accent, citizens of Munich pronounced ‘Einbeck’ as ‘ein Bock’ (a billy goat), and thus the beer became known as ‘Bock.’ A goat often appears on bottle labels.” And presumably because they were special releases, many breweries went all out promoting them with beautiful artwork on posters and other advertising.

Monday’s poster is for Heinken Bokbier, which was created in or around 1955. It was produced for the Heineken Co., of Amsterdam, The Netherlands, which was founded in 1864. It was created by Dutch commercial artist Koen van Os. “Deze Maand” is also some Dutch text on the poster, which means “This Month.”

Beer Birthday: Theo Flissebaalje

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netherlands
Today would have been the 77th birthday of Theo Flissebaalje, but sadly he passed away last year, in May. Theo was from the Netherlands, and co-founded StiBON, and he’s also active in the beer consumer organization PINT. He’s also on the international judging circuit. I first met him judging in Tokyo, Japan, but have also judged with him in Europe and America, as well. Join me in wishing Theo a very happy birthday.

Theo in Japan.
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Through a window in Antwerp during lunch for the Brussels Beer Challenge in 2015, that’s Theo on the far right.
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Agostino Arioli, from Birrificio Italiano, with Theo, also in Japan in 2013.

Historic Beer Birthday: Emile A.H. Seipgens

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Today is the birthday of Emile Anton Hubert Seipgens (August 16, 1837-June 25, 1896). Seipgens was born in Roermond, the Netherlands. He was the son of a brewer, and after school and some failed jobs, joined his father at the brewery in 1856. By 1859, he was running the brewery along with his brother. But apparently he wasn’t happy there, and in 1874 decided to pursue his dream of becoming a writer. Throughout his life, he wrote poetry, novels, plays and much more.

Here’s a translated biography of his literary career, from Literary Zutphen:

Emile (Anton Hubert) Seipgens, born August 16, 1837 in Roermond, from 1876 until 1883 teacher of German at the Rijks HBS in Zutphen. He founded a literary reading companion for his disciples and was a member of the “Circle of scientific maintenance. He lived Nieuwstad A128-2. Seipgens was an outspoken Limburg author. His work – theater, novels and novellas village – is invariably located in Limburg, and sometimes – his songs – even written in Limburg dialect. Some of his best known and most read titles he wrote in his Zutphense period: The chaplain Bardelo (1880), from Limburg. Novellas and Sketches (1881). In this period made ​​Seipgens, who was first trained to be a priest, then was brewer, then teacher, to eventually become a writer, definitively separated from the Catholic Church. He started on the assembly line to write stories, which he published in magazines such as The Guide , Netherlands and Elsevier . One of those stories, Rooien Hannes , had worked to folk drama and staged by the Netherlands Tooneel great success. Later titles are: In and around the small town (1887), along Maas and Trench (1890), The Killer Star (1892), Jean, ‘t Stumpke, Hawioe-Ho (1893), The Zûpers of Bliënbèèk (1894) and A wild Rosary (1894). In 1892 Seipgens secretary of the Society of Dutch Literature in Leiden, and in that place he died 1896. Posthumously published yet his novel on June 25, Daniel (1897) and the beam A Immortellenkrans (1897). Seipgens, which is one of the earliest naturalists of the Netherlands became completely into oblivion, until the late 70s of the last century actually was a small revival. Which among other things led to reprint the novel The chaplain Bardelo and stories in and around the small town , and to the publication of his biography, written by Peter Nissen: Emile Anton Hubert Seipgens (1837-1896). Of brewer’s son to literary (1987), and the placing of a memorial stone at Seipgens birthplace. But this revival was short-lived. If Emile Seipgens remembered voortleeft, it will have to be on the legend of the rovershoofdman Johann Bückler based ‘operabouffe’ Schinderhannes (1864), which to this day in Roermond is staged!

And here’s another account from “The Humour of Holland,” published in 1894.

Seipgens-bio